[00:00:00->00:10:00] This video presents a mysterious story that takes place in the desert through a series of coherent images and subtitles.The story centers around several main characters, including an ancient figure known as "Ois," a man who may be pursuing science, and several other characters who appear in the desert, such as a man on horseback and a man in the company of wolves.The story begins with a herd of horses walking slowly through a vast desert, and the background narration refers to "Ois" as an ancient being who knows little about modern knowledge, suggesting that the story is set in a world full of mysteries and unknowns.The scene then switches to a man sitting next to a wolf who appears to be in some form of communication with the wolf, which adds to the fantasy of the story.The video then introduces other characters in the desert, including a man and woman on horseback, a man holding a telephone, and a man driving a vehicle in the desert.The characters all seem to be searching for something or someone, especially the many references to "Oscar," who is described as "the guardian of Yemen's beauty," suggesting that he may be an important character or possess some special ability.The video also features some unusual scenes, such as the "ass boy on the ceiling of the movie" and the "man with a candle on his head", which are not clearly related to the main story but certainly add to the mystery and interest of the story.In addition, the video involves scenes about prayer, night walks, and men in business attire, elements that demonstrate that the story is not just limited to desert exploration, but also touches on a variety of aspects of culture, religion, and personal life.As the story progresses, the dialog between the characters gradually reveals the complexity of their relationships.For example, there are questions about the significance of names such as "Wayne Tobb Mansour" and "Tesla," and these conversations seem to explore the deeper meanings behind the stories.The video ends with some more symbolic images and dialogues, such as "Open the door, brother" and "What are you afraid of, Moscow network", which are full of allegory and leave the viewer with infinite space for imagination.Overall, the video builds a story world full of mystery and exploration through ambiguous narration and rich visual elements, where interactions and dialogues between the characters hint at deeper themes such as the quest for the unknown, the exploration of human nature, and cultural differences.[00:10:00->00:20:00] The scene in the video gradually unfolds from a peaceful desert, and begins with a cat gazing at a telephone, seemingly curious about the message on the screen.The question "What is a grid?" was repeated over and over again on the phone. The question of "What is a grid?" was repeated on the phone, but it didn't seem to interest the cat any more, who looked a little bored and whispered, "What's so interesting about it? Focus on me."Conversations like these are filled with a surreal vibe that makes you look forward to what's to come.The video then shifts to a group of men on horseback, traveling through a dirt-smeared road, with dusty images that give a tense and mysterious feel to the scene.One of the men in a cut shirt sat next to the other, as if observing something.The scene then switches to a white-hatted man on horseback, with the desert appearing more expansive in the background, and the man's silhouette elongating in the setting sun, adding a touch of lonely beauty.They seem to be searching for something, and the "Knight?" subtitle is repeated, as if to emphasize the identity or mission of these characters.Next, the video shows a man driving a blue truck on a peaceful night with headlights that stand out in the darkness.He seems to be searching for something, and the subtitle "The Right Scream" adds a touch of tension.Immediately afterward, the image shows a black vehicle parked next to a tree with its lights out, giving it a mysterious and unsettling feel.After a short transition, the video shows deeper relationships.A man puts his arms around a woman and a child, captioning "Rico Hud Tobb, I'm taking you away, brother."reveals the intimacy of their relationship, but also suggests a sense of responsibility and commitment.In the ensuing dialog, the phrase "You know he relies on you.How long has it been?" Words like these further deepen the audience's understanding of the characters' relationships while adding a layer of emotional heft to the story.The video goes on to show a series of symbolic images such as a walk in the forest at night, a young man's first theft, and people gathering in the dark.These scenes convey a theme of internal struggle and growth through subtitles such as "Recognize and Work" and "Mione Tells You, Do I Have Faith in You?" These scenes convey a theme of internal struggle and growth through subtitles such as "Recognize and Work" and "Mien Tells You, Do I Have Faith in You?".Each image and conversation feels like a part of the story, leading the viewer to delve deeper into the inner world of the characters.The atmosphere of the video gradually becomes tense as the story progresses.A man runs through the desert with the caption "Who brought me here? Where am I?" reflecting his inner confusion and fear.The scene then shows a man and woman walking in the desert, with the caption "Where am I driving?" suggests a sense of dislocation and unreality.As the camera pans, a man holds his hand up to the sky, as if shouting something, and the caption "Knights?" adds a touch of solemnity and mystery to the scene. adds a touch of solemnity and mystery to the scene.The last part of the video goes back to the scene in the cave where a group of people are sitting around and one of the men helps another man get something out of a suitcase.Subtitles "What is it? Secretariat, what's bothering you?" reveals their conversations and interactions, but also hints at some kind of secret or mission.The video ends with a group of people sitting together in a cave with the caption "Who are you? Do you remember?" and "If you remember Oscar, you probably remember who you are." on the other hand, leaves a deep reflection on the whole story, leading the audience to reflect on the meaning of identity, memory and existence.Through the mysterious desert background, rich visual elements and symbolic dialogues, the whole video builds a story world full of exploration and introspection, allowing viewers to feel the deeper meaning behind the story.[00:20:00->00:30:00] In the current scene of the video, the image first focuses on a woman standing confidently and firmly in front of a group of people, seemingly in the midst of making some sort of important speech or announcement.The people around her stood or sat, their demeanor varying from curious gazing to serious listening, as if each was anticipating the information she was about to reveal.The background is still set in the middle of the vast desert, and the sunlight pours down through the sparse clouds, adding a bit of solemnity and sanctity to the scene.The camera then pans to an old tree where an old man and old woman sit side by side.Their faces were etched with age, but there was a calmness and wisdom in their eyes.They seem to be having some kind of profound conversation, and even though the subtitles only show "Translation by Nasi Kanker", one can sense from their expressions and gestures that the conversation is full of emotions and memories.The old man's hand rests gently on the old woman's shoulder, a subtle gesture that conveys the deep emotional bond between them and their support for each other.The next scene switches to a dramatic game in which male and female characters play their roles.Their interactions are full of dramatic tension, with every movement and expression carefully crafted to seemingly tell a deeper story.Although the specifics of the dialogues are still only "translations of Nasi Kanker", the interactions between the characters make it clear that this is not just an ordinary game, but some kind of symbolic performance aimed at revealing the relationships between the characters and their inner worlds.These scenes further enrich the layers of the story through delicate emotional expressions and symbolic images, enabling the audience not only to have a deeper understanding of the relationships between the characters, but also to think more about the deeper meanings behind the story.Each image is like a part of a jigsaw puzzle, gradually piecing together a more complete story world, allowing the audience to feel the charm and profound connotation of this mysterious desert story in both visual and emotional experiences.