[00:00:00->00:10:00] Through a series of carefully edited images and subtitles, this video tells a story set against the backdrop of an impending revolution in rural 18th century France.The video opens with a beautiful view of the night sky and the moon, symbolizing the truth of the silent ones who are about to be revealed.As the camera progresses, the viewer is introduced to France in 1789, a tumultuous time when July 14th had not yet arrived, let alone the September massacre.In this context, the video shows an outdoor party scene in the countryside, with people gathered around a statue in a garden, seemingly enjoying a peaceful time, but in reality, the winds of rebellion are rising.A letter appears in the video that appears to be a birthday wish, but the heartwarming scene is quickly replaced by tension.The next scene shows a group of people playing a poker game, but the subtitles reveal that the players in these games are actually discussing how to rebel against the nobility and their privileges.Immediately after, a man in military uniform appears, symbolizing the threat of the powers that be against the resistance, but his efforts are ultimately futile because there are greater forces behind them.The video also mentions a hero named "Black Tulip," who wears a black coat and rides through the countryside, enjoying the beauty of her surroundings.She is portrayed as a determined rebel, and the name and her story figure prominently in the movie.Subsequent scenes show multiple characters in historical costumes who reenact historical events and enhance the historical feel of the story.These scenes include a man in a fantasy costume riding a horse through a forest and a group of people running through a field in a wagon with a soundtrack that adds to the tension of the plot.The story develops further and reveals the conflict between the nobles and commoners through dialogues between different characters.In it, the Count Guillum de sempre is featured prominently, denying that he is a servant and expressing his displeasure with the police chief's accusations, demanding more evidence to support them.These conversations reflect the complexity of the society and the intensity of the class struggle at that time.Finally, the video explores the conflict between personal emotions and social realities through a romantic scene between a man and a woman dressed in period clothing and a conversation between them.These scenes not only add to the emotional dimension of the story, but also reflect the living conditions and inner world of the people of that era.Through these images and dialogues, the entire video builds a vivid picture of 18th century France on the eve of social change, with both historical gravitas and a delicate depiction of humanity.[00:10:00->00:20:00] As the night grows darker, the atmosphere in the forest grows more mysterious.A man, wearing a black hat, rode a horse slowly through the forest surrounded by trees.The video's credits appear as "a black tulip," followed by the question, "My God, what will become of us?" This line seems to foreshadow the change and uncertainty that is to come.The scene then switches to a group of men on horseback traveling through the forest, dressed in historic uniforms, seemingly recreating an important moment from the past.Their expressions were serious, as if they were preparing for an important operation.The reappearance of "a black tulip" in the subtitles emphasizes the importance of this mysterious woman in the story.Soon, a man in pirate garb appears on the screen, standing outside the cabin, peering through the window as if plotting something.His presence adds a touch of tension and adventure to the story.Next, a man in military uniform rides through the forest, seemingly leading a procession, and the soundtrack heightens the tension.As the story progresses, a man dressed as a pirate appears at the door, smiling and seemingly comforting someone as the caption reads, "I'll take care of you."This line not only expresses his commitment to someone, but also hints at a deep emotional relationship that may exist in the story.Immediately afterward, the image shows a man interacting intimately with a bear in the forest, wearing a blue jacket and appearing to be communicating with nature in some special way.This cozy scene contrasts with the previous tense atmosphere and gives a hint of warmth and hope.As the story continues to develop, a man dressed in pirate garb stands in front of the door, looking a little frightened, which seems to be a turning point, hinting at the challenges and conflicts to come.A group of men in military uniforms then engage in a sword fight in the forest, and the duel between them not only demonstrates individual courage, but also reflects the intensity of the social tensions of the era.The video also features a conversation in which a man asks another man about his passport, to which the latter easily replies, "The police have no problem with that."This conversation, though brief, reveals trust between the characters and a certain confidence in the future.In the last few scenes, a group of people in different historical costumes sit around a table and share a meal in a relaxed atmosphere.Their dialog is filled with a thirst for justice, freedom and brotherhood, as the caption reads, "For justice, for the brotherhood of freedom, I, too, am thirsty."This passage not only expresses their ideals, but also adds a deep layer of social significance to the whole story.As the video ends, the viewer is transported to a time of change, adventure, and hope, with every detail carefully crafted to show both the complexity of 18th century French society and the beauty and hope in humanity.[00:20:00->00:30:00] The video's imagery gradually shifts from the previous historical scene to a more tense and metaphorical atmosphere.A man in a white shirt appeared in a room with a knife in his hand, seemingly preparing to cut something off.The seriousness of his expression and the oppressiveness of his surroundings reveal his inner monologue: he has been forced by circumstances to come here to escape certain unpleasant situations, especially those related to the "black tulip".Next, the video shows two men sitting at a table, one in a brown jacket and the other in a white shirt, enjoying their dinner and talking to each other.During the conversation, the man in the brown coat refers to the story of the "black tulip", which tells how a tulip reclaimed ill-gotten gains, fought tyranny and benefited from blackmailing taxpayers.This conversation not only reveals the story behind "The Black Tulip," but also hints at the underlying themes of justice and resistance in the story.The video then switches to a more intimate scene where the man in the white shirt stands alone in the room, talking to the camera.His words are filled with uncertainty about the future and dissatisfaction with the present circumstances.He emphasized that if he did not leave, he would not only be his own loss, but would even bring destruction.This monologue profoundly reflects the difficult choices and inner struggles that individuals face in the midst of social change.Immediately afterward, the man in the brown jacket reappears in the frame, this time standing in front of the door, looking extraordinarily nervous.He reminded the other that the reputation of both parties was at stake in this operation and that he would do his best.This dialog reveals the cooperation and trust between the two men, while adding to the tension of the story.A cozy scene in the video appears between a man in a white shirt and a horse.The man seems to be communicating with the horse, reminding it to watch out for the Parapatistas' needles, while expressing alarm at the impending action.This scene not only shows the harmony between man and nature, but also hints at important events to come.As the video progresses, a man in pirate garb appears in a room where he appears to be preparing for the upcoming action.His dialog is filled with uncertainty about the future and concern for his fellow man, reminding the other not to be soft.This dialog reveals the depth of emotion between the characters and also adds to the tension of the story.Finally, the video shows multiple figures in historical costumes singing and dancing in the garden, seemingly recreating historical scenes from the past.This scene not only enhances the historical feel of the story, but also reflects the efforts of people to find a moment of peace and joy in the midst of turbulent times.Through these delicate scenes and dialogues, the entire video builds a vivid picture of 18th century France on the eve of social change, with both a sense of historical gravity and a delicate depiction of humanity.Every detail is carefully designed to show not only the complexity of society, but also the beauty and hope in humanity.As the night progresses, every shot in the video seems to speak of the coming change and uncertainty, immersing the viewer in a time of adventure and hope.[00:30:00->00:40:00] The video switches to a group of people dressed in 18th century clothing who are walking down a busy street, recreating an old-time wedding scene.The faces of the people were beaming with joy as they seemed to be celebrating this traditional and solemn occasion.The caption shows that they are wishing each other, "I'll do my best, and may God bless Count Caroline, and please call me by my first name, and may God bless you." These words convey not only respect for the Count, but also good wishes for the future.The camera then pans to a room in which a couple in fancy dress is standing, their conversation filled with tension and unease.The man mentioned news that disturbed him so much he wasn't even sure where his room was.The woman then inquired why he was staring at her like that, to which the man replied, "I regret it, I love you." But then he added: "But don't say it, I'll keep it a secret." This conversation reveals the complex emotional entanglement between the two men, while also hinting at the insecurity of their environment.The video also features a man dressed in brown, wearing a crown and standing in a room adorned with gold ornaments in what appears to be a kingly role.The caption shows that he is talking to someone, and the words are full of uncertainty and worry about the future.This scene not only enhances the historical feel of the story, but also reflects the complexity of the society and the unease of the people at that time.The video then shows multiple characters in historical costumes discussing things in a room.They seemed to be planning an important action, and the discussion concerned matters of national importance, such as the prerogatives of the king and the resolutions of the people.One of the men mentioned, "The people can remain silent by addressing many necessary issues." His words reveal a thirst for power and ambition for the future.In the final part of the video, the scene shifts to a group of men riding through a forest in the moonlight, their expressions serious as they seem to be preparing for an important operation.The subtitles again refer to the "black tulip", emphasizing the importance of this mysterious woman in the story.As the soundtrack intensifies, the atmosphere of the video becomes more tense, signaling that a major change is about to take place.These scenes not only show the complexity of 18th century French society and the intensity of class struggle, but also make the audience feel as if they were in that era of change, adventure and hope through delicate emotional portrayals and vivid historical reenactments.Every detail is carefully crafted to show both the complexity of society and the beauty and hope in humanity.