[00:00:00->00:10:00] This video presents a diverse picture of society through a series of scenes and dialogues, covering everything from romantic love, street activities, natural beauty, to snippets of everyday life.The video opens with a man and woman sitting on the floor, holding hands, creating a cozy and romantic atmosphere.The scene then shifts to a man in a helmet preparing to drive a motorcycle, accompanied by applause and music that hints at the adventure about to begin.The video then shows several cyclists riding on a highway with green fields and trees in the background, conveying an air of freedom and joy.A tense fight scene follows, in which two men in shirts are beating up another man, and while there is no clear reason for the conflict, the music and applause seem to add a sense of stagecraft to the scene.The video also features a passage of Arabic text on a black background and a scene from a storm, images that seem to be intended to create an atmosphere of mystery or tension.The video then shows different groups of people interacting on the street, including a group of men talking, a man and woman conversing on the street, and another man and woman arguing, in scenes that depict the diversity and complexity of urban life.One particular conversation involved reflecting on a relationship, "You want to divorce that sack without doing anything, then let me go."This quote reflects the emotional entanglement between the characters and their desire for freedom.In another scene, a man removes his shirt on a wall to reveal his underwear, an action accompanied by a conversation about music and flying saucers that adds a touch of absurdity.The second half of the video focuses on a group of women in a park, walking, chatting, singing and dancing, showing friendship and solidarity among women.One of these conversations involves a tension between the desire for the individual and the expectations of society: "I'm comfortable with him, but it's not what I want."This quote reflects the character's struggle between pursuing personal happiness and meeting societal expectations.The concluding part of the video conveys a message of solidarity and strength through a series of women's conversations and activities.The final image shows a girl sitting on the floor of a park, seemingly in deep thought, while the dialog in the background refers to the themes of time and action, suggesting the importance of personal choices and actions in life.Overall, the video explores themes of love, friendship, personal choices, and social relationships through a variety of scenes and dialogues, presenting a colorful picture of social life.[00:10:00->00:20:00] The video shows a series of characters conversing and interacting in different scenarios, continuing to paint a picture of this colorful society.First, a man in a black shirt speaks to the camera in what appears to be a bathroom room, his expression and tone solemn and serious, repeating the words "Salaam K. Dyer is fine, no, K. Dyer, you're fine, thank God," as if to express a strong faith and gratitude for life.Immediately afterward, the scene switches to a woman wearing glasses, also in a bathroom setup, looking into the camera, smiling, and repeating similar phrases, but with an added ease and calmness in her tone, which could be a response to the previous speaker, or an acknowledgement of some strength in her life.The video then shows a mother feeling satisfied after hearing the doctor's diagnosis, and she expresses her deep gratitude to the doctor in a heartwarming and touching scene that reveals the warmth and support between people in the medical field.In the next scene, a man with a hand <unk> and a towel appears in front of the camera, his expression serious, as if he is facing some kind of difficulty or challenge.His reference to "we see you here every day" may be an expression of continued interest and support for someone, although this status seems to add to his "aggressiveness".However, his words quickly turned to an emphasis on patience and faith: 'We will give you the right and the right of God's mercy.'"This reflects the fact that even in the face of challenges, the characters maintain hope for the future and perseverance in their faith.There is also a special scene in the video where a woman in a towel lies quietly on a bed while the man expresses his concern for her and his gratitude to God in front of the camera. The contrast of this scene creates a calm and deep atmosphere, which makes people feel the deep emotion between people and respect for life.The video then shows more character interactions, including conversations between friends, caring family members, and sweet exchanges between couples.Through their words and actions, the characters in these scenes demonstrate a love of life, hope for the future, and deep affection for each other.Especially when a couple sits in a park, the man in a black shirt and the woman in a white shirt, and they talk about bits and pieces about life and the future, the man's words filled with visions of the future: "I have five sisters now, and a sister who travels with me, her name is Safi."This conversation shows not only the warmth of the family, but also the characters' active participation in social life and the value they place on relationships.The last part of the video shows a group of women dressed in pink dancing around the room, their laughter intertwined with the music, creating a cheerful and enthusiastic atmosphere.One of the women mentioned, "Migsy Pan Pan Petite Tech, God willing, will be one of the first."This is not only a good wish for the future, but also an expression of a positive attitude towards life.Overall, the video continues to explore the themes of love, friendship, family relationships, and personal choices through many different scenes and character interactions, demonstrating the rich diversity of social life and the complexity of human emotions, with each scene filled with the true meaning of life and the hope for a better future.