[00:30:00->00:40:00] In the current segment of the video, the image begins by focusing on a photograph of an older man who is at peace with Torban, with a caption in the background that reads "Translation by Nasi Kanker," as if to emphasize the importance of this conversation or description.The camera then switches to a man running through the trees in the darkness of the night, and the tension of the scene echoes the subtitle "Naci Kanker's Translation," suggesting that there may be an important message or emotion hidden behind this scene.The scene then shifts to a man standing in the darkness of a cave, and the same subtitle appears again, deepening the audience's curiosity about the content of this translation.Later, a man walks in a white taban, and the recurring subtitle "Naci Kanker's Translation" seems to lead the viewer to explore the deeper meaning of this translation.The scene continues to unfold with a man standing in front of a cow, and the caption "Nasi Kanker's translation" is immediately followed by "Quiet, Oskar", which seems to be a call or command to the aforementioned "beautiful guardian of Yemen" Oskar, revealing a tense and uneasy atmosphere. This seems to be a call or command to the aforementioned "beautiful guardian of Yemen", Oskar, and reveals an atmosphere of tension and unease.Immediately afterward, a man holding a white candle appears on the screen with the caption "Quiet down, Oscar.Went to the city." further reinforces the inner conflicts and struggles of the characters in this scene.The next scene shows an old man sitting in a room next to a dark horse with the caption "Went to the city.I don't know when I'll be back."conveys a sense of parting and uncertainty, as if the old man is talking about his worries about the future.Later, a boy talks to another man by a white turbine with the caption "I don't know when I'll be back.What's going on, Os?" The dialog further reveals the relationships between the characters and the dilemmas they each face.In the video, a man in special clothing stands in front of a building, with lush trees behind him, and the "I don't know" subtitle repeats in the frame, reflecting the character's inner confusion and uncertainty.Immediately afterward, the scene switches to a man riding through the desert on horseback, and the subtitle "I don't know" reappears, further deepening the sense of uncertainty.A man and a flock of sheep are then shown walking in the desert, accompanied by the caption "Muhammad is his servant and messenger", which seems to emphasize a belief and a mission.This scene adds a deeper layer of meaning to the story through the symbolism of religion, suggesting the characters' adherence and reliance on faith in their quest for purpose and meaning.The video goes on to show a man walking through the desert in a white storm costume, a theme further reinforced by the recurring caption "His messenger".Then a man tends a flock of sheep in the desert, and the subtitle "His Messenger" appears again, enhancing the viewer's understanding and feeling of the theme through the repetition of the subtitle and the image.The power of this belief is re-emphasized by the image of a man with a white headdress and the caption "Muhammad is his servant and messenger".A man then appears in the desert, and the subtitles "Join the channel" and "Join the channel" are repeated, as if to call on the viewer or a group to join in some action or belief.Finally, a man is shown in the desert with Camille, and the caption "Join the channel" appears again, as if to emphasize the importance of this call to action.Then a man with a mouse and a sheep, with the caption "I told you they would send it" reflects some kind of promise or assurance.The credibility of this promise is deepened by the repetition of the caption, "I told you they would send it," which reappears next to a man's white headdress and a cow in the desert.The final part of the video shows a man holding a cigarette, followed by a man and an "ass" (the exact meaning of this scene is somewhat ambiguous and may be a metaphor or symbol), with the caption "Wes's paychecks don't go to anyone's currency.You need money."It seems to admonish some principle of prudence and self-reliance.The image of a man with an "ass" and headdress in the desert and the caption "The name of Muhammad" re-emphasizes the power of faith.Finally, a man driving in the desert with the caption "asking for Rutter's help" conveys an intention to ask for help or support.The current segments throughout the video build a story world full of tension, faith, and exploration through a series of symbolically rich images and repetitive subtitles, with each scene feeling like an integral part of the story, leading the viewer to delve deeper into the inner worlds of the characters and the deeper meanings of the story.[00:40:00->00:50:00] In the current clip from the video, the screen gradually unfolds into a series of scenes rich in symbolism and emotional depth, each telling a story about the complex intertwining of a character's inner world and external environment.First, the camera focuses on a man's "ass" and the "Turban" on his head, which seems to have a hidden meaning, while the subtitle "Join the channel" seems to be a bit abrupt, as if calling the viewer to participate in some unknown activity. The subtitle "Join the Channel" is a bit abrupt, as if it is calling the viewer to participate in some unknown activity.An old woman is then shown wearing a white burqa and appears to be holding something in her hand with the caption "It's fresh milk.Also take."conveys a sentiment of sharing and caring.Immediately after, a man in a white taban appears in front of a cell phone, and the caption "also take" appears again, emphasizing the spirit of sharing.Then the camera pans to an old man and old woman standing in a doorway, the old woman hands out something, captioned "My grandmother took some out.Thank you, daughter."Reveals the love and gratitude between family members.This cozy scene contrasts with the mystery and uncertainty of the previous images, providing an emotional buffer for the viewer.A man is then shown holding a shirt with the caption "I don't need it.Oz" expresses concern and rejection of someone.Immediately after, a man and his "ass" appear in front of an opera-soap television, and the caption "Congratulations on your generosity, thank you" reveals a sense of gratitude in social interaction.Next, a woman sits next to a man with the caption "Thank you for helping the poor in the area" further reinforcing the theme of sharing and helping.A little girl wears a coat on her head with the caption "Help the poor in the area.Thank you I'm not the one who can help you" reflects an individual's sense of powerlessness and humility in the face of poverty.The scene continues with a young boy holding a gun over his head, and the caption "He is God" brings up a reflection on power and faith.An old woman in a pink terrace with the caption "Did you see his face?" provokes a mysterious atmosphere that seems to lead the viewer to some hidden truth.The camera pans again to a man wearing "Ass" and "Turban" on his head with the caption "He's in town.Ha, ha. Did you see that? I can't see it. - I've heard about it.I heard his name.Do you see it? I hope you see it" expresses a sense of curiosity and exploration of the unknown.As the scene progresses, a video about the "next movie" appears with the actors, and the caption "O ye who believe! Spend what we have given you until the day comes when there will be no sale, no minority, and no vengeance" has religious and moral overtones, calling on the viewer to reflect on the meaning and responsibility of life.The video goes on to show a clip of a "pastor" with the subtitle "Who's who, who's who, who's who, who's who, who's who, who's who, who's who.He knew their hands and what was behind them.There is nothing around them" reveals a deep insight into human nature and social relations.The next scene shows a man running through the desert with the caption "One thing he has encountered is the third world.Waiting for you" adds an atmosphere of tension and anticipation.At night, a pair of men in a cave have a conversation with the caption "Wes, honey, are you here? My son? Why don't you talk? Are you sick, honey? No, Mom.Absolutely. You look tired.Mom, I'm fine.Orvis, tell me who you're hiding, dear" shows the emotional exchange and inner struggle between mother and son.In the last part of the video, a man stands next to a woman with the subtitle "Life in your market is as quiet and appreciative as ever.Grandfather of crime. - Come on.Our continued accompaniment and certain future Oz told me what happened.Why are you crying? Don't cry, Mom.Do men cry, Orvis.Don't cry and I'll cry for you. Don't grieve and I'll grieve for you.I can't leave you like this, without doing anything.Tell me, son, come on.Dear Mom" reveals the deep emotional bond between the characters and their perseverance and courage in the face of adversity.The current segment of the entire video further enriches the layers of the story through a series of delicate emotional expressions and symbolic images, enabling the viewer not only to gain a deeper understanding of the relationship between the characters, but also to think more about the deeper meaning behind the story.Each image is like a part of a jigsaw puzzle, gradually piecing together a more complete story world, allowing the audience to feel the charm and profound connotation of this mysterious desert story in both visual and emotional experiences.