[00:00:00->00:10:00] The video begins with the words "Ohjio," which go from dark to vibrant, foreshadowing a vibrant conversation that is about to unfold.The scene then switches to a semi-professional setup with participants around a table and logos such as "BEST" and "PODBANG" in the background, suggesting that this is a podcast or interview program.In the video, the host and several guests take turns speaking, and the discussion seems to revolve around a character named Mr. Concha, mentioning his arrival one day.The conversation then turned to the topics of movies, YouTube videos, and personal life, with participants expressing their thoughts and feelings on these topics.One of the guests mentioned that he didn't want to publicize certain things about his personal life, emphasizing that it was private.As the conversation progressed, a figure who was mentioned several times - Kim Jong-un - entered the discussion.He has been described as the best writer and best actor in Korea, but doesn't seem to be a writer in the traditional sense.The conversation also mentioned Kim Jong-un's participation in an activity related to a painting exhibition, which seemed to be popular but also led to some discussions about individual versus collective, creativity versus social contribution.One of the guests in the video expressed a special interest in wolves as animals, which became a turning point in the discussion.Participants talked about the symbolism of the wolf in Japanese culture, especially its role in business and teamwork.Although not common in Japan, the tiger, like the wolf, is a symbol of strength and courage.One participant expressed her fascination with these powerful animals through artwork that emphasized the beauty of even the most fearsome of beings.Toward the end of the video, the discussion turns to how collaboration and creativity can be used to address social issues, such as strengthening community ties through mural projects.Participants expressed their hopes for the future and their desire to make a positive impact on society through their personal efforts.Overall, the videos feature vibrant conversations, ranging from sharing of personal experiences to insightful discussions of social issues, demonstrating the diversity of participants and the richness of the dialogues.[00:10:00->00:20:00] In the current video, the scene is still set in a semi-professional podcast or talk show room, with the "PODBANG" and "KOREAN PODCAST" logos clearly visible in the background. logos are clearly visible in the background.Several participants were seated around a table filled with water bottles, laptops, and other conversation aids.The image shows a participant in a blue shirt speaking while others listen or respond attentively, demonstrating the interactive and participatory nature of the conversation.The conversation in the video centers around a program called Tornblock, where participants discuss how the program supports the community by giving away food trucks and more.One participant explained in detail how the Tornblock is not just an object, but a way to support and connect with the community, emphasizing its significance in terms of digestive support and object rewards.As the conversation progressed, participants began to share their personal views on the Tornblock project, with some expressing recognition of the project as a gift rather than a monetary transaction, emphasizing the emotional value behind the gift.The conversation then turned to an exploration of social services and individual endeavors.One participant mentioned that a good service not only helps the individual, but also promotes positive social development.He gave examples of how, through works of art or community projects, individuals can bring good to society, and how even the smallest contribution can be of great significance.Another participant shared his experience of strengthening community ties through a mural project, emphasizing the role of collaboration and creativity in solving social problems.The video also features participants discussing a movie called Wendland, which tells a story about the use of artificial intelligence to preserve the memories of the deceased.The main character of the movie is Tanwei, a young man who becomes a vegetable in an accident.His family continues to keep in touch with him through the "Wendland" service, which allows family members to interact with the deceased as if they were still alive through telephone or video calls.Participants in the conversation expressed mixed emotions about this service, ranging from marveling at the possibilities offered by technological developments to concerns about ethics and emotional authenticity.Finally, the conversation returns to the lives and responsibilities of individuals.One participant shared her experience of not being able to watch the movie due to her busy schedule, mentioning how small hiccups in daily life, such as a cat biting its nails, affected her personal schedule.Another participant emphasized the importance of making time to focus on and support programs or activities that are meaningful to them, even in their busy lives.The conversations throughout the video are full of energy and depth, with participants not only sharing their personal perspectives and experiences, but also reflecting on social phenomena and technological developments, demonstrating the diversity and richness of the dialogues.