[00:20:00->00:30:00] The images in the video present a vibrant and diverse scene of community life, from sports activities to daily interactions, each shot capturing emotional exchanges and social interactions between the characters.First, the video shows a group of people sitting on the field watching the game, wearing baseball caps and smiling, enjoying every moment of the game, with music flowing in the background, adding a touch of relaxation.Next, the scene switches to a group of helmeted men driving trip cards around the track, their faces beaming with excitement and joy as they enjoy the thrill of speed.The camera then focuses on a man wearing a helmet and glasses as he rides his bike through a tree-lined path with a contented smile on his face, seemingly enjoying the ride.Immediately afterward, the video shows a woman in a pink hat and sunglasses dancing in the street with a man next to her dancing to the beat, their smiles conveying a sense of uninhibited joy.The next scene shows a man in a red shirt and sunglasses standing next to another man, and the two seem to be exchanging words as the father expresses his love and support for his son by being proud of his son's performance in the game.A man then stands by a tree, smiling, seemingly enjoying the beauty of nature, and the caption conveys good wishes for his daughter's future and pride in her upbringing.The video goes on to show more interactions between the characters, including a couple talking in a park where the man's words are filled with visions of the future and deep emotions for his family.A group of women dressed in pink then danced around the room as music and laughter intertwined to create an upbeat and enthusiastic atmosphere.The second half of the video shows the deep emotions between people and their positive attitude towards life through a series of warm and hopeful conversations.A woman on a couch talks to the camera, expressing gratitude for life and anticipation for the future.In another scene, a man and woman in a library share their love of reading and the joy of finding empathy in books.The video concludes with a message of unity and positivity through a series of celebrations and good wishes for the future.One woman applies a face mask to the other, and the interaction between the two women is fun and heartwarming.At the end, a man walks with a woman in the night, and their conversation is full of love of life and vision for the future, with warm and poetic words in the subtitles, bringing the video to a perfect conclusion.Overall, these scenes show the diversity of social life and the deep emotions between people through colorful images and interactions between characters, and each scene is full of the true meaning of life and bright expectations for the future.[00:30:00->00:40:00] In this video, the screen switches frequently, showing the complex emotions and life status between the characters through different scenes and dialogues.First, a man in a white shirt and glasses appears in front of the camera, standing in a room, talking to the camera with a serious expression.His statement that he is "so deformed, so deformed that I am asked to go to Baba's house to do something" reflects his inner pain and self-doubt.The scene then shifts to a woman in a red dress who is standing in front of a graffiti-covered wall, looking very angry.She emphasized the difference in "level" between herself and others, stating that she would not accept someone below her level, even if it was Babak or Dale Darke.This statement reveals her strong identification with her social status, while also hinting at her contempt for some people.The video then shows a man in gloves and glasses, also in the room, talking to the camera, revealing a sense of helplessness and sadness: 'I know your dad won't kiss me, but I'm sure he'll say that's not who we are.'"This line reveals the complex social relationships and emotional entanglements between the characters, especially between family and love.There's also a particular scene in the video where a woman in a red dress and mask stands in front of a wall of graffiti, seemingly filming a music video, and repeats the same thing: "We're not that low, Papa Kipgeny."Her words are both a defense of self-respect and a rejection of a certain way of life.She mentions Baba and Gadi, seeming to imply that these people play an important role in her life, but her attitude suggests that she does not want to be bound by these relationships.Next, the video shows a man in glasses and a white shirt talking to the camera in a room with a white background, his words filled with uncertainty about the future, "One thing you have to do is turn my kiss around, Baba wants to marry you with one thing, okay?" The passage is full of metaphors that seem to explore the conflict between marriage and societal expectations, as well as the difficulty of personal choice.In the second half of the video, the footage shows a man with a guitar playing in a dark room, wearing a white shirt and a contented smile on his face as he seems to be expressing his emotions through music.This was followed by a man in a yellow shirt who also smiled for the camera, his face beaming with love of life and a vision of the future: "This is what I want to do, if this is what I want to do."This simple but profound passage expresses the persistence and pursuit of one's dreams.The video ends with a message of unity and positivity through a series of heartwarming and hopeful scenes.A woman and a man are walking in a park, the man is wearing a black shirt, the woman is wearing a pink shirt, and their conversation is full of love of life and vision for the future.Another scene shows a woman applying a face mask to another woman, and the interaction between the two is fun and heartwarming.Finally, a couple strolls through the night, and the two have a cozy and poetic conversation that brings the video to a perfect close.Overall, this video shows the diversity and complexity of social life through rich images and dialogues. Each shot captures the emotional exchanges and social interactions between the characters, and conveys a deep understanding of life and bright expectations for the future.[00:40:00->00:50:00] Current video footage gradually delves deeper into the complexities of grief and emotional entanglements in a family.The video begins with a woman, wearing a surgical mask and a white shirt, who appears to be in a hospital, facing the camera to tell of a conversation with a doctor, her tone revealing a hint of helplessness and sadness.Immediately afterward, the scene switches to a man in a black hat and black jacket, who stands in the room repeating similar phrases to the camera, seemingly expressing trust in the medical team and concern about his condition.The video then shows a man in a black shirt standing next to a woman, the man's expression stony as if he's conveying heavy news to her: 'Hello, Dad, my sister died.'"The scene is filled with sadness and helplessness, as the woman lies on the floor, surrounded by men who try to help her and others who look worried, a scene that profoundly demonstrates the solidarity and vulnerability of family members in the face of tragedy.A bystander consoled, "Babaam, may God bless you."