[00:40:00->00:50:00] The video continues to delve into the details of life in 18th century rural France, showing a time of tension and change.A man dressed as a pirate holding a light bulb seems lost in his own thoughts in a dark section of the room, which is only dimly lit, adding a bit of mystery.The words "faucet," "Zeni" and "Zene" appear in the subtitles, words that seem to stand out in the context of the video, perhaps suggesting some underlying metaphor or secret. The words seem to stand out in the context of the video, perhaps suggesting an underlying metaphor or secret.The scene then switches to a man walking along a mountain trail at night, wearing a hat and appearing to be carrying some item in his hand.The video's caption reads, "Sheep Pen, you've lost your mind, turn back now." This passage not only reveals the character's inner struggle, but also foreshadows the challenges to come.Immediately after, an empty cart drawn by two horses drives slowly through the dark forest, the horses moving at a steady pace, seemingly preparing for the upcoming action, and the caption repeats the warning "Goat fence, you've gone mad, turn back now", further emphasizing the tense atmosphere of the story.Next, a group of people dressed in black perform a dance in a darkened room, their movements graceful and mysterious as the soundtrack creates a mysterious and tense atmosphere.The subtitles refer to "Lombár fat", followed by a conversation with the police: "Where are we now? Where are you going?" These conversations reveal the tension between the characters and their uncertainty about the future.A man, sword in hand, stands in a darkened room and appears to be making some sort of threat or warning as the caption reads, "You take a shot at me, I'll take a shot at you.You force me to the sword and I will immediately stab you with a Ramos wearing a black tulip." These dialogues not only show the courage of individuals, but also reflect the intensity of social conflicts at that time.The video also shows a horse standing in a field at night, looking calm and relaxed, seemingly in some kind of special communication with nature, and the word "Zenai" appears again in the subtitles.A masked man then appears in the darkened room, dressed in black and appearing to be a superhero, with subtitles that read, "Keep your head up, and by that I mean keep your head up, up to the right side of your nose." These strange instructions are confusing, but perhaps suggest some special ritual or preparation.Immediately afterward, a man in pirate garb stood in a darkened room with a sword in his hand, seemingly conversing with someone as the subtitles repeated the previous request, "Lift it up and put it where you need it, not on your nose." These conversations not only reveal the tension between the characters, but also add to the mystery of the story.The final part of the video shows a group of men in medieval garb walking through a dark forest, armed and seemingly preparing for an impending battle, with a caption that reads, "We're ready to lay the putty on the left side, please.Beat the horses home farmer, pat the horses and bring them back to the farmhouse so they can sleep in the sky with you." These dialogues not only show the interaction between the characters, but also reflect their preparation and determination for the future.As the video progresses, a group of men in military uniforms stand in a line and talk to each other in what appears to be a re-enactment of a historic event.The subtitles show a conversation between the Chief of Police, who appears to be in an argument with a subordinate, and the subtitles show: "I'm not the Chief of Police, I'm not the supervisor, and I'm not the Chief of Police.I'm not a supervisor, I'm the chief of police, and I'm an alcoholic, so get him outta here." These dialogues not only reveal the conflicts between the characters, but also reflect the complexity of the society at that time.Finally, a man dressed in black rides a horse in the darkness, his expression serious and seemingly contemplative, as the caption reads, "Don't make fun of me, don't be cheeky, I hate you for all of it." This passage not only expresses the character's anger but also hints at his internal struggle.Through these delicate scenes and dialogues, the video builds a vivid picture of 18th-century France on the eve of social change, with both a sense of historical weight and a delicate depiction of human nature.Every detail is carefully crafted to show both the complexity of society and the beauty and hope in humanity.As the night progresses, every shot in the video seems to speak of the coming change and uncertainty, immersing the viewer in a time of adventure and hope.[00:50:00->01:00:00] The video presents a scene full of emotional twists and turns and drama, further revealing the complexity of 18th century rural French society and the intricate relationships between the characters through a series of subtle dialog and action.First, the scene switches to a red-haired woman singing in a room, dressed in a long green dress, who appears to be putting on a musical performance.Her songs are filled with memories of the past and confusion about the future.She sings, "When I'm not married, I'm just like I was when he left me.When he leaves, when I leave."Her vocals revealed a deep sense of loss, as if her inner world was completely opened up in this moment, allowing the audience to feel the pain and loneliness within her.The camera then pans to a man in a white shirt who stands in a room and speaks to the camera.A painting hangs on the back wall of the room, adding a bit of literary flair to the whole scene.His words were filled with memories of the past: 'When he left, alas, there was no disappointment, but surprise after he left.'"His expression appeared complex, both wistful and helpless, as if he was remembering his past with someone.The video then switches to a more intimate scene with a man and a woman talking in a room.The man was wearing a white shirt and the woman was wearing a blue dress.The dialog is filled with memories of the past and uncertainty about the future.The woman mentions that she entrusted her bridal wreath to the man, but he didn't treat it well, which triggered her anger.I was angry when she said, "He swore he never touched her, swore he never laid a hand on her, swore he never took that garland."This conversation not only reveals the conflict between the two, but also reflects the low status of women and their distrust of men in the society at that time.As the story progresses, a man and woman in white shirts appear in the picture, and they seem to be discussing future plans.The man said firmly, "I'll prove it, and if I'm right, I'll go with you.I know your father's secret. If it's true, I'll go with you."This conversation not only shows the trust between the two, but also hints at the challenges they will face together in the future.In another scene, a woman sits on a bed, smiling and talking to someone off-camera.Her words are filled with hope for the future, "Email me."Her smile and relaxed tone contrasted with the previous tension and seemed to herald a new beginning.The video also features a sword fight scene where two men dressed as pirates go at it in a room.Their swords were skillful and quick, and the background music heightened the tension.This scene not only shows the courage of the individual, but also reflects the intensity of the social conflicts of the time.Finally, the video ends with an image of a man dressed as a pirate riding away in a horse-drawn carriage.He was accompanied by two other men who seemed to be on some important mission.The soundtrack is full of tension and adventure, foreshadowing the change and uncertainty to come.Through these delicate scenes and dialogues, the entire video builds a vivid picture of 18th century France on the eve of social change.Every detail is carefully crafted to show both the complexity of society and the beauty and hope in humanity.As the night progresses, every shot in the video seems to speak of the coming change and uncertainty, immersing the viewer in a time of adventure and hope.[01:00:00->01:10:00] The video continues to delve into scenes from the 18th century French countryside, presenting a picture full of emotional twists and turns and drama.First, a group of people dressed in 18th-century costumes sang and danced around the room in what appeared to be a musical performance.Their songs and dances were full of love for life and hope for the future.The caption reads, "O Great Lord, grant us endless joy and unending happiness.We are very honored to be here and to be able to host such a great event in such a small town."This passage not only conveys their joy for the event, but also reflects the importance people placed on community and celebration at the time.The camera then pans to a room where a group of people in historical costumes appear to be reenacting a historical event or theatrical performance.In the caption, a police chief mentions, "My current police chief is missing what I need to hear because what I want to hear no longer exists."This conversation reveals his dissatisfaction with the present and nostalgia for the past.The caption then further reveals the police commissioner's concern: "The commissioner, yes, yes, he could have been murdered in the meantime, because while he was here, he was already under capital punishment."This dialogue adds to the tense atmosphere of the story, hinting at the social instability and violence of the time.The next scene shows a man and a woman in period costume standing in an ornately decorated room in what appears to be a theatrical performance.The man wears a red jacket and the woman a white dress, and their conversation is filled with memories of the past and