[00:20:00->00:30:00] The conversation in the video continues to center around the film Wendland and the profound questions it raises.Participants sat around a table with microphones, and the logos "PODBANG" and "KOREAN PODCAST" were visible in the background, indicating that this was a podcast or interview program.Participants were dressed differently, some in hats and others in colorful shirts, each one revealing a different personality.One of the participants mentioned that the movie about the use of AI to preserve the memories of the deceased sparked a discussion about technology and ethics.The family of the main character, Tanwei, who was left in a vegetative state in the accident, continues to keep in touch with him through the "Wendland" service, which allows families to interact with the deceased by phone or video call as if they were still alive.Participants in the conversation expressed mixed emotions about this service, ranging from marveling at the possibilities offered by technological developments to concerns about ethics and emotional authenticity.As the conversation progressed, participants began to explore unanswered questions from the movie, particularly about the relationship between the soul and the body.The question was asked whether the soul could still exist if a person's brain could be updated or personal data could be digitized. This hypothesis triggered a philosophical discussion about human identity and existence.One participant shared a true story about a girl whose heart was transplanted to her mother, who felt a strong shock when she saw her daughter's heart beating, which triggered thoughts about the boundaries between the soul and the body.During the conversation, Kim, as the moderator, mentioned two very important characters in the movie - Socrates and Chan So San.He noted that the interactions and emotional expressions of these characters in the movie, while profound, were not handled with enough subtlety in some parts of the movie, making it difficult for the audience to fully immerse themselves in certain moments.Kim also mentioned that the movie, while a soft sci-fi production, may have oversimplified the complexity of sci-fi in conveying certain core ideas for a broader audience.Another participant expressed concern about the current state of Korean science fiction movies, arguing that many of the movies labeled as science fiction do not actually handle science fiction elements well and lack depth and innovation.He emphasized that as creators, they need to face criticism and keep improving the quality of their work in order for Korean sci-fi films to gain more international recognition.At the end of the video, the conversation returns to personal feelings about Wendland.Someone mentioned that after watching this movie, he felt the need to have a drink to calm his inner turmoil.Kim concluded that the movie, though lacking in some aspects, is still a worthwhile watch because it provokes deep thoughts about technology, ethics and the nature of humanity.The dialogues throughout the video not only show the participants' personal opinions about the film, but also reflect their broader and deeper thinking about social phenomena and technological development, so that the audience can enjoy the discussion while being inspired and touched.[00:30:00->00:40:00] In the current video, the scene is still set in a semi-professional podcast or talk show room, with the "PODBANG" and "KOREAN PODCAST" logos clearly visible in the background. logos are clearly visible in the background.Participants sat around a table filled with water bottles, laptops and other conversation aids, each dressed to reveal a different personality.The conversation in the video continues to revolve around the movie Wendland.A participant in a blue shirt began by mentioning that the movie, which tells the story of preserving the memories of the deceased with artificial intelligence, sparked a profound discussion about technology and ethics.The protagonist, Tanwei, was left in a vegetative state in the accident, but through the "Wendland" service, his family can interact with him by phone or video call as if he were still alive.Participants expressed mixed emotions about this service, marveling at the possibilities of technological advancement while worrying about ethical and emotional authenticity.Immediately afterward, the conversation turns to the relationships of the characters in the movie.Kim, as the host, mentioned two important characters in the movie - Socrates and Chan So San.He noted that while the interactions and emotions of these characters were deeply expressed, some parts were not handled with enough subtlety, making it difficult for the audience to fully immerse themselves in certain moments.Kim also mentioned that the movie, while a soft sci-fi production, may have oversimplified the complexity of sci-fi in conveying certain core ideas for a broader audience.Another participant expressed concern about the current state of Korean science fiction movies, arguing that many of the movies labeled as science fiction do not actually handle science fiction elements well and lack depth and innovation.He emphasized that as creators, they need to face criticism and keep improving the quality of their work in order for Korean sci-fi films to gain more international recognition.At the end of the video, the conversation returns to personal feelings about Wendland.One participant shared her experience of not being able to watch the movie due to her busy schedule, mentioning how small hiccups in daily life, such as a cat biting its nails, affected her personal schedule.Another participant emphasized the importance of making time to focus on and support programs or activities that are meaningful to them, even in their busy lives.Participants then discussed a particular scene in the movie, Tannenbaum's funeral.At the funeral, images of the deceased are presented through a screen, and family and friends seem to be able to interact with the deceased, a scene that provokes further reflection on death and memory.Kim mentions that if she herself had this service at the time of her loved one's death, it might have been more difficult to come to terms with their passing, and this emotional complexity is one of the central issues that the movie seeks to explore.The dialogues throughout the video not only show the participants' personal opinions about the film, but also reflect their deep thoughts about social phenomena and technological development, so that the audience can enjoy the discussion while being inspired and touched.Through delicate dialogues and emotional expressions, the participants brought the audience into an atmosphere of thoughtful and resonant discussions.