Next, the video shows a man in a hat and coat sitting in a room with a flag hanging in the background, who appears to be reading something intently, perhaps looking for clues about his sister's death.Immediately afterward, the scene switches to a woman who appears to be experiencing a severe headache, holding her head and appearing to be in great pain.Music plays and "This is Nur" appears in the credits, seemingly introducing the character.The video then shows several scenes in which a man sits in a chair with a serious expression as he narrates a message to the camera about "Moon's sister", emphasizing the font and the confirmation of the content, which seems to be further confirmation of the sister's death.The video also features a scene of the two guitarists playing together, with the music bringing a touch of solace to this sad story.In the second half of the video, the scene gradually shifts to a more personal expression of emotion.A woman in a pink shirt prayed in the room, seemingly seeking inner peace.In another scene, a woman sits on a sofa and cries, apparently very angry and emotional, and the caption reads, "Safi was my daughter, God bless him", expressing the mother's deep sorrow for her daughter and her best wishes for the future.The video further shows the interaction between the family members, with a man wearing glasses standing in front of his clothes talking to the camera, seemingly preparing for something important.His words were filled with nostalgia for loved ones who had died and uncertainty about the future.Another scene shows a man smoking a cigarette in a room, looking thoughtful, as if he is dealing with inner conflict and sadness.The video concludes with a message of unity and hope through a series of emotionally charged dialogues and scenes.A woman cries in a chair, but the caption conveys a firm belief in the future: "Cupcake, don't come out.I'm not gonna hit you. I'm gonna hit you, but I'm gonna hit you."Despite the slight ambivalence in the language, the emotion is genuine and shows the character's inner struggle and determination.Overall, the video delves into the complex emotions of family members when dealing with the loss of a loved one through rich imagery and dialog, each shot capturing the deep emotional connection and social interaction between the characters, conveying a deep understanding of life and a bright expectation for the future.Each scene in the video is like a frame of delicate painting, showing the complexity of human emotions and the true meaning of life.[00:50:00->01:00:00] The current video clip presents a series of emotionally rich scenes that delve into the complex relationship between family, emotions and individual choices through the characters' dialog and interactions.The video begins with a heartwarming and beautiful scene showing a man and woman smiling at the camera, their smiles revealing the depth of their feelings for each other as they seem to be enjoying each other's company.Next, the video shows a man wearing glasses talking to a man in a red shirt, who appears to be confused about something, repeatedly saying "it's a question, it's a question", a repetition that seems to convey his uncertainty and doubt about the current situation.Immediately after, the video shows a conversation about the "cello", in which one of the men says: "The cello is the brother on the shoulder, we'll tell you what to say, say the book."The conversation is full of metaphors and seems to explore themes of personal responsibility and impact on others.The scene then shifts to a woman recording something in Arabic, her fingers painted with pink nail polish, a detail that adds a touch of femininity.Her words reveal nostalgia for her sister Nur and uneasiness about the future, "Anwar, my sister Nur has prepared a lot of things.I killed Kamal. We deserved it."The passage is filled with guilt and remorse, giving a sense of her inner struggle and pain.The video goes on to show more emotional scenes, with one of the women crying in front of the camera, appearing to be very emotional as the caption repeats, "I killed Kamal, we deserved it."This scene profoundly conveys her inner grief and condemnation of herself.The next image shows a man in a hat and sunglasses walking down the street, he appears to be carrying a suitcase, and with music coming from the background, this image adds a sense of solitude and journey.A woman in a red shirt then sits at a table with a flag hanging in the background, and she appears to be talking to someone on the phone, with the caption saying, "It's all about the light, not the darkness."The passage seems to express her hope for the future and her rejection of the darkness.The video also features a conversation with a man wearing glasses talking to someone on the phone whose words are filled with uncertainty about the future and acceptance of reality: "It's important that you don't stay sick in your head so that at least you're not sick in your head."This passage reflects the character's mental state when facing a difficult situation.The second half of the video conveys a message of unity and hope through a series of emotionally charged dialogues and scenes.A woman was talking to a camera in a room and her words were full of gratitude for her life: "Allah forbid, all these are blessings from Allah and you are afraid of Allah's blessings."This passage reflects her positive attitude towards life and her confidence in the future.Eventually, the video ends with a group of people playing Frisbee on the beach, where the sunny weather and people's laughter create a relaxed atmosphere.This scene is a stark contrast to the earlier scenes of grief, and seems to convey that even after hardship, life is still full of hope and beauty.Overall, the video shows the complex emotions of a family in the face of grief and challenges through subtle emotional portrayals and rich character interactions, with each shot capturing the deep emotional connection between the characters and their bright expectations for the future.