[00:50:00->01:00:00] The current segment of the video shows a family in the desert and the profound emotional exchange between its members.The scene first focuses on a man wearing a gun, who suddenly turns his head to look at the camera as if responding to a voice or call.Subtitles "Mom, but, my child, the city is far away."conveys a sense of longing for a faraway place and the hopelessness of reality.Then a man appears with an "ass" and a "Turban" on his head, as if to express an emotion or perform a ritual.Subtitles "But, my child, the city is far away.We do the same in the South and the South."The distance and vastness of the area are further emphasized, suggesting the challenges and difficulties faced by the characters.The camera then pans to an elderly woman who is having a phone conversation via her cell phone, which is pressed against her face.Caption "We do the same in the South and in the South.Will be gone for months."Reveals the old woman's concern for her distant relatives and her worries about the journey, while also showing the way people communicate and live in the desert.The scene continues with the old woman removing her cell phone and placing it on the table, the hat on her head standing out.Subtitles "Tell me or wait for me.I'll be back later."conveys a sense of commitment and determination, suggesting a deep emotional bond between the characters and their trust in each other.Next, the video shows the animal hanging on a blue background with the caption "I told her I wanted to comfort."It seems to express a sense of concern for the family and helplessness about the current situation.Immediately following, a man, an "ass" and a turbine sit together, captioned "I told her I wanted to comfort.Forbid you about action Lee ☆☆☆ also again Kashif I see you have arrived yes, man.Don't get in my face about how beautiful the fire is."The passage seems a bit broken, but one can feel the emotional complexity and the character's inner struggle.The camera pans to the old man and the old woman, who seem to be having some kind of profound conversation.Subtitles "Son, what do you think you're looking at? My son Wes lost your youth walking with me she didn't marry because of her mother."This conversation reveals the relationships between the family members and their respective life choices, and the older man's words are filled with concern for his son and memories of the past.The image shows the man's hand caressing his face with the caption "She didn't marry because of her mother.I took care of me.I have nothing against your existence.How can I pay for what you did for me? Mom."This emotionally rich dialog shows the deep emotional bond between the characters and their appreciation for each other.The video then shows a woman in a tarban who appears to be involved in some kind of movie scene.Subtitles "Mom, Wes, I agree."conveys a sense of support and understanding.The scene then shows a family in a village, with the man, woman and child sitting around with the caption "Mom, thank you, dear mom.Son."This conversation is full of family and appreciation for each other.The video continues with a girl wearing a candle on her head, standing in the frame with the caption "May God protect you, mom.Wes, don't make me wait for you.Come back soon."This passage expresses the attachment and expectation of distant relatives.Immediately after, a man, an "ass" and a Turban reappear on the screen with the caption "Come back soon.Didn't leave much.Even if you can't find it."This dialog reflects the commitment between the characters and their uncertainty about the future.Finally, the video shows a man dressed in white walking across the desert with the caption "Seems to be flying fast.Music, on this channel."This passage seems to suggest some kind of spiritual flight and hope for the future.The scene shows some people walking across the desert with the caption "On this channel... ... ... ... ... ... ... ... ... ... ... ... ..." Instead, it leaves a kind of open ending that leads the audience to continue thinking about the deeper meaning of the story.Through delicate emotional expression and symbolic images, the entire video shows the complex relationships and deep emotions between the characters in the desert, while also revealing the exploration of the unknown and hope for the future.[01:00:00->01:10:00] In the current clip from the video, the screen gradually unfolds into a series of scenes rich in symbolism and emotional depth, each telling a story about the complex intertwining of the inner worlds of the characters in the desert and their external environment.First, the image is framed with a man standing in front of a wooden door, and the words "Interpreter of Nasi Kanker" recur in the background, as if to emphasize the importance of the conversation or scene and set the tone for the rest of the image.The scene then switches to a man in a white "Turban" standing in a cave with a rope in his hand.The rope stands out in the dimly lit cave, as if symbolizing some kind of bond or connection, and the subtitle "Nasi Kanker's Translation" reappears, deepening the audience's sense of mystery in this scene.The camera then pans to two boys standing next to the animal, seemingly engaged in some sort of communication or ritual.The repetition of the subtitle "Naci Kanker's translation" seems to emphasize the profound meaning of this dialogue.The image then shows a man and an "ass" (the specific meaning of this image seems to be more metaphorical) speaking to another man with the caption "Go again, I won't stop you.Go visit him.Come on, honey."Conveys a sense of encouragement and firm resolve that reflects the trust and support between the characters.The scene continues with a woman standing in front of a cat hole, seemingly looking for or calling out for something.Her eyes are full of anticipation and anxiety, and the subtitle "Mom" reveals that she may be looking for a relative.Next, a man walks with a herd of sheep in the desert, and the caption "Thank you, mom" seems to be a gesture of gratitude and remembrance to his mother, reflecting the softness and emotion of the character's heart.The camera then pans to the desert animals as they walk through the sand, and the "Thank you, Mom" caption reappears in the background, as if to emphasize the gratitude for nature and life.A man standing in Tripoli is then shown holding the sheep's seed in his hand, and the caption "Thank you, Mom" further reinforces the gratitude to the mother.The footage continues to progress as a man is seen in the video with a crack in his face and the caption "Thank you, mom.Mom" conveys a memory of the past and a longing for her mother.Then, an old woman appears in the scene with a sad face, and the subtitle "Mom" deepens the expression of this emotion.Later, a woman stands in the room and the caption "Mom, thank you" shows appreciation and love for her mother.Next, a man is shown grabbing another man on stage, and the caption, "Thank you for being you, Mom," reveals the depth of emotion and support between the characters.A man on horseback then walks through the village, and the caption "Mr. Wisdom" suggests the character's intelligence and wisdom.Then a man walks in a white taban with the caption "Mr. Wisdom, where are you? I'm looking for you" conveys a sense of search and longing.The scene continues with an old man in a white hat walking in the desert, and the caption "Mama, Mama, Mama, Mama" deepens the thoughts and calls for his mother.Then a man and "Ass" and "Turban" appear in the scene with the caption "Tell me, why are you crying? What is it?" The subtitle "Tell me, why are you crying?" reflects the character's inner confusion and struggle.Then, a man and his "ass" appear under "Turban", and the caption "It's impossible" conveys a sense of hopelessness and despair about reality.A man in a white Turban then appears with the caption, "What did you say, Mr. Smarty? What did you say?" The subtitles "What did you say, Mr. Smarty?" show the dialog and