[00:40:00->00:50:00] In the current video, the scene is still set in a semi-professional podcast or talk show room, with the "PODBANG" and "KOREAN PODCAST" logos clearly visible in the background. logos are clearly visible in the background.Participants sat around a table filled with water bottles, laptops and other conversation aids, each dressed to reveal a different personality.One participant in a blue shirt seemed to dominate the conversation while others listened attentively or occasionally interjected, demonstrating the interactive and participatory nature of the conversation.The conversation in the video continues to center around the film Wendland, with participants delving into the film's theme of artificial intelligence preserving the memories of the deceased.One participant mentioned that if he or she had a loved one die, it might be more difficult to accept the loss of a loved one because of this service, and this emotional complexity is one of the central issues that the movie wants to explore.Kim, as moderator, referred to two important characters in the movie, Socrates and Chan So San, noting that while the interactions and emotions expressed by these characters were profound, some parts were not handled with enough subtlety, making it difficult for the audience to fully immerse themselves in certain moments.The conversation then turned to a discussion of the current state of Korean science fiction cinema.One participant expressed concerns about Korean sci-fi movies, arguing that many of the works labeled as sci-fi actually lack depth and innovation.He emphasized that as creators, they need to face criticism and continuously improve the quality of their work in order to gain more international recognition for Korean science fiction films.At the end of the video, the conversation returns to personal feelings about Wendland.One participant shared her experience of not being able to watch the movie due to her busy schedule, mentioning how small hiccups in daily life, such as a cat biting its nails, affected her personal schedule.Another participant emphasized the importance of making time to focus on and support programs or activities that are meaningful to them, even in their busy lives.Participants then began to discuss some specific scenes from Wendland, particularly Tanwei's funeral.At the funeral, images of the deceased are presented through a screen, and family and friends seem to be able to interact with the deceased, a scene that provokes further reflection on death and memory.Kim mentioned that while such services bring technological possibilities, they also raise ethical and emotional complications.The conversation extends further into a discussion of the context in which the movie was made.One participant mentioned the gold medal-winning entries in the Kenyan Film Festival and the performance of Korean films internationally.They discuss the success of Parasite and how the movie changed the status of Korean cinema internationally.Another participant mentioned that although Parasite was a huge success, not all Korean movies reach the same heights, which triggered further reflection on the Korean film industry.The conversations in the video not only show the participants' deep understanding of the film, but also reflect their broader thinking about social phenomena and technological development.The entire discussion was full of energy and depth, leaving the audience inspired and touched while enjoying the conversation.Through delicate dialogues and emotional expressions, the participants brought the audience into an atmosphere of thoughtful and resonant discussions.[00:50:00->01:00:00] In the current video clip, the scene remains a semi-professional podcast or talk show room, with the "PODBANG" and "KOREAN PODCAST " logos.Participants sat around a table filled with water bottles, laptops and other conversation aids, each dressed to reveal a different personality.One participant in a blue shirt appeared particularly active, while others listened attentively or occasionally interjected, demonstrating the interactive and participatory nature of the conversation.The conversation in the video continues to revolve around the movie Wendland, but at this point the topic suddenly shifts to the movie The Florida Project.Participants began to discuss the background and significance of the movie.A participant wearing a red and black shirt mentioned that the movie, while initially small, eventually gained traction in 2017.He commented that the success of the movie was due in large part to its realistic and insightful narrative and its detailed portrayal of the lives of the underclass.Another participant added that the movie's heroine, Moony, and the children's life in a cheap motel near Disneyland presents a reality that is very different from the fairy tale world of Disneyland.He mentioned that one scene in the movie was particularly memorable: Moony and the kids playing outside the walls of Disneyland, while inside the walls was a dreamlike world.This contrast provokes profound thoughts about reality and fantasy.During the conversation, one participant mentioned a key plot point in the movie: that Moni's mother was a prostitute who continued to work in the profession despite having