[01:00:00->01:10:00] The current video clip presents a series of emotionally rich and tense scenes that delve into the complex relationship between family, emotions and individual choices through the characters' dialog and interactions.The video begins by showing a man in glasses and a black shirt smiling and talking to the camera, wearing a bandolier and seemingly very happy.The caption shows him mentioning that "our son robbed my daughter of her light and wrote a letter of authorization to dispose of the company's freedom, God forbid."This passage reveals conflict within the family and a sense of uncertainty about the future.Next, the video shows a man in a black shirt standing in front of a red curtain, who appears to be talking to the camera.The caption shows that he mentioned that "Today, when I realized that the past is no longer a wound, I took the first step today."This passage reflects the character's self-growth and courage in dealing with past hurts.The video then shows a man in a black shirt standing in front of a painting before turning to the camera and smiling.The subtitle repeats again, "I took my first step when the past left me traumatized.Next, he mentions, "I forgot, at my sister McHugh's. Hello, Mrs. Margins.""The passage seems to express a release from past hurts and a greeting to loved ones.The video goes on to show a more emotional scene in which a man sits at a table and talks to the camera, seemingly discussing something important.The caption shows him mentioning "I forgot, at my sister McHugh's. Hello, Mrs. Margins.Hi. Hello, Kinky. We're here, we're here, we're here."This passage reveals his thoughts of his family members and his hopes for the future.The video then shows a woman wearing headphones sitting on a bed with a serious look on her face, talking to the camera.Subtitles show her mentioning "We're here, we're here, we want you to stop Maan.We're there, we're there, and we want you to stop maan and work with us.Collaboration is easy.God will make it easier for you to stay young with your son alive."This passage reflects her concern for her family members and her worries about the future.The video then shows more scenes of the characters talking, with a man and a woman standing next to each other and the woman adjusting the man's ropes in what appears to be a formal setup.字幕显示，他们提到 "Mashk Khairna Mashk Khair Hameed Mashk Khair Hameed Ma Qurash Fakna。"This passage may be expressing blessings to family members and good expectations for the future.The video goes on to show more interaction between the characters, with a man and a woman standing in a room, talking to each other, the man in a jacket and the woman in a towel.The subtitles show them mentioning that "you have nothing left, mom, but God will bless you and make it all right.May God bless you."This passage reflects the support and hope for the future among family members.The second half of the video conveys a message of unity and hope through a series of emotionally charged dialogues and scenes.A man stands in the room, wearing a purple shirt and glasses, and seems to be talking about the company.The caption shows him mentioning that "the workers trust me, and I let them trust me, and the company is changing and evolving every day"."This passage reflects his professional accomplishments and confidence in the future.The video concludes with a series of light-hearted scenes that convey a positive message.A young man blowing his nose on the beach, wearing a shirt and enjoying the beauty of his surroundings.A man in a gray shirt dances in the rain, enjoying the weather.A man dances on the beach, spinning in the sand, showing the joy of life.The video ends with footage of a group of people enjoying time on the beach, with music and laughter intertwined to create a light-hearted atmosphere.Overall, the video shows the complex emotions of family members in the face of grief and challenges through rich imagery and dialog, with each shot capturing the deep emotional connection between the characters and their bright expectations for the future.Each scene in the video is like a frame of delicate painting, showing the complexity of human emotions and the true meaning of life.[01:10:00->01:20:00] The video presents a series of emotionally rich and tense scenes that delve into the complex relationship between family, emotions and individual choices through the characters' dialog and interactions.The image begins by showing a group of men in traditional turbans sitting in a circle, seemingly discussing something animatedly, but the exact content of the conversation is unclear.Their expressions were serious, as if they were discussing some important family or community issue, and the occasional sounds of applause and music in the background added a solemn atmosphere.Immediately afterward, the video shows a man being hugged tightly by another man, and the man being hugged appears to be crying, with a facial expression that reveals deep sadness.The man embracing him, on the other hand, seemed very gentle and seemed to be doing his best to comfort him.The caption reads, "Reasons why you and your partner divorced," suggesting that the scene may involve the breakdown of a relationship and the resulting pain.The video then switches to a man's room, wearing a bandana, sitting on his bed, then getting up and walking around the room, seemingly organizing his thoughts while talking on the phone.The subtitle mentions, "Vic Joe's words were interrupted by your hand today," a passage that seems to reflect his internal conflict and dissatisfaction with a particular conversation.Next, the video shows a man fixing his hair in front of a mirror, holding a brush and working intently as music plays in the background, creating a calm and focused atmosphere.This scene may suggest that he is preparing for some important event or ceremony.The video then shows a man in a surgical cap standing in front of a mirror, seemingly preparing for surgery, with music playing in the background to further reinforce the ritualistic and professional nature of the scene.Immediately afterward, a young man sits on a couch and talks to the camera, wearing a blue shirt and seemingly in a relaxed mood, but the caption "God bless you, what's wrong with me?" reveals that he is confused and upset. reveals his inner confusion and unease.The video goes on to show more of the characters interacting, with a man and a woman shaking hands and walking towards the camera, the man in a blue shirt and the woman in a purple shirt.The caption mentions, "I'm sure everything can go wrong, but we're always saying in our minds, 'Gaddy, Gaddy, Gaddy, kill Gaddy, kill Gaddy.' "This passage reveals an atmosphere of tension that seems to express their inner fear and uncertainty about the future.Next, the video shows a man, wearing a hat and hand <unk> and a blue shirt, standing in an empty room, seemingly engaged in some sort of monologue.The repetition of "I'm sure everything will go wrong" in the subtitles further reinforces this mood of unease and skepticism.The video also shows a man, dressed in a black shirt, standing in a brightly lit room with music playing in the background, his expression looking thoughtful.A man in a purple shirt then hastily talks to the camera, seemingly on his way somewhere, and the caption mentions, "Let me get rid of me this time, I want a convent," a passage that reflects his inner struggle and desire for a peaceful life.In the second half of the video, the scene gradually shifts to a more relaxed scene, with a group of men in blue shirts standing in a room, seemingly discussing something, their expressions appearing relaxed and happy.Another scene shows a group of men standing in front of a mirror, practicing their dance moves, with the sound of music in the background filled with energy and joy.The video concludes with a series of hopeful scenes that convey a positive message.A boy in an orange shirt sits in a room, seemingly in deep thought, and the caption mentions, "Makleh's nest is not a turban, but a hijab," a passage that may be expressing his rethinking of some tradition or belief.Another image shows a man in a blue bandana standing in a room playing a guitar as the music lilts, creating a serene and beautiful atmosphere.Overall, the video shows the complex emotions of the family members as they face emotional entanglements and challenges through rich images and dialogues, with each shot capturing the deep emotional connection between the characters and their bright expectations for the future.Each scene in the video is like a frame of delicate painting, showing the complexity of human emotions and the true meaning of life.