communication between the characters.Then a boy looks at his cell phone, and the caption, "The love of our life has left our world, it's impossible to leave, never to be seen again," conveys a sense of sadness and helplessness at the loss.The scene continues with a man and a woman in a small village, and the subtitle "Leaving, never to be seen again" further reinforces the emotion of loss.Then, an old man in a white tabard keeps the label with the caption "How do I finish my life, Lord? Mr. Omar, he picks up the sword, he lifts it up, and he shouts" shows the character's struggle with faith and life.A man in a white taban then sits on the ground, and the subtitle "When he says so" emphasizes the profound meaning of this dialogue.Then, a man in a white taban with sheep, the subtitle "When he said that he looked angry and good afterwards" reflects the inner conflict and change of the character.The scene continues with a man in a white taban making a certain face, and the caption, "And then Mr. Abubakr, my friend, he told us Listen, man," conveys a sense of exhortation and instruction.Then a man with a white headdress appears in the picture, and the caption "He also mentioned his words He is a prophet, a prophet is a prophet, a prophet is a prophet" emphasizes the power of faith.Finally, a man with an "ass" prays with his hand on his head, and the caption "He is a prophet, a prophet is a prophet, a prophet is a prophet, and a prophet is a prophet, peace be upon him Muhammad ibn Allah" further reinforces the importance of religion and faith in the story.The current segments throughout the video build a story world full of tension, faith, and exploration through a series of symbolically rich images and repetitive subtitles, with each scene feeling like an integral part of the story, leading the viewer to delve deeper into the inner worlds of the characters and the deeper meanings of the story.[01:10:00->01:20:00] In the current clip from the video, the screen gradually unfolds into a series of emotionally charged and mysterious scenes, each one telling a story about the complex intertwining of a character's inner world and external environment in the desert.First, the scene is framed in a close-up of a man wearing a rope on his head, with the caption "Dead?" in the background. seems to ask a loaded question, suggesting a possible death or loss in this scene.The camera then switches to a group of seated people with the caption "We are alone and so will we be.Now we have a goal."conveys a sense of loneliness and hope for the future, as if the group is undergoing some kind of transformation or searching for a new purpose.Then a man dressed in white with a white <unk> on his head appears on the screen with the caption "Until he dies? Do human eyes know?" then provokes a reflection on life and death, seemingly exploring human perception and acceptance of death.Later, a man appears in a <unk>, and the caption "Take away water" conveys a basic need for survival and a desire for help.Immediately after, a woman with a white candle on her head appears, and the caption "Drink water, come on Ois" adds a sense of mystery, as if calling out to an important character or performing some kind of ritual.A man, ass, and white Turban then appear, and the subtitle "Ouis" further emphasizes the importance of this character, suggesting that he may play a key role in the story.The scene then shows an elderly woman lying in a hospital bed surrounded by a group of people with the caption "Lovely son.I love you a lot."On the other hand, it conveys the deep emotional bond between mother and son, and the old woman's eyes are full of love and reluctance.Next, an old girl with a white band on her head appears on the screen with the caption "Please, our messenger.Forgive me I was wrong son.He loves you very much.He wants to see you.Want to see your cute face."On the other hand, it reveals the conflict and reconciliation between family members, and the old girl's words are filled with love and pleas for her son.An old woman with a gun on her head is then shown with the caption "Because he promised I'd come back.Forgive me, forgive me for my mistakes" conveys a sense of commitment to the past and hope for the future, and the old woman's eyes are full of determination and helplessness.Then a woman with head thirst is shown lying in a hospital bed with the caption "Don't cry.Mom" shows a sense of comfort and support, and the man's words are filled with concern and comfort for his mother.A man with a white head then appears in the frame with the caption "I can see Oscar.I want to see my face."Instead, it conveys a desire for someone and a quest for self-knowledge.Then an old woman in a hospital bed appears on the screen, her eyes open and the caption "I want to see my face." further emphasizes this desire for self-knowledge.Next, a man and a woman appear in the hospital, and the subtitle "mom" shows the deep emotion between mother and son, and the man's eyes are full of love and concern for his mother.Then a picture of a man in a white taban appears on the screen, followed by a close-up of a man wearing a white candle on his face with the caption "So sad.After losing my mother" conveys a sense of sadness and despair at the loss of a loved one.Then, a white Taban man appears in a movie scene with the caption "After losing his mother, he gave up everything in his life."The impact of this loss is further emphasized.A man is then shown holding a white object in his hand with the caption "White sign in right hand.Let's get some sleep" conveys a calm and restful atmosphere.Then a man in a white shirt and white dress appears in the scene, and the caption "Let's get some sleep" reinforces the feeling of calm and repose.Then a man in a hat appears standing in the darkness, and the caption "Let's sleep for a while and stand up" conveys an image of awakening from a deep sleep.The scene then shows a man in Turban alone, and the caption "Stand up" further emphasizes this awakening and determination to act.Then, a man and a woman appear on stage, and the caption "Stand up and stop" conveys an image of stopping and stillness, as if calling for some kind of cessation and reflection.A man in white is then shown standing in the darkness of the night, and the subtitle "Stop" reinforces the atmosphere of this stop.Then a man dressed in white appears walking at night with the caption "Stop stealing goodies and go away." on the other hand, conveys an atmosphere of tension and unease and seems to describe some kind of theft.A man is then shown riding a horse in the darkness of the night with the caption, "Stole the good stuff and left." further reinforces this feeling of tension and unease.Then a group of desert men and horses appear with the caption, "Stole the good stuff and left.How do you get the box? Glad he didn't take it.We'll finish on our feet.I'll leave this good thing in your hands.Secretariat is the owner. We'll find him soon." on the other hand, conveys a tension of searching and tracking, as if the group is looking for some important object or person.A man is then shown holding a rope, and the caption "I knew you when I saw you" conveys an image of acquaintance and recognition, as if to describe the relationship between the characters.A man is then shown talking to a group of men, and the subtitle "He is" further emphasizes the character's identity.Then a man appears on the screen reserving a man with the caption "He's the one we want you to be." on the other hand, conveys a sense of validation and finding, as if the group has found the person they have been searching for.The scene then shows a group of people standing next to each other with the caption "You're the one we want.You're Oscar.Sir, the messenger salutes you."The importance and status of this role is further emphasized.Then a man, ass and Turban appear in the scene, and the caption "Sir" further reinforces the dignity and importance of the character.A man with a rope and a skullcap then appears, and the caption "Sir, the messenger mentioned you in his speech" conveys a sense of recognition and importance.Then the scene shows a man with an ass on the white circuit with the caption "The Messenger mentions you in his speech Luckily, you'll be wearing the clothes of the Prophet." on the other hand, conveys a sense of being chosen and entrusted with a heavy responsibility, as if this role will undertake some important mission.Then a group of people appear standing next to each other with the caption, "Luckily, you'll be wearing the clothes of a prophet.We've been looking" further emphasizes the importance of the character and the significance of finding him.Then a man with Talban is shown praying with his hands, and the caption "We have been