children.This episode triggered a discussion on the plight of women at the bottom of society.Participants expressed mixed feelings about Moni's mother, both sympathetic and critical.One participant noted that the movie did not simply portray the mother as a victim, but rather showed her complex character and life choices.The conversation then turned to the movie's director, Sean Baker.One participant mentioned that Sean Baker showed great directorial skill in his movie, especially in handling the performance of the child actors.He specifically mentioned a scene in the movie where Moni's mother is arrested for some reason and the children are left unattended in a hotel.The scene is impressive in the way it shows fear and helplessness through the eyes of a child.Participants also discussed the international impact of the movie, particularly its presence at a number of international film festivals in 2017.One participant mentioned that the film won the Gold Medal Award at the Kenya Film Festival, which demonstrated the recognition of the film by the international audience.Another participant added that although the movie is more well-known in the United States, it can be watched and enjoyed by viewers in other countries through various platforms such as Netflix.The video concludes with participants sharing their personal feelings about The Florida Project.One person mentioned that the movie gave him a deeper understanding of life at the bottom of the social ladder, while another said that the child actors in the movie were outstanding and memorable.The entire discussion was filled with appreciation for the art of cinema and deep reflection on social phenomena, leaving the audience inspired and touched while enjoying the conversation.The dialogues throughout the video not only demonstrate the participants' deep understanding of the film, but also reflect their broader thinking about social phenomena.Through delicate dialogues and emotional expressions, the participants brought the audience into an atmosphere of thoughtful and resonant discussions.[01:00:00->01:10:00] In the current video clip, the scene is still set in a semi-professional podcast or talk show room, with the "PODBANG" and "KOREAN PODCAST" logos clearly visible in the background. " logos are clearly visible in the background.Participants sat around a table filled with water bottles, laptops and other conversation aids, each dressed to reveal a different personality.One participant in a blue shirt appeared particularly active, while others listened attentively or occasionally interjected, demonstrating the interactive and participatory nature of the conversation.The conversation in the video suddenly turns in a new direction, discussing a movie called Wendland.Participants mentioned a scene in the movie where the main characters, Tanwei and Sivan, meet on a bus in Seattle.Several people dressed in black appeared in the video, and there was a caption in the footage mentioning that although the man was fictional, it was now imagination.Participants seemed to be discussing the creativity and presentation of the scene, emphasizing the boundaries between fiction and reality.One participant mentioned Sivan's beauty, but then the conversation turned around and mentioned that he followed her because she had no money and he lent Tanwei some money.This episode provoked a discussion of the characters' relationships and motivations.Another participant mentioned that one of the key plot points in the movie was that Moni's mother was a prostitute who continued to work in the profession despite having children.This episode triggered a profound reflection on the plight of women at the bottom of society.During the conversation, Kim, as the moderator, mentioned a special scene from the movie - Tanwei's funeral.At the funeral, images of the deceased are presented through a screen, and family and friends seem to be able to interact with the deceased, a scene that provokes further reflection on death and memory.Kim mentioned that while such services bring technological possibilities, they also raise ethical and emotional complications.Participants then began discussing the movie The Florida Project.A participant wearing a red and black shirt mentioned that the movie, while initially small, eventually gained traction in 2017.He commented that the success of the movie was due in large part to its realistic and insightful narrative and its detailed portrayal of the lives of the underclass.Another participant added that the movie's heroine, Moony, and the children's life in a cheap motel near Disneyland presents a reality that is very different from the fairy tale world of Disneyland.During the conversation, one participant mentioned a key plot point in the movie: that Moni's mother was a prostitute who continued to work in the profession despite having children.This episode triggered a discussion on the plight of women at the bottom of society.Participants expressed mixed feelings about Moni's mother, both sympathetic and critical.One participant noted that the movie did not simply portray the mother as a victim, but rather showed her complex personality and life choices.At the end of the video, the conversation returns to personal feelings about Wendland.One participant shared her experience of not being able to watch the movie due to her busy schedule, mentioning how small hiccups in daily life, such as a cat biting its nails, affected her personal schedule.Another participant emphasized the importance of making time to focus on and support programs or activities that are meaningful to them, even in their busy lives.Participants also discussed the international impact of the movie, particularly its presence at a number of international film festivals in 2017.One participant mentioned that the film won the Gold Medal Award at the Kenya Film Festival, which demonstrated the recognition of the film by the international audience.Another participant added that although the movie is more well-known in the United States, it can be watched and enjoyed by viewers in other countries through various platforms such as Netflix.The dialogues throughout the video not only demonstrate the participants' deep understanding of the film, but also reflect their broader thinking about social phenomena.Through delicate dialogues and emotional expressions, the participants brought the audience into an atmosphere of thoughtful and resonant discussions.