uncertainty about the future.The woman mentions that she entrusted her bridal wreath to the man, but he didn't treat it well, which triggered her anger.I was angry when she said, "He swore he never touched her, swore he never laid a hand on her, swore he never took that garland."This conversation not only reveals the conflict between the two, but also reflects the low status of women and their distrust of men in the society at that time.The video then features more scenes of theater performances, including sword fights and dances.Two men dressed as pirates are engaged in a heated duel in a room with a soundtrack that heightens the tension.These scenes not only show the courage of individuals, but also reflect the intensity of social conflicts at the time.In another dance, a man in a purple jacket and a woman in a purple dress danced in a room with pink wallpaper in a cozy and romantic scene that contrasted with the earlier tension.Finally, the video ends with a group of people in historical costumes walking through the streets as they seem to be reenacting a historical event.The caption reads, "Please tell me where the Crazy Saloon is. Please tell me where the Madness Salon is."This dialog not only adds to the mystery of the story, but also hints at important events to come.As the night progresses, every shot in the video seems to speak of the coming change and uncertainty, immersing the viewer in a time of adventure and hope.Through these delicate scenes and dialogues, the entire video builds a vivid picture of 18th century France on the eve of social change, with both a sense of historical gravity and a delicate depiction of humanity.Every detail is carefully crafted to show both the complexity of society and the beauty and hope in humanity.[01:10:00->01:20:00] The video's footage gradually progresses to show a deep dark forest in the 18th century French countryside, with a man dressed in black and riding a black horse through the forest.The forest is surrounded by dense trees, an old bridge can be seen in the background, and the image is full of mystery and tension.The subtitles "Where's the speaker? Mr. Speaker, Mr. Chun" seems to imply that an important conversation is about to take place, while "Zenai" and "the sound of a tap" add a touch of eeriness to the scene.The camera then pans to a nocturnal bird, which appears to be hovering over the water near the bridge, and the caption "Be careful with gunpowder, as it can explode further for good" signals the impending danger.Immediately after, a man in a white shirt appears in front of a blue background, seemingly singing, and the subtitle repeats the phrase "Use gunpowder with care, for it can explode further for a good strike", which not only heightens the tension, but also hints at the importance of gunpowder in the upcoming story.The scene switches to a man in a white shirt with a suitcase, looking for something in the jungle.The subtitle "stop" seems to reveal his inner helplessness and determination.The video then shows a woman in a white shirt in a darkened room, who appears to be in a state of distress, with the caption "Strike that there's a rider coming I'll be there soon, what's happening?" reflecting her inner turmoil and anxiety, and "I'll tell you why I was let back in, it's because of that rider.So why are they all wearing it for that rider?" then adds further complexity to the story.Next, the video shows a man and a woman standing in a dark room, the man in a white shirt and the woman in a white dress, with the caption "Start working in pairs, take care," seemingly conveying some sort of message or plan between them.A large explosion in the night sky followed, accompanied by bright flashes and loud noises as the explosion appeared to take place in the river, and the caption, "Beginning of a double job, take care of it. Good job, good job, good warriors" expressed recognition and support for the operation.The video continues to progress as a group of people gather around the camp's flames, enjoying each other's company and the atmosphere seems peaceful and cozy.The caption, "Well done, well done, good warriors, I am proud of you and your prince," reflects their joy at the success of the operation and their loyalty to their leader.However, the dialog "When we bury him, I must kill him first" reveals the hidden conflict and danger behind it.As the video progresses, a vehicle towed by horses travels along the road at night, the horses seem to enjoy the ride, and the caption, "What's going on?" hints at the unusual nature of the upcoming event.A group of people dressed as pirates stood on the stage, singing a song with the caption "It's on the road na, drive through itz" reflecting their adventurous spirit.The video also shows a man dressed as a pirate standing in front of a window with a sword in his hand, with the caption "They say it's gonna be a long time before you what They say it's gonna be a long time before you what are you doing in my coachman's arms then?" then reveals his inner anxiety and impatience.Immediately afterward, a group of costumed men perform a dance in a darkened room, with the caption "guns" foreshadowing the impending conflict.Finally, the video shows a group of people climbing a staircase to reach the top of a building, adding a bit of mystery to the nighttime scene.The subtitle "I'm a good listener, but I'll wait and see what happens" reflects their cautious approach to upcoming events.A man riding a horse at night seems to be enjoying the ride, and the caption "[Zene] We are here" conveys his sense of control over the current situation.Through these delicate scenes and dialogues, the entire video further builds a vivid picture of 18th-century France on the eve of social change, with both a sense of historical weight and a delicate depiction of human nature.Every detail is carefully crafted to show both the complexity of society and the beauty and hope in humanity.As the night progresses, every shot in the video seems to speak of the coming change and uncertainty, immersing the viewer in a time of adventure and hope.[01:20:00->01:30:00] In the deep dark forests of the 18th century French countryside, a group of men in medieval costumes ride through as if reenacting an ancient historical event.Clad in cloaks with plaques and hats, their mounted figures looked mysterious in the moonlight.As the scene progresses, a group of soldiers appear in the forest, wearing uniforms and carrying weapons, as if they are engaged in a military training exercise or historical reenactment.The words "Listen, Chief of Police, Prince Geza's carriage, I raise my sword to you" appear in the credits, and the soundtrack adds a touch of solemnity and tension.The video then shows a man in a fantasy costume standing in front of a tree and seemingly singing.The caption reads: "In the Horse and the Gang, take care of the weapons."This passage foreshadows the impending operation that will require thorough preparation and proper management of weapons.The next image shows a group of men in military uniforms marching through the forest on horseback, aligned in what appears to be a historic parade.A man in a fantasy hat follows them, seemingly the leader of the group.The subtitles feature a series of dialogues, including "I respect you, where are your predecessors?" and "I am my master, not my master, but sir, and this is my dairy glow stick."These dialogues not only reveal the complex relationships between the characters, but also reflect the social hierarchy and power struggles of the time.The video continues to progress as a group of people in historical costumes stand in front of a wagon, seemingly preparing for a re-enactment of a historical scene.The words "Prince Graczak signed the order of nowaó" appear in the subtitles, suggesting that they were engaged in an activity related to a historical figure.As the dialog unfolds, a man is ordered to "march to Mars instead of Paris", which not only adds to the tension of the story, but also reflects the instability of the society and the frequency of military operations at that time.The ensuing scene shows a group of men in military uniforms marching in a line, and they are followed by a group of musicians in green uniforms, who play drums, adding a touch of solemnity and ceremony to the march.The subtitled dialog, "It is strictly ordered to stand in a line, but the officer will stand in a line on your order," reflects the discipline of the military and its strict adherence to orders.The video also features a man dressed as a pirate standing in a field who appears to be conversing with someone, with music in the background adding to the tension of the scene.The subtitles show the commands "backward, forward, mar mar, forward, go k k go go go", which not only show the rigor of military training, but also imply the high degree of coordination and understanding required for the upcoming operation.The landscape was beautiful and serene as the night wore on and a vehicle towed by horses made its way through the forest.The words "They're not going to Paris in July" appear in the subtitles, reflecting not only the social unrest of the time, but also hinting at the characters' plans and determination for the future.The ensuing scene shows a group of men in military uniforms riding horses in the forest, seemingly on some important mission, and the subtitles add to the tension with the dialog "We'll surround them on Monday".The final part of the video shows a group of men in pirate costumes swordfighting in a field, their movements quick and skillful with their swords, with a soundtrack that heightens the tension.The subtitled dialog, "Two by two, I'm having fun with the Prince of Virtual Machines," not only demonstrates personal courage and skill, but also reflects the complexity of relationships and power struggles in society at the time.As the night deepens, every shot in the video seems to speak of the change and uncertainty to come, immersing the viewer in a time of adventure and hope.[01:30:00->01:40:00] In the deep, dark forests of the 18th century French countryside, a group of men dressed as pirates gather in a room with serious expressions as if they are engaged in an important discussion.One of them was holding a knife and seemed to be emphasizing some point.In the caption, they discuss how they are surrounded and how to fortify their defenses, and the caption reads, "Agree to give me an escort to the Great, and immediately four men shall go to me.Four people should come to me immediately.It was for reinforcement, but how were they fenced in? It's for reinforcement, but how come there isn't a hole here and there? There's not a little hole here and that's right up there.Upward, like a pinhead, trying to find a way to slip through."