searching" conveys a sense of searching and seeking, as if the group is searching for some kind of faith or purpose.A man with a white <unk> sub on his head then appears on the screen with the caption "Does the messenger know about me? Are you talking about me?" conveys a sense of being noticed and mentioned, as if this character plays an important role in the story.Finally, a man, his ass, and Turban appear on the screen with the caption, "Are you talking about me? He says there's a priest in Yemen named Aus? Are you talking about me? I remember days and nights." on the other hand, conveys a sense of reminiscence and validation, as if this character is remembering past experiences and confirming his or her identity.The scene then shows a man in a white taban speaking to another man with the caption "I remember the day and the night.I cried because I couldn't see.I call out every day.I pray that you are mine.In the hereafter, I see" conveys a look back at the past and a hope for the future, and the man's words are full of firmness of faith and anticipation of the future.The current segments throughout the video build an emotional and exploratory story world through a series of symbolic images and repetitive subtitles. Each scene feels like an integral part of the story, leading the viewer to think deeply about the inner world of the characters and the deeper meaning of the story.[01:20:00->01:30:00] In the current clip from the video, the screen gradually unfolds into a series of emotionally and symbolically charged scenes, each of which tells the story of the complex intertwining of a character's inner world in the desert with his external environment.First, framed by a close-up of a man wearing a rope on his head, the subtitles "In the afterlife, I see" and "Please tell me" in the background seem to pose a heavy question, hinting at the loss or search that may be present in this scene.The camera then switches to a picture of a man with an "ass" wearing a white Turban on their heads with the caption "Why are you looking for me? You look happy to see him.Your love is an ambassador, sir.Obviously Your Words" conveys a sense of being sought out and loved, and seems to describe the depth of emotion and trust between the characters.Then a group of men appear on the screen, talking to each other with the caption "The Messenger reminds you a lot in his speech.Speaking of a believer in the land of Yemen, he mentioned your name." on the other hand, reveals a certain connection and mission that exists between these characters, as if they are looking for an important person mentioned by the prophet.The image then shows a man with dangerous eyes, his face clearly marked with the caption "This is the order of our honored messenger before his death.Take it away now."conveys a sense of command and urgency of action, as if the character is on some important mission.Then a group of people appeared on the screen continuing to talk with the caption "Now take it away."The urgency of such action is further emphasized.Then a man is writing, subtitled "What's in you? Take it away. Come on, give it to the secretary, sir.This is the gift of our messenger.Has become her, become your king, blessed." on the other hand, reveals some kind of significant handing over and passing on, and seems to describe some kind of ritual or inheritance.The scene continues with a man in a Talban walking through the drama with the caption "Blessing, put it on, get dressed." on the other hand, conveys an image of blessing and transformation, as if the character is undergoing some kind of identity shift.Then a cat appeared in the room with the caption "I won't leave you, I won't leave you, come back to your home, your life is enough.Plague."On the other hand, it conveys a sense of attachment to home and uncertainty about the future.The scene then shows a man in a room with a cell phone with the caption, "No one will come near you." on the other hand, conveys a sense of protection and isolation.Then a man in a dress sitting at a table with the caption "What did you say?" reveals some kind of conversation or inquiry that seems to be exploring an important issue.The scene continues with a man and a woman embracing on a bed with the caption "What did you say? Are we going to kill you? I'll recommend your hand.", on the other hand, conveys an atmosphere of tension and unease and seems to describe some kind of conflict or threat.Then a man in a dress stood next to a group of people with the caption "You didn't hear anything? Or is it your <unk>?" further emphasizes this tension and uncertainty.A man riding a train at night is then shown with the caption "Table, who is it? I know.So, how come you're like a gypsy? Come on, what's your blood." on the other hand, conveys a sense of search and confirmation and seems to describe some kind of identity search.Then a man in a white shirt speaks, subtitled "Come on, what's your blood.I'm my word."This recognition of identity is further emphasized.The scene continues with a clothed man looking at his cell phone, a dark room in the background, and the caption "Lord, help me." on the other hand, conveys an atmosphere of prayer and recourse.Later, a boy sits in a darkened room with a phone, captioning "No one will come near you."This segregation and protection is further emphasized.Then a dark room with a cat and a man appears on the screen with the caption "Come on, come on." on the other hand, conveys a sense of calling and invitation.Then a man dressed in white stood behind him and captioned "Come on, come on."The call and invitation is further emphasized.The scene continues with a white car driving at night, its headlights bright in the darkness, and the caption "Police approaching.Please, Lord!" then conveys an atmosphere of tension and help.Then the white car continued to drive with the caption "Here, here, here, here, here, here."This tension and uncertainty is further emphasized.The footage then shows a man in a dress accompanied by a police officer with the caption "I know you, thank you.What's up with you? Nothing good comes from working with us.What, no talking.Yes.We understand.", on the other hand, conveys a sense of interrogation and confirmation, as if describing some kind of investigation or questioning.Then, a man in a dress appears to walk through the door with an old man in a white tabernacle in the background with the caption "I am hahaha." on the other hand, conveys an atmosphere of lightness and humor.A man is then shown next to a white turbine with the caption "I'm hahaha.Not healthy.Ahhhhhhhhhhhhhhhhhhhhhh.She's back, son."On the other hand, it conveys a complexity of emotions, both humorous and disturbing.The scene continues with a boy walking across the room, captioned "Bodie."And it conveys a call and response.A man in a white taban then stood in front with the caption "Bodie, I stole the faith.I stole God's messenger." on the other hand, conveys a sense of guilt and remorse and seems to describe some sort of internal struggle.Then a man with amazing eyes appeared on the screen with the caption "I'm almost there, Mr. Oscar, Sheikh.I'm getting close, Sheikh." on the other hand, conveys a sense of tension and urgency.Then a man speaks to another man with the caption "You didn't steal it."This questioning and confirmation is further emphasized.The scene continues with a person in a nice dress in the background and the caption "You didn't steal it.You stole the clothes."Instead, it reveals some kind of truth and seems to describe the revelation of some kind of crime.Later, a man in Talbain speaks in a cell with the caption "You stole the clothes."This questioning and confirmation is further emphasized.Then a man is shown talking to another man in Torban with the caption "Come on, son.Put it in her place.Come on, son.", on the other hand, conveys a sense of guidance and command, as if describing the execution of some task.A man comforted by a priest then appears with the caption "Come on, son.You have to re.Come on." on the other hand, conveys a sense of comfort and support.Finally, the scene shows a man talking to another man with the caption "Come on, come on, come on, come on, come on."The call and invitation is further emphasized.The Boy and Son in the Desert then appears with the caption "Come on, come on, come on, come on, come on." on the other hand, conveys a sense of guidance and hope and seems to describe some kind of future direction.The current segments throughout the video build an emotional and exploratory story world through a series of symbolic images and repetitive subtitles. Each scene feels like an integral part of the story, leading the viewer to think deeply about the inner world of the characters and the deeper meaning of the story.