[01:10:00->01:20:00] In the current video clip, the scene is still set in a semi-professional podcast or talk show room, with the "PODBANG" and "KOREAN PODCAST" logos clearly visible in the background. " logos.Participants sat around a table filled with water bottles, laptops and other conversation aids, each dressed to reveal a different personality.One participant in a blue shirt appeared particularly active, while others listened attentively or occasionally interjected, demonstrating the interactive and participatory nature of the conversation.The conversation in the video continues to revolve around the movie Wendland.Participants discussed a particular scene in the movie where the main characters, Tanwei and Sivan, meet on a bus in Seattle.The subtitle mentions that while the man is fictional, it is now imaginary.One participant mentioned Sivan's beauty, but then the conversation turned around and mentioned that he followed her because she had no money and he lent Tanwei some money.This episode provoked a discussion of the characters' relationships and motivations.The conversation then turns to a key plot point in the movie: the fact that Moni's mother was a prostitute, a profession she continued to pursue despite having children.This episode triggered a discussion on the plight of women at the bottom of society.Participants expressed mixed emotions about Moni's mother, both sympathetic and critical.One participant noted that the movie did not simply portray the mother as a victim, but rather showed her complex character and life choices.The video then shows a participant dressed in black who mentions a particular scene in the movie - Tanwei's funeral.At the funeral, images of the deceased are presented through a screen, and family and friends seem to be able to interact with the deceased, a scene that provokes further reflection on death and memory.Kim mentioned that while such services bring technological possibilities, they also raise ethical and emotional complications.The conversation then turned to the movie The Florida Project.A participant wearing a red and black shirt mentioned that the movie, while initially small, eventually gained traction in 2017.He commented that the success of the movie was due in large part to its realistic and insightful narrative and its detailed portrayal of the lives of the underclass.Another participant added that the movie's heroine, Moony, and the children's life in a cheap motel near Disneyland presents a reality that is very different from the fairy tale world of Disneyland.During the conversation, one participant mentioned a key plot point in the movie: that Moni's mother was a prostitute who continued to work in the profession despite having children.This episode triggered a profound reflection on the plight of women at the bottom of society.Participants expressed mixed emotions about Moni's mother, both sympathetic and critical.One participant noted that the movie did not simply portray the mother as a victim, but rather showed her complex character and life choices.At the end of the video, the conversation returns to personal feelings about Wendland.One participant shared her experience of not being able to watch the movie due to her busy schedule, mentioning how small hiccups in daily life, such as a cat biting its nails, affected her personal schedule.Another participant emphasized the importance of making time to focus on and support programs or activities that are meaningful to them, even in their busy lives.Participants also discussed the international impact of the movie, particularly its presence at a number of international film festivals in 2017.One participant mentioned that the film won the Gold Medal Award at the Kenya Film Festival, which demonstrated the recognition of the film by the international audience.Another participant added that although the movie is more well-known in the United States, it can be watched and enjoyed by viewers in other countries through various platforms such as Netflix.The dialogues throughout the video not only demonstrate the participants' deep understanding of the film, but also reflect their broader thinking about social phenomena.Through delicate dialogues and emotional expressions, the participants brought the audience into an atmosphere of thoughtful and resonant discussions.