Next, the scene switches to a woman in a white shirt and red string who appears to be playing a role.Her expression is firm as the caption shows her saying, "He's the right boss, and if you have to die, die free."This passage reveals her desire for freedom and her struggle against fate.The video then shows a woman in a white shirt who is climbing a rocky hill and appears to be in a hurry to reach the top.The background music adds to the tension of the scene, and the word "mesze" appears in the credits, which seems to be an encouragement or command for her to act.Then a woman standing on a rock appeared on the screen, wearing a white shirt and holding a knife in her hand.The word "Zenai" appears in the subtitles, possibly emphasizing her inner strength and determination.The video then shows a pair of men in pirate costumes and a woman in colonial garb standing in the middle of a forest, engaged in a sword fight.The soundtrack heightens the tension, and the word "Zeni" appears in the credits, which not only reflects the tension of the battle, but also hints at the complexity of the relationships between the characters.Next, a woman in a white shirt and black pants appears on the screen, standing in the middle of a court with a sword in her hand, seemingly preparing for battle.The word "Zeni" appears again in the subtitles, which further emphasizes her bravery and determination.The video also features a group of people in traditional costumes riding horses in the forest as they seem to enjoy the surrounding landscape.The soundtrack adds a touch of levity, and the word "Zenai" appears in the credits, reflecting not only their love of nature, but also hinting at the action to come.The video then shows a group of people building a house, using a variety of tools such as hammers, saws and nails in a concerted effort to complete the task.The word "Zenai" appears in the subtitles, reflecting their hopes for the future and the construction of their homes.Next, the scene shows a group of men in uniform standing in front of a building, and they appear to be getting ready for battle.The sky is a clear blue with clouds visible in the background.The word "Zenai" appears in the subtitles, which not only reflects their determination, but also adds to the solemnity of the scene.The video also features a group of people in traditional costumes riding horses in the forest as they enjoy the different horses and the beautiful scenery.The word "fluffy" appears in the credits, which may describe their relaxed mood.The video then shows a room filled with wood and waste that appears to be some sort of workshop or construction site.The room is surrounded by boards, panels, and other building materials, and the caption reads "OMOM GOM GOM GOM A WHERE?" in the credits, which may be asking for the location of an important item.Next, the scene shows a woman in a cowl walking towards the camera, who appears to be holding a gun and has a serious expression on her face.The words "OMOM GOM GOM GOM A where is it?" appear again in the subtitles. This could be that she is looking for a target or object.The video then shows a man and a woman in a room, with the man bleeding from an injury and the woman trying to help him.It's a dramatic and intense moment, with subtitles like "Where are the diamonds? Where's Carlo? Where's Gome?" in the credits, reflecting their inner anxiety and concern for the missing.Next, the image shows a man on horseback, wearing a black jacket, riding across a dry road surrounded by trees.The words "Gorm was taken with your father, and both he and your father are in the place where they were taken" reappear in the subtitles, which not only adds to the tension of the story, but also reflects the complexity of the characters' relationships with each other.The video then shows a man in a white shirt with a baby in his hands, standing in a room with a staircase behind him.The words "corpse odor" appear in the subtitles, which could be describing the atmosphere in the room or an unpleasant event.Next, a man in a black shirt and neck appears on the screen, standing in front of a building and seemingly talking to the camera.The word "ne" appears in the subtitles, which could be describing some kind of mysterious atmosphere or event.The video then shows a man riding a bicycle on a dark street, wearing a black jacket and appearing to be on some kind of mission at night.The word "nee" appears in the subtitles, possibly to emphasize the mystery of his actions.Next, the scene shows a man standing in front of a building at night, who seems to be waiting for something or someone.The subtitles read, "I knew you'd come, not now.Don't.Okay, enough with the trash talk.And again, the power grid.Say what you have to say.And h-tongue.The words "thiacloprid" reflect his inner nervousness and concern about the upcoming event.The video then shows a man in a white shirt with a knife in his hand who appears to be trying to break out of jail.The words "Thiazuron" appear again in the subtitles, reflecting not only his inner resolve, but also hinting at his impending action.Next, a man in a white shirt is shown standing in a prison, wearing gloves and seemingly in trouble.The word "thiazoxanone" reappears in the subtitles, which may be describing his internal struggle and uncertainty about his future.The video then shows a man and a woman in a room, with the man wearing a white shirt and the woman wearing a white dress, as they stand next to each other, with the man holding the woman's hand.The word "k" appears in the subtitles, which may be an expression of the deep emotion and trust between them.Finally, a man dressed in black appears in the picture, riding through the dark forest as if on some important mission.The words "k about" appear in the subtitles, which may be describing his actions and purpose.The video further builds a vivid picture of 18th century France on the eve of social change through these delicate scenes and dialogues, with both historical gravitas and subtle depictions of human nature.Every detail is carefully crafted to show both the complexity of society and the beauty and hope in humanity.As the night progresses, every shot in the video seems to speak of the coming change and uncertainty, immersing the viewer in a time of adventure and hope.[01:40:00->01:50:00] In the deep, dark forests of the 18th century French countryside, the video's camera focuses on a man in a white shirt standing in front of an old stone wall, a knife clutched in his hand.The night was deep, and the moonlight spilled over him through the sparse shadows of the trees, adding a bit of mystery.The presence of "[Zene]" in the subtitles seems to suggest that some important secret or action is about to unfold.The camera switches to a scene of the same man lying on the floor, with music playing softly in the background and subtitles repeating "[Zene] [Zene] [music]".The man seems to be in a scene from a movie, his expression looks tired and desperate, and the subtitles read, "I see that Julian is not used to it yet.I see, julian, I'm not used to good things being punished by God.God punishes me for my good deeds, I am punished for my good deeds, and God is punished for my good deeds.God, don't run away. I'm not leaving you here."This monologue is full of helplessness towards fate and disbelief towards God, revealing the protagonist's inner struggles and contradictions.The scene then shifts to the same man sitting on the floor, talking to another man in a white shirt.The caption reads, "The horse is yours now. Don't walk around here.The horse is yours now. Don't walk around here.The horse is yours now. Don't go. Stay here. I'll take you."The conversation seems to be arranging some kind of escape plan, revealing trust and cooperation between them.The video then shows a man lying on the floor with blood on his face, looking very distressed.The subtitles read, "If I say goodbye, I'll stay, take you away, take you away.God be with you."This passage not only expresses his concern for his fellow man, but also reveals his inner determination and hope for the future.The video continues to progress as a man in a white shirt rides a horse in the darkness, coming toward the camera.The background is pitch black, no other people or objects are visible, and "God is with you" appears again in the credits.This not only adds to the mystery of the scene, but also reflects the faith and determination within the protagonist.The video then shows a group of men in military uniforms walking in a line as they are followed by other soldiers.The subtitle "Family, my scars on my scars" reflects not only the brotherhood between them, but also hints at the suffering and trauma they have experienced together.The shot switches to a group of people in period costume sitting on chairs in a theater, seemingly watching a theatrical performance.The subtitles read "Family, my scars on my scars, no sadness, why should I be sad? Yes, not sad, why should I be sad? Yes, not sad, why should I be sad? Yes, no one has ever lied to us