Question: What is the main event in the video?

Choices:
A. The video portrays a meeting between a king and his advisors to discuss a prophecy.
B. The video features a lone warrior embarking on a quest to find a lost city.
C. The video shows a group of travelers discovering an ancient relic in the desert.
D. The video depicts the story of two men searching for Uais, who is also searching for the Prophet.

Answer: D

The video depicts the story of two men searching for Uais, who is also searching for the Prophet.

Question: Why Shabak traveled back to ancient times to deliver the holy garments

Choices:
A. Ali and Shabak, a modern-day man, go to a mosque to steal the holy garment, and Shabak crosses over clutching it
B. Shabak is sent by a divine prophecy to return the holy garments to their original sanctuary in the past
C. Shabak is tasked by a secret society to ensure the holy garments are preserved in their historical context
D. Shabak accidentally activates an ancient artifact during a museum visit, transporting him with the holy garments

Answer: A

Ali and Shabak, a modern-day man, go to a mosque to steal the holy garment, and Shabak crosses over clutching it

Two men went to the mosque to steal and stole the holy garments from the mosque [00:05:22->00:08:24]

Shabak, sweating and shivering all over while holding the holy garment, sees a group of men on horseback [00:09:46->00:10:25]

Shabak crouches in a corner shivering, clutching his treasure, as he crosses into the desert [00:12:43->00:12:53].

Question: Why was Lea sitting on the slab under the tree when Oyse found her?

Choices:
A. Lea was resting on the slab to recover from exhaustion after a long hike.
B. Lea was waiting on the slab for Oyse to arrive for their planned meeting.
C. Lea chose the slab as a comfortable spot to read her book in the shade.
D. Lea couldn't stand up because of her injured leg and had to sit on a slab under a tree.

Answer: D

Lea couldn't stand up because of her injured leg and had to sit on a slab under a tree.

Leia sits in the doorway she hears cries of cats, birdsong, hawks circling the sky [00:18:51->00:19:00]

Leia knows the hatchlings are in danger and goes on crutches to blast away the cats and save the hatchlings [00:19:02->00:20:04]

Leia stacks the rocks under the tree [00:20:11->00:20:21]

Ois finds his mother sitting on the floor under a tree [00:21:27->00:21:29]

Question: How did the Prayer of the Wise affect Aoïs?

Choices:
A. It deepens Aoïs's connection to the divine realm.
B. It strengthens Aoïs's resolve to lead her people.
C. It grants Aoïs the ability to foresee future events.
D. It opens up Oise's desire to be a prophet.

Answer: D

It opens up Oise's desire to be a prophet.