[01:20:00->01:30:00] In the current video clip, the scene is still set in a semi-professional podcast or talk show room, with the "PODBANG" and "KOREAN PODCAST" logos clearly visible in the background. " logos are clearly visible in the background.Participants sat around a table filled with water bottles, laptops and other conversation aids, each dressed to reveal a different personality.One participant in a blue shirt appeared particularly active, while others listened attentively or occasionally interjected, demonstrating the interactive and participatory nature of the conversation.The conversation in the video continues to revolve around the movie Wendland, but the topic suddenly shifts to some specific scenes and details from the movie.One participant mentioned a scene in a movie where the main characters, Tanwei and Sivan, meet on a bus in Seattle.The subtitle mentions that while the man is fictional, it is now imaginary.Another participant mentioned Sivan's beauty, but then turned the tables and mentioned that he followed her because she had no money and he lent Tanwei some money.This episode provoked a discussion of the characters' relationships and motivations.The conversation then turns to a key plot point in the movie: the fact that Moni's mother was a prostitute, a profession she continued to pursue despite having children.This episode triggered a profound reflection on the plight of women at the bottom of society.Participants expressed mixed feelings about Moni's mother, both sympathetic and critical.One participant noted that the movie did not simply portray the mother as a victim, but rather showed her complex personality and life choices.The video then shows a participant dressed in black who mentions a particular scene in the movie - Tanwei's funeral.At the funeral, images of the deceased are presented through a screen, and family and friends seem to be able to interact with the deceased, a scene that provokes further reflection on death and memory.Kim mentioned that while such services bring technological possibilities, they also raise ethical and emotional complications.During the conversation, Kim Jong-un mentioned that the real star of the show was good from the beginning and that he was the main character in his second speech.The subtitle mentions that it's not good, and good things are a little harder in the middle now.So by my own admission, the boy is not so good and the waiting power is better.When will it be chronic? I'm waiting.When will you get mad? I know, wait, wait wait? Wait sex wait sex.Kim mentioned he might then become a celebrity once more and die not giving up till the end.Today, I'm going to finish up here.Kim Jong-un said it. Did you say it? Very happy, thanks.Another participant mentioned that he would like to see the movie again next time.Love it, our artists. It doesn't do us any good to get together and paint.Go paint, paint.Was it hard to take this photo with your hands and feet? Kids can too.Shouldn't we start our involvement with the fund? Getting in is the most expensive. Cards cut off, money coming in, money coming in.To see if the most expensive prices go up, maybe you've collected so far.Taryn, but, I don't know if that's being praised.Participants discussed whether or not they should participate in such a foundation, and it was mentioned that it is nice to participate in such a foundation, but not to participate and just pay for it is not the way to do it.It doesn't matter if you can't see the movie.What good is this? It's scary to do or not to do.Well, well, well. Only for a moment. Money is pride, not a good thing.Yes, I fooled myself. I fooled myself.You've been lied to, then. Nothing good. I'm proud of it.Going to the movies is really something I have to pay for.Mike down, sir.It's my philosophy that I want me to watch the movie and I want this movie to go well, so I want to donate as well.But you didn't.Yes, I think someone should have said that and spoken then.I finished everything because I didn't say so, because I said so.I say the exact opposite about hospitals, whatever your agenda is.I really want to go to the movies, to see my favorite woman, to see Kim Jong-un.Watch the movie, watch the movie, watch the movie, watch the movie, watch the movie, watch the movie, watch the movie, watch the movie very well.This kind of hypocrisy is a good thing, IMO.Sure, it's good.It's not false. I've deluded myself.It's not selfish, it's something false.Fake myself, it's to look really good.Warm up and pretend that I've never been selfish.She doesn't delude herself, but she seems to be the warm one.No, it's been bothering me.She had been troubled, then and now, at the time of the calculation.Why does it bother you? Why do good deeds? They say you have to do, no, it's really good, the brother does good things.You've done great things, and you still need to do a lot more.You must continue.Yes, in my latest paper, quiet, quiet, quiet.There's no reality, for example, that we're going to do this kind of work. Can you invest? Nothing, nothing, nothing, nothing, nothing, nothing.So he came back, and forced himself on me, again.It's great, brother is great, thank you brother for creating a movie on that news desk that can make people have more problems with it.Go to the movies anytime, anywhere, create and internal.Now everyone is in trouble because this movie is themed because this movie is in the hands of a superstar.Becoming the Lord, yes, yes, yes, yes, yes, being.It's the social return of the superstar, yes.Yes, not this movie for what it's worth, but now the question is, what have I been saying, people like you.Brother, stop. Stop now.Yeah no, I know don't do that, I know.Money is who money is.Brother can't, no.No, no, I can't.If so, I will.No problem.I know, and then it ends here.This time, I traveled to Japan again, but I'm keeping it.Oh, great.Where do I drop the money? Yeah, after I write it down, I'll think about it like this, and I'll come back a couple more times, and a couple more times, and a couple more times.The most pathetic thing is that I can't travel to Japan.Yes, lovely, lovely.Poor, lovely.Earlier, that movie titled Okeechukwu and the World came face to face again and was shown to the audience free of charge, but there was no such repetition of pride by next March.Brother did it himself.The dialogues throughout the video not only demonstrate the participants' deep understanding of the film, but also reflect their broader thinking about social phenomena.Through delicate dialogues and emotional expressions, the participants brought the audience into an atmosphere of thoughtful and resonant discussions.