like this, so no one has ever lied to us like this man lied to me.In my opinion, so do I.For my part, I have no regrets.Sorry, sorry, everything can be replaced by something new."This dialog not only reveals the conflict and mistrust between the characters, but also reflects their uncertainty about the future and their desire for a new life.The video shows a man and a woman standing on a balcony in formal attire as they smile and enjoy their time with each other.The subtitles read, "See you later. We'll see you. Let's go see it."This conversation is full of hope for the future and aspirations for a better life.Next, the video shows a man in a fantasy costume walking down the street with a puppy in his hand, talking to another man in a fantasy costume.The subtitle reads, "Of course, we made a mistake, that is.Of course, my dear, we got it wrong.Of course, we didn't take the opportunity to go.We didn't take the opportunity to ask his daughter.Tying knots for your daughter.For example, the word '......' was brought forward by arresting the title of the daughter.Arrest the title to highlight.I don't know why we can't do this.I don't see why we can't.I don't know why we shouldn't execute both of them. They didn't hesitate.Without hesitation, they threw the tomatoes and oranges to the ground.They threw tomatoes at him.When Prince Razia marched in, they threw tomatoes at him.When the prince traveled to where he was, when he was caught up in the whereabouts of 'the whereabouts of tell whereabouts'."This dialog not only reveals the complexity of the characters' relationships with each other, but also reflects their desire for power and their unease about the future.The video shows a man and a woman standing on a balcony in period costumes, with the man wearing purple, and they appear to be dancing together.The subtitle reads, "My regiment disappeared when he was caught up in the whereabouts of 'the whereabouts of tell whereabouts,' where is my regiment?" This passage not only reflects the protagonist's confusion and uneasiness, but also hints at a major event that is about to take place.The video also shows a group of people in fantasy costumes walking down the street as part of what appears to be a theater performance.The subtitles read "My regiment is gone, where is my regiment? My regiment is gone. Where is my regiment? No one has seen my regiment. What happened? No one has seen my regiment, what happened? You haven't seen my regiment. What happened? It's your regiment that's missing, not me.It was his regiment that was lost not me.You lost your legions, you didn't lose me.You left tracks."This dialog not only reveals the tension between the characters, but also reflects their concern and uncertainty about the future.The video appears to show a man standing on a balcony with a gun in his hand in what appears to be a dark atmosphere.The caption reads, "I hung up the black tulip, long live the black putter, and finally."This passage not only reflects the firmness and determination of the protagonist, but also hints at the significant events that are about to take place.The video also shows a man in a police uniform standing on the stairs, holding a gun and seemingly ready to take action.The caption reads, "I hung up the black tulip, long live the black putter, and finally.The black putter died at the end.Hooray for the black putter, the festivities have finally begun."This passage not only reflects the firmness and determination of the protagonist, but also hints at the outbreak of the revolution and the dawning of a new era.The video shows a man in a mask standing in a room with a gun in his hand in what appears to be a scene from a movie or theater performance.The subtitles read "Long live the black putter, the festival has finally begun."This passage not only reflects the firmness and determination of the protagonist, but also hints at the outbreak of the revolution and the dawning of a new era.The video also features a group of people in period costumes walking down a street in what appears to be a re-enactment of a historical event or theater performance.The subtitles read "Long live the black putter, the festival has finally begun.Let the festivities begin.It's impossible to start the festival by saying what you're looking for.First of all, it is impossible for you to say what you are looking for.First of all, please tell me that what you are doing up there is for you and not for you not for you.You're up there. Your place is not where my scars are.Say no say no."This dialog not only reveals the complex relationships between the characters, but also reflects their uncertainty about the future and their desire for power.The video shows a group of people in costumes singing and dancing in a room in what appears to be a musical performance.The subtitle reads, "You're up there, and your place is not where my scars are.Say no say no.At the scars.I don't know what's wrong with me. I was dreaming this morning.I don't know what's wrong with me. I was dreaming this morning.I don't know what's wrong with me. I was dreaming. I was down there this morning when we hung him up.He was still down there when we hoisted him up.When we hung it here, it was still down there. Take a good look and see if I'm gone now."This dialog not only reveals the inner world of the characters, but also reflects their memories of the past and their uncertainty about the future.The video also shows a woman standing in front of a clock tower making a phone call, she is wearing a white shirt and the clock tower is made of stone with a phone on it.The subtitle reads "In the Big Sky."This passage not only reflects the protagonist's loneliness, but also hints at her hopes and uncertainty about the future.The video shows a group of people in period costume standing on a balcony, seemingly re-listening for a recital or performance.The subtitles read, "My husband, the bells of the revolution have rung.My husband, the bells of revolution have rung.My husband, the bells have rung, the bells of the revolution have rung, the bells of the revolution have rung, the bells of the revolution have rung, the bells of the revolution have rung, the bells of the revolution have rung, the bells of the revolution have rung, the bells of the revolution have rung, the bells of the revolution have rung, the bells of the revolution have rung.The revolution doesn't believe I'm from there.I'm from there. There will be no revolution here.No, no, Gillam, there will be no revolution here.No, no, Gillam won't be here to guard my revolution.Escort.For my guardianship.To his guardianship.For my guardianship.For my guardianship.For my guardianship.For my guardianship.For my guardianship.For my guardianship."This dialog reveals not only the conflict and mistrust between the characters, but also their uncertainty about the future and their fear of revolution.The video shows a group of men in military uniforms walking along a line in what appears to be a military parade.The subtitle reads "Sentinel Quality.He's on to him.Sentinel.Sentinel.Sentinel to me.Sentinel forward.Black Tulip.Against where it's running now, you can see."This conversation not only reflects the discipline of the military, but also hints at a major event that is about to take place.The video shows a man standing on a balcony with a gun in his hand, wearing a leather jacket and seemingly in a dangerous situation.The subtitle reads "For where it's running now, you can see."This passage not only reflects the firmness and determination of the protagonist, but also hints at the significant events that are about to take place.The video also shows a group of people in costumes walking down a street in what appears to be a rec room for a game or show.The subtitle reads "For where it's running now, you can see.Oppose where it's running now, as you can see.Now run to where you can see [music].[Zene] [music] [applause] [faucet sounds] [applause] Let's warm up.