Aoïs sees the Wise Men praying as he carries Leia outside [00:25:04->00:25:07]

The Wise Man suggests that Aoïs go in search of the Prophet [00:26:20->00:26:54]

Ois looks at home and the desert in the distance several times, but he backpacks towards the desert and back again, and he's miserable [00:32:11->00:35:29]

Ois listens to the old man's prayer and weeps [00:42:32->00:44:56]

Ois sets out in search of the Prophet [00:53:34->00:57:03]

Ois sets out again to find the Prophet [01:05:24->01:05:30]

Question: Will Ois see the Prophet if he doesn't fulfill his promise to his mother to return home in time?

Choices:
A. Oise may have seen the Prophet.
B. Oise certainly did not see the Prophet.
C. Oise was prevented from seeing the Prophet.
D. Oise saw the Prophet despite his failure.

Answer: A

Leia agrees to Ois going to the Prophet [00:52:09->00:52:53]

Ois finds the Prophet's house and learns that he is not at home now and will not be able to return until tomorrow [00:58:52->01:00:23]

Ouest waits one more day to see the Prophet.

Question: Will Shabak return the holy garments to the mosque?

Choices:
A. After the ceremonial rites, Shabak transfers the holy garments to a different religious institution
B. Upon discovering the historical significance, Shabak decides to preserve the holy garments in a museum
C. After the crossing thing knowing the origin of the holy garment, Shabak returns it to the mosque
D. Following the investigation, Shabak concludes that the holy garments should remain in private custody

Answer: C

After the crossing thing knowing the origin of the holy garment, Shabak returns it to the mosque

Shabak meets the two messengers from the beginning of the video and travels with them [00:14:25->00:14:47]

Messenger confirms the white mark on the right hand of Aoïs knows that the holy garments of the Prophet were given to him [01:17:37->01:21:45]

Shabak realizes he's a thief and returns to reality [01:21:47->01:22:13]

Shabak returns the holy garments to the mosque [01:25:12->01:27:31]

Question: How many times did Ois travel in search of the Prophet?

Choices:
A. 4 occurrences
B. 3 occurrences
C. 1 occurrence
D. 2 occurrences

Answer: D

Question: What did the travelers go through to find Ois?

Choices:
A. From starting with a detailed plan, to losing their way in the mountains, and eventually discovering Ouis by chance in a nearby village.
B. From being misled by false information, to facing a sandstorm in the desert, and finally finding Ouis after a long and arduous journey through the wilderness.
C. From receiving a clear map, to meeting a guide named Shabak, and following a direct path through the forest to locate Ouis without any obstacles.
D. From not having a clue, to encountering Shabak, then having his horse stolen, and trekking across the desert to find and confirm that Ouis is the man to find.

Answer: D

From not having a clue, to encountering Shabak, then having his horse stolen, and trekking across the desert to find and confirm that Ouis is the man to find.

Two messengers delivering the Eucharist hurrying through the desert [00:01:28->00:01:58]

Someone stole the messenger's horse [01:16:01->01:16:12]

The Emissary and Shabak trek through the desert in search of Ois [01:16:47->01:17:21]


This video focuses on the story of a man named Chu Thu Nguyen and an agency that specialized in women's services three years ago.The video begins with footage of a nighttime drive and gradually transitions to Chu Thu Nguyen walking by a park, carrying suitcases, and eventually entering a building.The video then recaps conversations and scenes from three years ago.Chu Thu Nguyen had several discussions with several principals in an office.At first, he appeared to be unhappy with the demands made by the agency, particularly with regard to the two million dollar fee.He questioned whether the standards were too high, but ultimately accepted the agency's explanation that they could be found elsewhere.In a conversation with one of the women in charge, she detailed several eligible girls and showed their pictures.Chu Thu Nguyen expressed interest in one of the girls, praising her as sweet, gentle and intelligent.In the ensuing conversation, Chu Thu Nguyen further discussed specific conditions and costs with the head of the organization.He agreed to pay VND500,000 per day and signed the contract.The video shows him looking quite serious while signing the contract, while the female in charge looks professional and enthusiastic.The video then shows some scenes of office work, including the woman in charge communicating with others on the phone, seemingly arranging a follow-up.She mentioned that someone had just hired her and offered to provide additional help.However, she has some reservations about her new client and thinks he's a bit strange, but ultimately decides to take the job.The last part of the video goes back to Chu Thu Nguyen, who seems to be waiting for someone to arrive.He talks to someone on the phone and mentions bringing his girlfriend home for the holidays, showing how serious he is about the relationship.The video ends with images of him walking into a room and sitting at a table with a cup of tea, looking relaxed and happy.The whole story shows Chu Thu Nguyen's journey from initial skepticism to eventual acceptance and contract signing, and his positive attitude as he waits and prepares for his new life.The images and dialog in the video come together to form a story of personal needs, business transactions, and emotional expectations.[00:10:00->00:20:00] The video's footage gradually unfolds as a woman dressed in white walks into a living room with wooden doors and curtains that make the room seem cozy and serene.She walked softly into the room, seemingly filled with mixed emotions about what was about to happen.With a hint of doubt on her face, she whispered to herself, "Does he deceive me?" These words seemed to reveal her inner turmoil and uncertainty about the future.Immediately afterward, the scene switches to a woman in a flowered shirt standing in front of a window, and she appears to be talking to someone outside the window.There was a hint of unease and anger in her tone, "Why did he give me such a horrible contract? Oscar?" Her words were filled with dissatisfaction with the terms of the contract and questions about someone.Her expression tightened, clearly confused and worried by the current situation.The video then shows the same woman opening a door and walking into the house, appearing to be in a bit of a hurry as she appears to be carrying a suitcase.She mentioned "Oscar" again, as if repeating previous questions, and was puzzled and disturbed by the current arrangement.The next image shows her standing in a room with a phone in her hand, seemingly in a hurry to talk to someone.Her expression looked anxious, as if she was dealing with something urgent.She repeatedly refers to "Oscar" as if seeking some kind of confirmation or explanation.The video then switches to a woman standing in her bedroom, clipboard in hand, in a room that appears simple and cozy, with a bed, some clothes and a mirror.She spoke to the camera as if to tell her inner feelings, "Asami, I didn't know he was cheating on me.That's what's bad about me."There's a hint of self-loathing and helplessness in her tone.Immediately afterward, the scene shows a young girl packing her bags and preparing to leave.She walked across the room, bending down to pick up her suitcase as if preparing for her upcoming journey.There was a hint of helplessness in her words, "That's what's bad about me.I also didn't realize he was raising my wife.He lied to us.Is he Celibate?" Her expression looked slightly confused and pained.The next scene shows a woman dressed in green standing in a room, seemingly talking to someone.She asked, "Where are you going?" The other replied, "I'm going to the market this TET with my friend."Her expression looked a little surprised, as if she was surprised by the decision.The two continued to talk, discussing activities at the market and people they might meet.There was a hint of concern in the woman's tone, but eventually she agreed, "Okay, and then I'll let you go.But you must remember to take care of your health, don't play too much and don't get sick.I know.What else?" Her words were full of concern and exhortation for the girl.The footage then shows the woman standing in front of a mirror, wearing makeup and getting ready for a party.She looked sophisticated and elegant in her green dress.She said to the camera, "Mommy won't be mad, come on, take care of yourself, have some orange juice, for your health.Thank you, Mom."She sounded grateful and confident.Immediately afterward, the video shows her packing her bags in her bedroom, seemingly ready to go.She said to the camera, "Thank you, mom, ahhhhh, get your items, be careful, keep everything inside.I know. Remember to drink your orange juice. Thanks, Mom."Her tone was filled with gratitude for her mother and anticipation for the future.Finally, the video screen switches to a woman dressed in black and white sitting in a chair as she says to the camera, "I hope this trip will take you to many interesting places.How did this happen? Hello."There was a note of anticipation and curiosity in her tone, as if she was hopeful about the journey she was about to embark on.The final part of the video shows a bird's eye view of the city from a drone that flies over the city, capturing aerial images of buildings, streets and parks, showing a beautiful and vibrant city.The footage seems to add a touch of mystery and anticipation to the journey about to begin.The entire video shows the girl's inner doubts, insecurities, self-doubts and ultimately her hopes, as well as her gratitude to her mother and her vision for the future, through delicate depictions.These emotions and details intertwine to make a vivid picture.