Question: How does the 'Wendland' service mentioned in the video work?

Choices:
A. The Wendland service analyzes genetic data from the deceased to create a biological clone, which can then interact with the living.
B. The Wendland service compiles audio recordings and videos of the deceased to generate a digital archive, accessible for family members to view.
C. The Wendland service uses advanced holographic technology to project realistic images of the deceased, enabling real-time communication with the living.
D. The Wendland service creates an artificial intelligence in a virtual world by collecting data from the deceased's life, allowing the living to interact with the deceased.

Answer: D

How does the "Wendland" service mentioned in the video work?

The Wendland service creates an artificial intelligence in a virtual world by collecting data from the deceased's life, allowing the living to interact with the deceased.

Question: What social problems would arise if the "Wendland" service in the video were widely used?

Choices:
A. It may foster a culture of dependency on technology for emotional support and decision-making.
B. It may lead to an unwillingness to face the death of a loved one and an over-reliance on virtual interactions.
C. It might cause a surge in mental health issues due to prolonged exposure to digital environments.
D. It could result in increased social isolation and a decline in face-to-face communication skills.

Answer: B

It may lead to an unwillingness to face the death of a loved one and an over-reliance on virtual interactions.

Wendland service allows the deceased to continue to exist through the virtual world

This can make people reluctant to accept the natural death of a loved one

Leads to over-reliance on virtual interactions rather than facing reality

Question: What is the emotional impact of the Wendland service mentioned in the video on the families of the deceased?

Choices:
A. The service can create confusion about the finality of death, leading to mixed emotions.
B. The service often provides immediate closure, allowing families to move on quickly.
C. It may be difficult for the family to accept that the deceased is truly gone, prolonging the grief.
D. Families typically experience a sense of detachment, reducing emotional involvement.

Answer: C

It may be difficult for the family to accept that the deceased is truly gone, prolonging the grief.

Families can interact virtually with the deceased through the Wendland service [00:13:20->00:14:28]

It may give them a sense that the departed still exist [00:14:28->00:15:32]

Thus, it is difficult to accept the real departure of the deceased [00:15:32->00:20:00]

Leads to a continuation of grief [00:20:00->00:26:28]

Question: What are the implications of using the technology of the Wendland service to resurrect characters?

Choices:
A. It might result in technological advancements with minimal societal impact.
B. It could enhance historical accuracy and cultural preservation efforts.
C. It may lead to ethical controversies and distortions in world perception.
D. It would ensure complete control over narrative authenticity and continuity.

Answer: C

It may lead to ethical controversies and distortions in world perception.

Resurrecting Characters Using the Wendland Technique

May provide opportunities with these characters

But at the same time it can lead to a wrong interpretation of the world

and sparked an ethical controversy over the resurrection of the dead.

Question: What would happen if the technology depicted in the video could be applied to living people?

Choices:
A. It may lead to invasion of personal privacy and even identity confusion.
B. It could enhance medical diagnostics and improve treatment outcomes.
C. It would likely cause technological dependency and reduced human interaction.
D. It might result in increased social connectivity and community building.

Answer: A

It may lead to invasion of personal privacy and even identity confusion.

Technology used on living people means that their data can be copied

This may lead to the recording and use of personal privacy

Leads to confusion or fraudulent use of identity

Question: How does the 'Wendland' service mentioned in the video affect the lives of the families of the deceased?

Choices:
A. It creates a sense of closure and peace for the family members of the deceased.
B. It may be difficult for the family to let go of the past and affect their normal life.
C. It provides immediate financial relief to the family members of the deceased.
D. It helps the family members quickly move on from their loss without emotional distress.

Answer: B

How does the "Wendland" service mentioned in the video affect the lives of the families of the deceased?

It may be difficult for the family to let go of the past and affect their normal life.

Family members interact with the deceased through Wendland Services [00:36:00->00:40:03]

It may make them feel that the deceased still exists [00:40:03->00:45:14]

So unwilling to let go of the past [00:45:14->00:53:07]

Impact on their normal life and emotional recovery [00:45:14->00:56:06]

Question: What are the possible consequences if the technology served by Wendland is used for military purposes?

Choices:
A. could lead to controversy over the ethics of war and the misuse of intelligence on enemy soldiers.
B. could enhance international cooperation on peaceful technological development.
C. may result in significant advancements in civilian applications unrelated to military use.
D. might accelerate the development of defensive systems without ethical concerns.

Answer: A

could lead to controversy over the ethics of war and the misuse of intelligence on enemy soldiers.

Military use of Wendland technology may involve reanimating or simulating enemy soldiers

This could be used for intelligence purposes.

But it also raises questions about the ethics of war.

If the rights of the deceased are respected

Question: In the video, what is the audience's reaction to the Wendland service?

Choices:
A. Viewers may be shocked and disturbed as the service challenges traditional views of life and death.
B. Viewers remain largely indifferent, perceiving the service as a routine medical procedure.
C. Audiences express overwhelming joy and celebration for the innovative approach to end-of-life care.
D. The audience demonstrates confusion and uncertainty about the ethical implications of the service.