[01:20:00->01:30:00] The current video clip presents a series of complex and emotionally rich scenes that profoundly explore the delicate relationship between family, emotions and individual choices through the characters' dialog and interactions.The video begins by showing a leather-clad man sitting on a motorcycle, gazing at the camera with a serious expression, as if preparing for a new journey or challenge.The background music adds a tense and expectant atmosphere to the scene.Next, the video switches to a man on a bicycle riding along a tree-lined road, wearing a helmet and a look of contentment and freedom on his face.This sequence conveys a love of freedom and nature that contrasts with the previous scene.The video then shows a man in a black jacket riding a bicycle with what appears to be the outdoors in the background, with the sound of music accompanying his ride, creating a relaxing atmosphere.The video also includes a scene showing a woman in a white hat standing in a room with another woman talking.The subtitle mentions that "the patient's maid was with him, so we suspected she was sick and tried to get her out of the house."This conversation reveals concern for someone's illness and concern for the health of a family member.Immediately after, the video shows a helmeted woman lying on a bed in what appears to be a disturbed state, with the subtitles repeating what was previously mentioned to emphasize her condition.A woman then gently stroked the head of another woman lying on the bed and soothed, "Auntie, you have to listen to me."This scene demonstrates the love and support between family members.The video also features a segment on graduation celebrations, where a person wearing a graduation cap is posing for a photo, and the captions are filled with reflections on what is real and what is not, seemingly exploring the line between reality and illusion.The next scene shows a woman in a white shirt sitting on a bed, talking to the camera, and the subtitle references seem to express her greeting and introduction to some girl.The video goes on to show several emotional scenes, including one in which a man stands in front of a mirror combing his hair with music playing in the background, seemingly preparing for some important event.Another scene shows a man in a hat and leather jacket standing in a room, seemingly conversing with someone off-camera, with subtitled references reflecting on issues of family and trust.The second half of the video conveys a message of unity and hope through a series of emotionally charged dialogues and scenes.A woman in a white hat stands in front of a building, smiling and talking to the camera, and caption references seem to explore personal choices and family responsibilities.Another scene shows a group of formally dressed men sitting at a table discussing things, with subtitles referring to companies and agents, reflecting the complex relationship between business and family.The video concludes with a series of heartwarming and hopeful scenes that convey a positive message.A man stands in front of a window and seems to be thinking about or observing the world outside, and the references in the captions reflect reflections on true identity.In another scene, a man dances around the room, interacting with another man, and the sounds of music and conversation are intertwined to create a relaxing atmosphere.Overall, the video shows the complex emotions of the family members as they face emotional entanglements and challenges through rich images and dialogues, with each shot capturing the deep emotional connection between the characters and their bright expectations for the future.Each scene in the video is like a frame of delicate painting, showing the complexity of human emotions and the true meaning of life.[01:30:00->01:40:00] The current video clip showcases a series of emotionally rich and charged scenes that delve into the complex relationship between family, emotions and individual choices through the characters' dialog and interactions.The video begins with a man in a shirt sitting in a chair, talking to the camera, his expression looking solemn.He mentions that he lives in Ra Walat Diali and hopes that Allah will help and support them, wishing Mr. Yak a smooth journey and helping him to get out easily and not stopping him as long as they don't see him again.This passage reveals an attitude of blessing and letting go of the future.Immediately afterward, the video shows a man in a hat and jacket standing in front of a white wall, who appears to be talking and gesturing with his hands in what may be some sort of performance or speech.The caption repeats what has gone before, emphasizing the best wishes for Mr. Yak and the hope that he will leave well.A man in a hat and jacket then sits in a chair and appears to be a musician playing a guitar; the video is in black and white.The background music and subtitles continue to repeat what has gone before, further reinforcing the themes of blessing and letting go.The video goes on to show a clothed man standing in front of a wall who appears to be talking to someone, but it is difficult to hear his words.The subtitle mentions that Mezuzu'al was greedy and took all of his father's possessions and left him in heavy debt.The passage reveals that conflicts and property disputes within the family have caused great psychological stress to the family members.Next, the video shows a woman in a helmet sitting on a bed, looking very angry and crying, with a man in the room seemingly trying to comfort her.The subtitles mention that the incident traumatized her father to the point of having to pull the plug.This scene shows the pain and helplessness of family members in the face of misfortune.The video then shows a woman in a helmet sitting in a chair and appearing to play a guitar, the video is in black and white.The subtitle mentions that money is still coming in, as if to suggest that the family, despite the hardships they have experienced, still has hope and possibilities for the future.The video goes on to show multiple emotional scenes in which a man and a woman sing together in a room, with the man wearing a towel and the woman wearing headphones, and they both seem to be enjoying the music they're making together.The caption mentions "Lord, while we are still alive, we are still gandhash", expressing love of life and hope for the future.The next scene shows a man in a towel looking upward at the sky in what appears to be a black and white clip.The subtitle again