[faucet sounds] "This dialog not only reflects the interaction between the characters, but also adds to the tension and drama of the scene.The video shows a vehicle being towed by a horse, the vehicle is filled with people and the horse appears to be enjoying the ride.The subtitle reads "And vice versa.What's good about my swing? My swing doesn't see my swing."This dialog not only reflects the interaction between the characters, but also adds to the lightheartedness of the scene.The video shows a man in a dress and a woman in a wedding dress, they stand in front of a mirror and the man talks to the woman.The subtitle reads, "Once it's gone, it's gone.Speed is flying wherever it goes.He went so fast, I retreated to my estate and fought there.I retired to my estate where the war was.I retired to my estate where there is no war and no place for little red-capped soldiers."This dialog reflects not only the conflict and mistrust between the characters, but also their uncertainty about the future and their desire to live in peace.The video shows a woman dressed in black talking to a man, the woman is wearing a hat and the man is also wearing a hat, and they are standing in a room, talking to each other.The caption reads, "I retired to my estate, where there is no war and no place for Little Red Riding Hood's soldiers.There's no place for soldiers in Little Red Riding Hood.There's no place for soldiers in my little red tavern.Remember my salon, I'm going with you, but, but, but, but your husband can't leave you."This dialog reflects not only the conflict and mistrust between the characters, but also their uncertainty about the future and their obsession with love.The video shows a man on horseback leading a group of people in a parade, the man is dressed, the horse is dressed, and the parade takes place in a town square with buildings in the background.The subtitles read, "[APPLAUSE] Give them to me.Give them to me.I've been waiting for you. It's you again, Mr. Rawls."This dialog reflects not only the conflict and mistrust between the characters, but also their desire for power and uncertainty about the future.The video shows a man standing on a balcony with a sword in his hand, he is wearing a black jacket and appears to be a pirate, the video is set in what appears to be a city with buildings.The subtitle reads, "I waited for Mr. Laius, and here he is again, the devil himself."This dialog reflects not only the conflict and distrust between the characters, but also their uncertainty about the future and their wariness of the enemy.The video shows a man dressed in black standing in front of a building, who appears to be smiling and seems to be in a good mood.The subtitle reads, "I waited for Mr. Laius, and here he is again, the devil himself.[Laughter] "This dialog reflects not only the conflict and distrust between the characters, but also their uncertainty about the future and their wariness of the enemy.The video shows a group of people in medieval clothing walking down the street, they are followed by a man in a black shirt who smiles and laughs.The subtitles featured "[laughter]" This dialog reflects not only the conflict and distrust between the characters, but also their uncertainty about the future and their wariness of the enemy.The video features a group of men in medieval garb engaged in a swordfight, wearing armor and mounted swords as they engage in an energetic battle, with the scene taking place in an open area surrounded by buildings and trees.The subtitle reads, "Let those who are gone turn back.Let's release the prisoners early.Early release of prisoners.Early release of prisoners.[tap sound] [tap] [Zeni] [Zene] [music] [applause] "This dialog reflects not only the conflict and mistrust between the characters, but also their uncertainty about the future and their desire for freedom.The video shows a man in a dress holding a cigarette as he stands in front of a wall of matches and appears to be smiling.The subtitles featured "[MUSIC] [APPLAUSE]" This dialog reflects not only the conflict and mistrust between the characters, but also their uncertainty about the future and their relaxed approach to life.The video shows a man riding a horse down a dusty street, the man is wearing a white shirt and black pants as he rides towards the camera.The subtitles featured "[music] [applause] [Zene]" This dialog reflects not only the conflict and mistrust between the characters, but also their uncertainty about the future and their desire for freedom.The video shows a clothed man walking down a narrow street, and as he walks, he pulls a gun out of his jacket and points it at the camera.The subtitles featured "[Zene] [Zene] [music] [applause] [sound of faucet] [faucet] [Zene]" This dialog reflects not only the conflict and mistrust between the characters, but also their uncertainty about the future and their desire for freedom.The video shows a man standing in front of a stone wall wearing a hat in what appears to be a character.The subtitles featured "[Taps] [Zeni]" This dialog reflects not only the conflict and distrust between the characters, but also their uncertainty about the future and their desire for freedom.Through these delicate scenes and dialogues, the entire video further builds a vivid picture of 18th-century France on the eve of social change, with both a sense of historical weight and a delicate depiction of human nature.Every detail is carefully crafted to show both the complexity of society and the beauty and hope in humanity.As the night progresses, every shot in the video seems to speak of the coming change and uncertainty, immersing the viewer in a time of adventure and hope.[01:50:00->02:00:00] The video shows a man dressed as a pirate walking along a narrow curb, his pace brisk and occasionally turning to face the camera and smiling.In the background, trees and houses look blurry and mysterious in the low light.The video's credits feature words that seem to carry a metaphor: "[Taps] [Zene] Most most must be within [Zene] [Zene] [music] coming soon."The words suggest that something important is about to happen, but the exact reference is unclear, adding to the mystery of the image.Next, the camera switches to a man in medieval garb as he walks down an old street in what appears to be a scene from a movie or theater performance.His expression was serious and he seemed to be thinking about something.The music gradually plays in the background and the words "[MUSIC] COMING SOON" reappear in the credits, which not only adds drama to the scene, but also signals that upcoming events may bring about significant changes.The video then shows a man in a jacket running up a hill.He seemed to be running toward the top of the hill in a hurry, his expression tense and determined.The trees and rocks in the background stand out in the moonlight, and the words "[Zene]" appear in the credits, which not only reflects the urgency within the man, but also hints that he may be on some important mission.Immediately afterward, the video shows a group of people in traditional dress dancing in a circle, who seem to be enjoying each other's company immensely, with light and upbeat music playing in the background.The subtitle reads "[Zene] [Zene] [Zene] (Zene) <sil> zontalan It's a big day, yet to come zontalan It's a big day, yet to come zontalan It's a big day, yet to come zontalan It's a big day, yet to come zontalan It's a big day, yet to come zontalan It's a big day, yet to come zontalan It's a big day, yet to come zontalan It's a big day, yet to come zontalan It's a big day, yet to come zontalan It's a big day, yet to come zontalan It's an important date to be discussed and they're going to They're going to be July 1789   ".This conversation not only reflects their hope for the future and pride in their past history, but also hints at the important role they will play in this coming change.The video continues to progress and a romantic scene appears on the screen.A man in a black shirt and a woman in green stood in front of each other with deep love in their eyes. Why does Guillaume call him Julian H. Call him 'Julian'? Why is the name 'Juliem' bad and inappropriate? Julietum's a bad name and it doesn't fit Julim's a bad name and it doesn't fit you I like it I like it better when you wear it For you, I like my gills better, I don't like my slenderness Well, then, Gillom doesn't like the Julians gillom I don't like the julient, so say gillom, but I like it better You can call me 'Gillom', but I like it better You can call me 'gillom' but I prefer julian Poor julian, you're crazy Poor julian, you're crazy Poor julian, you're crazy I'll say you're crazy for the rest of my life.I'll be saying 'gillom gillom whether you like it or not for the rest of my life."This conversation not only reveals the complex emotional relationship between the two men, but also reflects the importance of name and identity in the society of the time.The video then shows a horse on a horseback ride, standing in the desert, with the horse appearing calm and relaxed.The words "You will see only here is where Walter came from" appear in the credits, which not only adds a bit of mystery to the scene, but also hints at a possible special connection between horse and rider.Finally, the video shows a man and woman dancing in a field, the man in a black shirt and the woman in a green dress, as they dance to the sound of the song.In the subtitles, "Does your horse know that Caio is not only a beautiful girl, but also a good soldier?" This dialog not only reflects their deep affection for their horses, but also hints at the multiple identities and complex relationships between the characters.Through these delicate scenes and dialogues, the entire video further builds a vivid picture of 18th-century France on the eve of social change, with both a sense of historical weight and a delicate depiction of human nature.Every detail is carefully crafted to show both the complexity of society and the beauty and hope in humanity.As the night progresses, every shot in the video seems to speak of the coming change and uncertainty, immersing the viewer in a time of adventure and hope.