Question: Assuming the girl in the contract mentioned in the video shows up and then disappears, how does this affect the rest of the episode?

Choices:
A. It could result in immediate termination of the contract without legal consequences.
B. It may lead to contractual disputes and affect the partnership.
C. It might trigger an automatic renewal of the contract under revised terms.
D. It could lead to a seamless transition with no impact on the partnership.

Answer: B

It may lead to contractual disputes and affect the partnership.

In the video, the girl mentioned in the contract appears

If she subsequently disappears, the contract may not be properly honored.

This can lead to contractual disputes, which in turn affects cooperative relationships and trust

Question: Based on the available episodes, what can be surmised as the subject of the office discussion?

Choices:
A. It may be about the operational challenges of managing remote work teams.
B. It may be about the legal framework surrounding temporary employment contracts.
C. It may be about the financial implications of implementing a new company policy.
D. It may be about the specific terms and requirements of the girlfriend rental service.

Answer: D

It may be about the specific terms and requirements of the girlfriend rental service.

Office discussion mentioned in the video [00:00:57->00:06:43]

There was mention of contracts and requirements for renting girlfriend services [00:06:43->00:07:09]

Office discussions may involve these articles [00:07:09->00:07:26]

Presumably the topic may be specific terms and requirements regarding girlfriend rental services [00:00:57->00:07:26]

Question: What is the logical relationship between the contract signing and the girlfriend rental service mentioned in the video?

Choices:
A. The contract signing occurs after the completion of the girlfriend rental service.
B. A signed contract is a prerequisite and guarantee for renting girlfriend services.
C. The contract is terminated once the girlfriend rental service begins.
D. The contract signing is optional and only serves as a formality for the service.

Answer: B

A signed contract is a prerequisite and guarantee for renting girlfriend services.

Renting a girlfriend service requires clear terms, and the contract is signed to clarify those terms [00:02:06->00:06:56]

Contracts provide legal security for services [00:06:56->00:07:11]

Therefore, contract signing is a prerequisite and a guarantee for renting girlfriend services [00:07:11->00:07:21]

Question: What is the main event in the video?

Choices:
A. The main event in the video is the man renting a girlfriend who ends up really liking her.
B. The main event in the video is the man purchasing a car that turns out to be a rare collectible.
C. The main event in the video is the man booking a vacation where he meets his future wife.
D. The main event in the video is the man hiring a personal assistant who becomes his close friend.

Answer: A

The main event in the video is the man renting a girlfriend who ends up really liking her.

Question: How is the cost of the girlfriend rental service mentioned in the video determined?

Choices:
A. Calculated according to a fixed hourly rate established by the service provider.
B. Determined through mutual agreement and contractual provisions.
C. Determined through competitive bidding among potential clients.
D. Based on a standardized pricing model set by regulatory authorities.

Answer: B

Determined through mutual agreement and contractual provisions.

Rent a girlfriend services need to clarify costs [00:02:09->00:03:34]

Agreed to by mutual agreement [00:03:34->00:04:13]

Specific costs in the contract [00:04:13->00:05:46]

Finalization of service costs [00:05:46->00:07:34]

Question: What does it say about the girl in the contract mentioned in the video that she appeared next to the car?

Choices:
A. Suggests that additional documentation is needed before the service can be initiated.
B. Indicates that the requirements in the contract have been met and the service can be carried out successfully.
C. Shows that the contract terms are still under negotiation and require further discussion.
D. Demonstrates that the service provider has failed to comply with the contractual obligations.

Answer: B

Indicates that the requirements in the contract have been met and the service can be carried out successfully.

Contract requires girl to show up [00:06:09->00:07:13]

Girl appears next to car [00:13:06->00:14:10]

Indicates that contractual requirements are met and services can be performed successfully [00:14:10->00:14:50]

Question: Why does the man in the video like the girlfriend of the lease?

Choices:
A. Her intellectual compatibility resonates with him
B. The man is drawn to her empathetic nature
C. A girl's unique aura attracts men
D. Her physical appearance captivates his attention

Answer: C

The contract requires the girl to appear [00:19:12->00:30:04]

A girl's unique aura attracts men [01:35:21->01:53:08]

Eventually the man falls in love with the rental girlfriend [01:35:21->02:13:03]