refers to "Lord, while we are still alive, we are still gandhash", further emphasizing perseverance in life and faith in the future.The video also includes a scene where a woman wears a towel over her head and cries in what appears to be a sad and emotional moment.The subtitle mentions "God, I really don't understand how we are going to deal with this situation and my misfortunes", which shows the confusion and helplessness of the character's heart.The video then shows a woman sitting in a room wearing a towel and appearing to be crying.The subtitles mention "Good luck, Insha Allah, Siri Zuki is going to order from Siri's company", which seems to express hope for the future and blessings for loved ones.Next, a man sits at a table with his clothes on, talking to a camera, seemingly in a formal position, and the video is in black and white.The caption mentions "Salaam alaikum salaam alaikum alaikum kadi ala Allah", which expresses greetings and blessings to the audience.The video goes on to show several emotional scenes where a lady dressed in black is playing the piano and appears to be enjoying the music.The subtitles repeat the previous greetings and wishes.A woman then sits at a table with headphones on and talks to a camera, seemingly discussing something with the interviewer.字幕提到 "Salaam as-salam alaikum as-salam Kedi ala Allah laa, I'm Mr. Hamidullah Wadi Khona"，表达了对观众的问候和自我介绍。Next, a woman wearing headphones sits on a bed and talks to the camera, seemingly angry and crying.The caption mentions "Our beloved, may Allah bless you, I came to Ghak'asiso and saw with me the condition of Hamid, may Allah bless you", expressing concern and blessings for Hamid.The video shows a young man wearing a jacket, sitting in a room, seemingly thinking.The subtitle mentions that "I'm married to Hamid's wife, so we'll see how he is, how he's doing", which reveals a change in family relationships and hope for the future.A man in a dress then sits at a table and talks into a camera, seemingly discussing something related to business or finances.The caption mentions that "God will make it easier for you to stay young, and your son is still alive," expressing blessings for the future and concern for family members.The video goes on to show several emotional scenes, including one in which a woman wearing headphones sits on a bed and looks at the camera, a serious expression appearing on her face.The subtitle refers to "your child is young, your child is alive", a passage that expresses concern for the child and hope for the future.Next, a man in a dress and a woman in headphones stand in the room and seem to be talking to each other, but it's not clear what they're talking about.The subtitles refer to "hit the road if you like, hit the road," a passage that may be expressing an attitude of letting go and blessing.The video also features a scene where a man has a pair of cuts and cuts off someone's hair and appears to be getting a haircut.The subtitle mentions "This is where they come from, I can't take it anymore", which may be expressing dissatisfaction and pain over a certain behavior.A man in a white shirt and rope then stood in front of a mirror and appeared to be adjusting the rope, possibly getting ready for a special occasion.The subtitle mentions that "he humiliated his mom in a way that he didn't even think about", which reveals the conflict within the family and the damage done to loved ones.The video appears in black and white as a man in a dress and towel sits in a chair, talks to the camera, and then he stands up and starts dancing.The subtitle mentions that "the blood boils in my veins and I don't know what it feels like", which expresses the emotional turmoil and complexity of emotions within.Next, a man in a dress and rope stands in front of a mirror and looks nervous as he looks at his reflection.The subtitles refer to "Aish", which expresses anxiety and confusion about the future.There is also an emotional scene in the video where a woman in a helmet sits in a room and appears to be crying, and the subtitles refer to "Tete Awi Se Hameed Malik Lapas Se Hameed," which expresses nostalgia for someone and memories of the past.The video then shows a group of men standing in a line, one of them being gloved and escorted by two police officers in what appears to be a police station.The subtitles refer to "Hamid Elsi Hamid", a passage that could be describing a legal or criminal story.The video goes on to show multiple emotional scenes in which a man in a military uniform stands next to a woman, the man in a hat and the woman in a jacket.Music flows in the background, creating an atmosphere of solemnity and tension.Next, the video shows a close-up of a man's face with tears streaming down his cheeks in what appears to be a sad and emotional moment.The subtitle refers to "music", which further reinforces the emotion.A woman in a helmet then sits in a chair, seemingly in a state of agony, crying.The subtitle mentions that "I cursed, ruined my life, and walked away", which expresses inner pain and remorse.The video also includes a scene where a woman in a helmet sits on the floor crying in what appears to be a black-and-white clip.The subtitle refers to "locking up my mother, to lock up my mother, I got the news of my father's death", which reveals the pain and despair of the family members in the face of tragedy.Next, a woman in a helmet sits on the floor, seemingly in deep thought.The subtitle refers to "Hamakat I got the news of my father's death", which further emphasizes the pain and helplessness of the family members in the face of misfortune.The video appears to show a group of young men in prison uniforms walking towards the camera, they appear to be in a prison setting, the video is in black and white.The subtitle refers to "Honestly, I'm looking forward to many years of our lives", which expresses hope for the future and remembrance of the past.The video goes on to show multiple emotional scenes in which a group of men in prison uniforms stand on what appears to be a wall.The subtitle mentions that "my life is gone, my dreams have vanished, I don't even have a purpose in life anymore", which expresses despair for the future and nostalgia for the past.A man and a woman then lie on a bed, the man smoking and the woman lying on top of him, they both seem to be relaxed and enjoying each other's company.Music flows in the background, creating a relaxing and cozy atmosphere.The subtitles refer to "music", which further reinforces the emotion.The video also includes a scene where a man stands in a room with a black background, wearing a shirt, and appears to be looking at a camera.The subtitle mentions "Revenge and hate, I want to see blood and take back my rights with my own hands", which expresses the desire for revenge and the pursuit of justice.Next, a man takes a shower in the bathroom, the video is in black and white, and he stands under the shower.Music flows in the background creating a calm and relaxing atmosphere.A man without a shirt then lies on the floor before standing up and walking