Question: The video shows why the Black Tulip is being hunted and what methods they are using to catch the Black Tulip police chief.

Choices:
A. They set up an ambush pretending to be nobles to wait for Black Tulip to show up, use a knife to give Black Tulip a scar on her face during the fight, and blockade the checkpoints in preparation for capturing Black Tulip.
B. They infiltrate Black Tulip's network by posing as informants, use poison to weaken her during confrontations, and deploy drones to track her location.
C. They organize a public event to lure Black Tulip into the open, use tranquilizer darts to incapacitate her, and set up roadblocks to prevent her escape.
D. They deploy snipers on rooftops to monitor Black Tulip's movements, plant explosives along her suspected routes, and disguise themselves as merchants to gather intelligence.

Answer: A

They set up an ambush pretending to be nobles to wait for Black Tulip to show up, use a knife to give Black Tulip a scar on her face during the fight, and blockade the checkpoints in preparation for capturing Black Tulip.

The previous video introduced Black Tulip as robbing from the rich and giving to the poor, and the upper social classes see him as a thorn in their side. This is why he is wanted. [00:00:00->00:04:22]

The Black Tulip robs the Marquis and the others, and the robbed Marquis, as well as the Marquess, enter the police station to report the crime [00:04:22->00:07:51].

The police chief set up a full set to catch Black Tulip by leaving scars on his face. And blocked the whole city to look for people with scars on their faces. And caught the Black Tulip who was used as a scapegoat [00:07:51->00:17:26]

Question: How did the Black Tulip escape in the face of layers of capture?

Choices:
A. Hiding in a secret compartment within a cargo ship and sailing under a false flag
B. Disguising himself as a merchant and blending into a crowded marketplace to evade detection
C. Finding his twin brother to hide himself and a scapegoat with a scar on his face in a carriage
D. Using a decoy carriage with a masked accomplice and forged documents to bypass checkpoints

Answer: C

Finding his twin brother to hide himself and a scapegoat with a scar on his face in a carriage

Finds a scapegoat with a scar on his face to get him found and caught by the police. [00:14:06->00:17:26]

Finds his twin brother to clear his name by asking him to attend a party for him. [00:14:06->00:25:09]

Question: What is the relationship between the brother's pretend count in the video and the real one, and how is it different?

Choices:
A. The real Count is knowledgeable about the estate's history, maintains a professional relationship with the Chief of Police, and is adept at handling conflicts. The false count is unfamiliar with the estate's history, has a confrontational relationship with the police chief, and struggles to manage disputes.
B. The real Count is skilled in diplomacy, maintains a friendly relationship with the Chief of Police, and is well-versed in local customs. The false count struggles with social etiquette, misinterprets local traditions, and has a strained relationship with the police chief.
C. The real Count can ride a horse, knows the way to his estate, knows the Chief of Police and is in conflict with him. The false count can't ride, falls off his horse, can't find his way to his room when he arrives at his manor, and has a conflict with the police chief at the banquet.
D. The real Count is an expert in horsemanship, navigates his estate with ease, and has a cordial relationship with the Chief of Police. The false count is proficient in horsemanship but lacks knowledge of the estate layout and has a neutral relationship with the police chief.

Answer: C

The real Count can ride a horse, knows the way to his estate, knows the Chief of Police and is in conflict with him. The false count can't ride, falls off his horse, can't find his way to his room when he arrives at his manor, and has a conflict with the police chief at the banquet.

The younger brother, who is not skilled in horseback riding, falls off his horse, drawing ridicule from the crowd. He also befriends the judge's daughter. [00:25:16->00:30:40]

Arrived at own manor can't find way to own room [00:30:40->00:33:05]

At the banquet the police chief thinks the Count is the Black Tulip but the brother who is pretending to be the Count comes out with no scars on his face and confronts the police chief, and finally the police chief is asked by the Marquis to leave the banquet because of the trouble at the Marquis' house. [00:33:05->00:36:04]

Question: Why does the video show Black Tulip fighting the police chief and the nobles?

Choices:
A. Because the black tulip aims to destabilize society to create chaos and disorder.
B. Because the black tulip is cynical and disdainful of the nobility, it aspires to a free and equal society.
C. Because the black tulip seeks to establish a new aristocracy under its own leadership.
D. Because the black tulip is driven by personal vengeance against specific individuals in power.

Answer: B

Because the black tulip is cynical and disdainful of the nobility, it aspires to a free and equal society.

The Black Tulip's looting of the nobles' property has caused resentment among the local nobility. [00:00:00->00:04:22]

In a chase with the police chief, he manages to use a ruse to escape and take revenge on him, leaving the police chief with a scar on his face as well. [00:04:22->00:44:47]

Black Tulip used a ruse to blow up the bridge and mobilize the Prince's army to turn it around to buy time for a mass uprising . [00:55:50->01:22:44]

Question: Why was the police chief caught by his own underlings in the video?

Choices:
A. A technical malfunction in the surveillance system caused the underlings to misinterpret the police chief's identity, leading to his capture.
B. Because of his own previous order to catch the man with the scar on the left side of his face, and he was cut by the other side in the confrontation with the black tulip, the soldiers under his command did not know the police chief so that led to the police chief himself being caught by his own men.
C. Due to a miscommunication during the operation, the underlings mistook the police chief for a suspect wearing a disguise similar to the one described in their briefing.
D. The police chief had changed his appearance significantly before the operation, and his underlings failed to recognize him during the chaotic confrontation.

Answer: B

Because of his own previous order to catch the man with the scar on the left side of his face, and he was cut by the other side in the confrontation with the black tulip, the soldiers under his command did not know the police chief so that led to the police chief himself being caught by his own men.

The police chief sets up a scheme to surround the Black Tulip, sneaking up on him in the shadows to give him a scar on his face. [00:05:52->00:13:53]

Seal off the city and give orders to his men to capture all those with scars on their faces to set the stage for his own capture by his men later. [00:13:15->00:14:05]

The police chief was stabbed with a sword during a confrontation with the Black Tulip leaving the police chief scarred for a day on his face as well. [00:39:31->00:43:25]

Because the police chief was left with a scar on his face, he was seen and taken into custody by henchmen who didn't recognize him. [00:43:25->00:44:50]

Question: What effect did Black Tulip's words in the video have on his brother, and why did he go for the choice to become the real Black Tulip?

Choices:
A. The Count reveals his identity as the Black Tulip to his brother, urging him to join the cause for justice. The younger brother, inspired by his elder brother's honesty, willingly agrees to take on the role of the Black Tulip to continue the fight against corruption.
B. The Count confesses to his brother that he is the Black Tulip, but insists that his actions were driven by personal gain. The younger brother, disillusioned by this revelation, decides to become the real Black Tulip to redeem the family's honor.
C. The Count admits to his brother that he is the Black Tulip and makes a series of statements for the sake of the masses to get his brother to participate in his plan to disguise himself. However, the brother was deeply shocked when the elder brother said that his words were all lies in order to prevent the younger brother from getting involved in this dispute. The younger brother, however, is devastated when he says that his words were all lies in order to keep the younger brother out of the dispute.
D. The Count discloses his role as the Black Tulip to his brother, explaining that his actions were a necessary evil to protect the family. The younger brother, though initially hesitant, ultimately decides to assume the identity of the Black Tulip to ensure the family's legacy.

Answer: C

The Count admits to his brother that he is the Black Tulip and makes a series of statements for the sake of the masses to get his brother to participate in his plan to disguise himself. However, the brother was deeply shocked when the elder brother said that his words were all lies in order to prevent the younger brother from getting involved in this dispute. The younger brother, however, is devastated when he says that his words were all lies in order to keep the younger brother out of the dispute.

The Count brings his brother to him and states that he is the Black Tulip and gives a series of testimonials to successfully get his brother to participate in his program. [00:14:30->00:25:18]

The younger brother experiences the thrill of his own chivalry in pretending to be the Black Tulip, and believes he can help his brother in his mission to save the masses. [00:25:18->00:45:02]

But then the older brother says that his previous words were a lie in order to keep his brother from stepping into this strife, leaving the younger brother devastated [00:45:02->00:48:34]

On the road to resisting the nobles the younger brother is accidentally captured, and the older brother is captured himself to save him, and ends up hanging in the square. [01:23:53->01:43:39]

In the end, my brother managed to defeat the nobles and became a true Black Tulip. [01:43:39->1:53:13]

Question: Why didn't the judge's daughter choose to marry at the end, and who did she end up falling in love with?