towards the camera, the video is in black and white.The music flows in the background, further intensifying the emotion.The video shows a boy in a white shirt standing in front of a building with a gun in his hand, seemingly in a serious mood.The subtitles refer to "Daba Mum Toste and Pa died from hatching because Babak killed you", which reveals a story of crime or revenge.The video goes on to show multiple emotional scenes in which a group of men in clothes and glasses stand in front of a building, with one of the men holding a gun and pointing it at the camera in what appears to be a scene from a movie or TV show.The subtitle mentions "Daba Mum Toste and Pa died from hatching because Babak killed you Where's the money, Gadi Baba", a passage that further reveals the story of crime and revenge.Finally, a man in glasses and a white shirt stands in front of a tree, and he appears to be talking and gesturing with his hands.The caption mentions "I was the one who recognized the brand, but I didn't know who she was playing with.I don't know who to hang out with. I'll see you at home.I don't know who you're playing with, but today is the day", a passage that expresses uncertainty about the future and confusion about relationships.Overall, the video shows the complex emotions of the family members as they face emotional entanglements and challenges through rich images and dialogues, with each shot capturing the deep emotional connection between the characters and their bright expectations for the future.Each scene in the video is like a frame of delicate painting, showing the complexity of human emotions and the true meaning of life.[01:40:00->01:50:00] The current video clip showcases a series of emotionally rich and tense scenes that insightfully explore the complex relationship between family, emotions and individual choices through the characters' dialog and interactions.The video begins by showing a man wearing a white shirt and pants on the floor who appears to be resting or lounging, with no other people or objects visible in the video.The recurring subtitle of the video, which repeats the phrase "You have to take care of it, go home," seems to emphasize a call or a voice of concern, suggesting a deep sense of care and hope for someone.Next, the video shows a view of an approaching human face, the person is wearing a white shirt and appears to be looking directly at the camera.The same subtitles appear again, further reinforcing the theme of calling out and caring.The video then shows a woman in gloves standing in front of a door, seemingly in a hurry to speak to the camera.The caption mentions "Radhakum Zidi, in your case Radhakum Dad, why don't you let me go?" The passage reveals a sense of urgency and disbelief that seems to express dissatisfaction with some kind of bondage or restriction.The video goes on to show a man and a woman in a hijab who appear to be talking to each other.The same subtitles reappear to further emphasize the emotions and contradictions in the dialogue.The video then shows a woman in gloves walking down the street, suitcase in hand, who suddenly falls to the ground in a scene that seems so sudden and tense that the video ends with her lying on the ground in what appears to be an immobilized state.The video then shows a helmeted woman talking to a child, who is wearing a towel and appears to be listening closely to the woman.The subtitle mentions that "my sister's neighbor received one of these on her doorstep", which seems to tell a story or event, but the exact plot is not clear.Next, the video shows a woman in a Hague dress and a woman lying on a bed, the woman on the bed seems to be in great pain and the Hague woman tries to comfort her.The subtitle mentions that "I didn't know how I met Mahdi until he had left Kjerijit for one of the Dere tribes", which seems to tell a story of meeting and leaving, revealing a sadness and hopelessness.The video goes on to show a more emotional scene where a man and a woman are walking in a field and they seem to be enjoying their time outside.The subtitle refers to "Sister, I found Baba Zaidi for you", which seems to express a sense of concern and support.The video then shows a man and a woman walking along the beach, wearing sunglasses and hats as they seem to be having a good time.The subtitle again mentions "I don't want to come here, I don't want to go", which reflects the character's inner conflict and struggle.Next, the video shows a man in sunglasses and a white shirt talking to the camera as he stands in front of a red object and appears to be smiling.The subtitle mentions that "he understood even by looking at the house", which seems to express a deep understanding and realization.The video then shows a man standing in front of a car with a gun in his hand in what appears to be a scene from a movie.The subtitles mention "Mazu, this donkey can't survive", which reveals a sense of desperation and helplessness.The video goes on to show multiple emotional scenes where a man and a woman are in a car and they seem to be having a good time.The subtitle mentions that "the donkeys didn't know what to do", which seems to convey a sense of confusion and uncertainty.The video then shows a man in a white shirt walking towards a man lying on the ground, the man on the ground tries to get up but the man in the white shirt pushes him back.This scene is full of tension and conflict.The second half of the video conveys a message of unity and hope through a series of emotionally charged dialogues and scenes.A man in a white shirt stands outside and seems to be enjoying the scene around him, the caption mentions "Tamara Bash, Lalat Hakkar and Ziton Hashi, we all thought you killed my daughter, killed my family", this passage reflects the pain and misunderstanding between the family members.The video goes on to show a more emotional scene in which a man and a woman stand in front of a car and appear to be talking.The subtitle mentions that "the kitten had tasted the bitterness I'd had enough of, and I was still young", which reflects the character's inner fatigue and dissatisfaction.The video then shows a man in a white shirt holding a golf club and appearing to play a game of golf, with music in the background adding a relaxing atmosphere.The video ends with a positive message through a series of cozy and hopeful scenes.A woman wearing a folded dessert stands next to a car, seemingly angry and crying, as a man stands nearby, trying to calm her.The video ends with an image of a man in a white shirt standing in the middle of a field with a stick in his hand, seemingly performing some sort of ritual, with music and applause in the background.Overall, the video shows the complex emotions of the family members as they face emotional entanglements and challenges through rich images and dialogues, with each shot capturing the deep emotional connection between the characters and their bright expectations for the future.Each scene in the video is like a frame of delicate painting, showing the complexity of human emotions and the true meaning of life.

Question: How many people did the man (hero) succeed in murdering with vengeance?

Choices:
A. 4 people
B. 1 person
C. 2 people
D. 3 people

Answer: D

The woman was pushed from a height when she wasn't looking, faking a suicide fall. [00:37:22->00:39:00]

Sneaking up from behind and killing the man by strangling him with his hands successfully faked the hanging. [00:50:20->00:51:20]

Violence was used to strangle the woman directly [00:56:45->00:57:09]

Question: What are the implications if a woman senses a man's intentions?

Choices:
A. The woman may misinterpret the man's intentions as harmless, leading to a false sense of security and inadvertently facilitating his plan to stage an accident.
B. The woman may actively resist and send out a distress message to the outside world, which will result in the man will not be able to fake an accidental fall, and the man may give up on the idea of killing the woman as a result.
C. The man might escalate his actions immediately, abandoning any pretense of accidental harm and directly confronting the woman with his true intentions.
D. The woman could choose to remain passive, hoping to de-escalate the situation without alerting others, which might prolong the man's ability to maintain his facade.

Answer: B

The woman may actively resist and send out a distress message to the outside world, which will result in the man will not be able to fake an accidental fall, and the man may give up on the idea of killing the woman as a result.

May actively resist coming down from a high place to send a distress message to the outside world.

It can lead to a phenomenon where men will be unable to fake an accidental fall.

Men may give up on the idea of killing women as a result.

Question: What is the use of a man doing many things with the first object of his vengeance?

Choices:
A. So that the woman perceives his actions as random and unrelated to any specific agenda.
B. To create a sense of unpredictability and keep the woman constantly on edge about his intentions.
C. Because of all the events a woman will think that the relationship between the two will become close and thus trust the man.
D. In order to distract the woman from his true motives by overwhelming her with multiple actions.

Answer: C

Because of all the events a woman will think that the relationship between the two will become close and thus trust the man.

Rescue the woman from the hands of the gangsters, and make them known to each other [00:01:15->00:03:20].

A dating excursion with a woman brings the two closer together. [00:34:02->00:34:57]

Question: Why did you succeed in killing the first woman?

Choices:
A. The man manipulates the woman into participating in a dangerous stunt, ensuring she is unaware of the safety measures being sabotaged, resulting in fatal injuries.
B. The man stages a car accident by tampering with the woman's vehicle, causing it to crash at high speed, which leads to her immediate death.
C. The man uses a disguise to gain the woman's trust, then lures her into a secluded area where he poisons her drink, leading to her death.
D. The man first gets to know the woman, then draws her closer through events such as racing competitions dating, dating to find an opportunity to trick the woman into falling to her death from a high place.

Answer: D

The man first gets to know the woman, then draws her closer through events such as racing competitions dating, dating to find an opportunity to trick the woman into falling to her death from a high place.

Rescue the women from the hands of the gangsters and make them known to each other [00:01:15->00:03:20]

The relationship with women and their fathers is brought closer through racing [00:19:15->00:21:45].

Make a woman let her guard down by going on a date, and trick her into falling to her death by going up to a high place. [00:34:02->00:39:00]

Question: What are the repercussions of a man faking multiple suicide accidents?

Choices:
A. Frequent suicide hoaxes may cause law enforcement to allocate fewer resources to genuine cases, reducing overall public safety.
B. Multiple fake suicides could lead to public desensitization, making it harder to recognize and respond to real emergencies.
C. Repeated suicide attempts could result in increased mental health support, diverting attention from the underlying criminal activities.
D. Successive suicides would lead others to suspect that they were deliberate, and the truth about the men's killings would be at risk of being exposed.

Answer: D

Successive suicides would lead others to suspect that they were deliberate, and the truth about the men's killings would be at risk of being exposed.

The woman is killed by letting her guard down through a date, and the man later puts the woman's suicidal letter in the mailbox, disguising it as a suicide accident. [00:35:59->00:39:43]

Sneaks up from behind and kills the man by strangling him with his hands, agreeing to use the note to successfully fake a hanging. [00:50:20->00:51:20]

Question: What happens when a man decisively stomps the object of his vengeance?

Choices:
A. A man who decisively stomps the object of his vengeance would inadvertently trigger a chain of events resulting in the exposure of a larger conspiracy.
B. A man who decisively stomps the object of his vengeance would be immediately apprehended by law enforcement, leading to a public trial and widespread media coverage.
C. A man who decisively stoned the object of his revenge to death would not be countered by the object of his revenge and succeed in his revenge, but would have his mother witness the murder scene and affect her opinion of him.
D. A man who decisively stomps the object of his vengeance would find himself haunted by guilt, leading to a psychological breakdown and eventual confession.

Answer: C

A man who decisively stoned the object of his revenge to death would not be countered by the object of his revenge and succeed in his revenge, but would have his mother witness the murder scene and affect her opinion of him.

Men don't get hit back by vengeful objects.

Men will be able to succeed in their revenge.

But it would be witnessed by the mother at the murder scene and affect her opinion of herself.

Question: Why the man (the hero) did not succeed in killing the man (the object of his revenge).

Choices:
A. The man was intercepted by law enforcement agents who had been tracking his movements, thwarting his plan before he could act.
B. The man was preparing to commit the murder when he was distracted by his mother, which led to being stabbed by the man using a steel bar, so he didn't succeed in killing.
C. The man hesitated at the critical moment, allowing the object of his revenge to overpower him with a concealed weapon, preventing the murder.
D. The man accidentally triggered a security alarm, causing a swift response that interrupted his attempt to carry out the murder.

Answer: B

The man was preparing to commit the murder when he was distracted by his mother, which led to being stabbed by the man using a steel bar, so he didn't succeed in killing.

Man knocks his man down and prepares to stone the man to death [01:43:29->01:44:32]

The man's mother suddenly reappears on the scene, and the man is drawn to the scene. [01:44:33->01:45:18]

The man gets up and picks up a steel bar and stabs the man, so he doesn't succeed in killing him. [01:45:20->01:45:40]

Question: What is the video about?

Choices:
A. The hero successfully executes his vengeance against all his enemies, achieving a flawless and satisfying conclusion to his quest.
B. The main character seeks revenge but is thwarted by a series of unforeseen events, forcing him to abandon his mission entirely.
C. The hero goes to great lengths to get close to the object of his vengeance and unleash his vengeance on him, but he accidentally misses when facing the last object of his vengeance, and it backfires on him.
D. The protagonist meticulously plans his revenge but ultimately decides to forgive his enemies, leading to an unexpected reconciliation.

Answer: C

The hero goes to great lengths to get close to the object of his vengeance and unleash his vengeance on him, but he accidentally misses when facing the last object of his vengeance, and it backfires on him.