Choices:
A. She decided not to marry because she discovered the Count was involved in a scandal, and instead fell in love with a nobleman from a neighboring kingdom.
B. The judge's daughter refused to marry after learning of the Count's deceitful nature, and eventually fell in love with a humble scholar who had always admired her.
C. She chose not to marry due to her commitment to her father's legal work, and later fell in love with a brave knight who defended her family's honor.
D. When she got married, she met the Count's brother, who was pretending to be the Count, and was very angry that the flower crown on her head was taken away. In the end, she falls in love with the Count's brother, who is a righteous man.

Answer: D

When she got married, she met the Count's brother, who was pretending to be the Count, and was very angry that the flower crown on her head was taken away. In the end, she falls in love with the Count's brother, who is a righteous man.

The Count's brother falls off his horse because he can't ride, and the kindly judge's daughter leaves the wedding ceremony midway through. Bandages his injured leg. Accidentally takes the wedding flower crown with her. [00:25:18->00:30:37]

The latter came to the Count's house to visit his brother, who had injured his leg, and won her heart because of his integrity and love of peace. She teaches the Count's brother her family's sword skills [00:49:00->00:55:47].

Eventually the judge barges in and the misunderstanding is finally cleared up allowing his daughter to fall in love with the Count's brother [00:55:47->00:59:22].

Question: How does the judge feel at this moment in the video when he learns that his daughter has fallen in love with her brother disguised as the Count as well as that his family swordplay has been taught to the Count's brother by his daughter?

Choices:
A. He was deeply saddened by the news, feeling betrayed by his daughter for sharing the family's swordplay secrets, and chose to distance himself from both her and the Count's brother.
B. The judge was initially indifferent to the situation, but after learning more about the Count's brother, he became supportive and encouraged his daughter to continue teaching the family's sword skills.
C. At first he was furious to see his daughter hanging out with the nobles and teaching his family's sword skills to the count's brother. However, after his daughter's persuasion, he calmed down and established a deep partnership with the Count's brother. The judge's mood from the beginning of anger to the later happy happy. It shows his magnanimity and his ability to make friends.
D. He remained consistently enraged throughout the encounter, refusing to accept his daughter's relationship with the Count and demanding that she stop teaching swordplay to the Count's brother immediately.

Answer: C

At first he was furious to see his daughter hanging out with the nobles and teaching his family's sword skills to the count's brother. However, after his daughter's persuasion, he calmed down and established a deep partnership with the Count's brother. The judge's mood from the beginning of anger to the later happy happy. It shows his magnanimity and his ability to make friends.

The judge's daughter visits the Count's brother, and during the visit she is attracted to him and falls in love with him. [00:49:26->00:55:49]

The judge's father escapes from the meeting and finds his daughter hanging out with the aristocrat, but the daughter explains what the count is like. Misunderstandings are cleared up and they become partners in work. [00:55:49->00:59:24]

The daughter passes on her family's unique sword skills to the Count's brother, which the later judge discovers during his duel with the Count's brother. Appears to be very angry. [00:56:11->00:57:20]

Question: Would the populace have fled from the grasp of the nobility if the Count had not gone to his brother's rescue but fled with himself and his associates?

Choices:
A. The nobility would have likely captured the populace more easily, as the Count's absence would leave them without strategic guidance.
B. I don't think so, if you run away without saving your brother, the people will have no leader of their own and no one to detach the army and the final revolution will be crushed.
C. The army might have turned against the populace, seeing the Count's flight as a sign of betrayal and lack of commitment.
D. The populace might have followed the Count's example and fled, causing a mass exodus that would weaken the revolution.

Answer: B

I don't think so, if you run away without saving your brother, the people will have no leader of their own and no one to detach the army and the final revolution will be crushed.

The brother was arrested in a fight with the police. [01:23:31->01:32:54]

The Count learns of this matter. [01:33:05->01:35:02]

If he fled without saving his brother, the people would have no leader of their own and no one to detach the army and the final revolution would be crushed.

Question: What is the main story told in the video?

Choices:
A. This movie chronicles the life of a revolutionary poet in 1789 France, whose writings inspire the masses to rise against the aristocracy. The poet, known only as the Midnight Bard, becomes a symbol of the revolution. However, his growing influence attracts the attention of the authorities, leading to a tragic end as he is captured and executed, becoming a martyr for the cause.
B. This movie depicts the rise of a secret society in 18th-century France, where a group of revolutionaries, led by a mysterious figure known as the Scarlet Rose, conspires to overthrow the monarchy. The Scarlet Rose, revealed to be a disgraced noblewoman, orchestrates a series of daring heists to fund the rebellion. As the revolution gains momentum, the society faces internal betrayal, leading to a climactic showdown in the streets of Paris.
C. This movie follows the journey of a young aristocrat during the French Revolution who disguises himself as a commoner to escape the guillotine. Along the way, he falls in love with a revolutionary leader and must choose between his loyalty to the crown and his newfound love. The story culminates in a dramatic escape from Paris as the revolution reaches its peak.
D. This movie tells the story of 1789 during the French Revolution. The nobles are terrorized by a masked swordsman who calls himself the Black Tulip, but is actually Count Guillaume. In his guise as the knight code-named Black Tulip, Count Guillaume robbed the vehicles of the nobility and seized gold and jewels, claiming that he was doing it for the commoners. The police chief, Mr. Ramsay, suspects that the Count is the Black Tulip and sets a trap. In a melee, the Count is stabbed and left with a scar on his face, and barricades are set up all over the city to search for the man with the scar. The Count must attend a political meeting, and if he does not show up, it means he is the Black Tulip. The Count asks his attendants to fetch his twin brother, Curien, to attend the meeting in his place. Curien, a hot-blooded young man who favors the commoners, asks his brother to help the commoners and fight back against the nobles. The Count, however, tells him that everything he does is for himself. Furious at what his brother is doing, Curien resolves to stand up to the commoners in his brother's place and follow them into battle in the honor of the Black Tulip. He eventually misses and is caught and sentenced to hang. Guillaume loved him as a brother and blamed himself for putting him in a desperate situation, so he went to the prison to save his brother and ended up being injured and captured himself. Just as Guillaume was facing execution in the square, Curien reappeared as the Black Tulip and administered justice. The revolution is won, and Curien and his girlfriend Caroline revel in the sweetness of freedom and love and dance.

Answer: D

This movie tells the story of 1789 during the French Revolution. The nobles are terrorized by a masked swordsman who calls himself the Black Tulip, but is actually Count Guillaume. In his guise as the knight code-named Black Tulip, Count Guillaume robbed the vehicles of the nobility and seized gold and jewels, claiming that he was doing it for the commoners. The police chief, Mr. Ramsay, suspects that the Count is the Black Tulip and sets a trap. In a melee, the Count is stabbed and left with a scar on his face, and barricades are set up all over the city to search for the man with the scar. The Count must attend a political meeting, and if he does not show up, it means he is the Black Tulip. The Count asks his attendants to fetch his twin brother, Curien, to attend the meeting in his place. Curien, a hot-blooded young man who favors the commoners, asks his brother to help the commoners and fight back against the nobles. The Count, however, tells him that everything he does is for himself. Furious at what his brother is doing, Curien resolves to stand up to the commoners in his brother's place and follow them into battle in the honor of the Black Tulip. He eventually misses and is caught and sentenced to hang. Guillaume loved him as a brother and blamed himself for putting him in a desperate situation, so he went to the prison to save his brother and ended up being injured and captured himself. Just as Guillaume was facing execution in the square, Curien reappeared as the Black Tulip and administered justice. The revolution is won, and Curien and his girlfriend Caroline revel in the sweetness of freedom and love and dance.