Answer: A

Viewers may be shocked and disturbed as the service challenges traditional views of life and death.

Wendland Services offers a new way to interact with the deceased [00:12:36->00:16:33]

This challenges the traditional view of life and death [00:16:33->00:23:08]

May be shocking and disturbing to the audience [00:23:08->00:35:10]

Because it involves rethinking the meaning of life [00:35:10->00:38:15]

Question: How does the "Wendland" service depicted in the video differ from traditional memorialization?

Choices:
A. Wendland services incorporate multimedia elements, unlike traditional methods that are typically text-based.
B. Wendland services emphasize communal participation, contrasting with traditional methods that are often individualistic.
C. Wendland services offer the possibility of interaction, whereas traditional memorialization methods are usually static.
D. Wendland services focus on digital preservation, while traditional methods rely on physical monuments.

Answer: C

Wendland services offer the possibility of interaction, whereas traditional memorialization methods are usually static.

Traditional forms of remembrance usually honor the deceased through static objects or rituals [00:37:04->00:40:05]

And the Wendland service allows for interaction with the deceased [00:40:05->00:41:10]

This provides a dynamic way of memorializing [00:41:10->00:43:10]

May change people's understanding of the meaning of remembrance [00:43:10->00:45:05]

Question: What the Wendland service brings to the community

Choices:
A. Facilitates community events to honor the deceased and promotes social cohesion
B. Offers financial assistance to families dealing with loss and provides grief counseling
C. Provides an opportunity to interact with the deceased and has emotional comfort for some people
D. Delivers educational programs on bereavement and supports mental health awareness

Answer: C

"What the Wendland service brings to the community

Provides an opportunity to interact with the deceased and has emotional comfort for some people


This video tells the story of the protagonist's life experience and inner world as an ordinary college student through a series of symbolic images and subtitles.The video begins with an abstract animation of colors and shapes, suggesting the protagonist's exploration and contemplation of life.The video then shifts to specific scenes and characters.The main character wakes up every morning to drink milk, rides the subway to school, and faces the challenges of exams.In the course of his studies, he became deeply philosophical about life, and especially puzzled about the meaning of life.In the course of his philosophical explorations, he encounters complex situations, such as the sight of a nude actress's body, which seems to have an impact on his mind.As the story progresses, the main character goes on a vacation.During this vacation, he talks about his love for a female student, but the feelings don't seem to be reciprocated.He hopes to help her through his compassion, but ultimately realizes his efforts are futile.The failure of this relationship left him frustrated, but it also prompted him to begin reflecting on his life's purpose.The video also features symbolic scenes, such as a man climbing to the top of a statue in a dark room, suggesting the protagonist's inner struggle and desire for the unknown.The protagonist then identifies himself as a university student from Kazakhstan, stating that he is going in search of a new world.This passage shows his vision of the future and his struggle against reality through busy city streets and night scenes.The second half of the video is more specific, describing the main character's nightlife in the city.He finished his work at 10 p.m. and met a woman in need on his way home.He tries to help her, but eventually finds himself led into a blur of rooms.This passage shows the protagonist's inner conflicts and struggles through a series of tense shots.The ending part of the video is more abstract, with some vague dialogues and scenes that hint at the complex emotions of the main character in helping others.Eventually, he gets into trouble again when he helps a drunken woman.This series of events made him reflect more deeply on his life and values.Overall, this video shows the protagonist's life experience and inner world exploration as an ordinary college student through a series of symbolic images and specific scenes.Key events and character relationships in the video reveal the protagonist's reflections on life, his quest for love, and his vision for the future.[00:10:00->00:20:00] The scene of the video gradually transitions from a fuzzy blue color to a more concrete picture.A man stood on a dimly lit street, his surroundings almost completely shrouded in darkness, with only the faintest of lights shining on his tired face.His gaze appeared firm and deep, as if he was thinking about something important.In the background, a tall building stands in the night, and although there are no details, its presence is unusually strong, as if it symbolizes some kind of irresistible power.The man's thoughts seemed to drift far away as he said softly, "I envy those people, and from this day forward, I will try to keep that in my stomach as well."There was a hint of helplessness and determination in his voice.Then he mentions something puzzling: "Are there any other writers? Here it is: murder, deception, suicide, war."It seems to be some kind of internal struggle and contradiction within him, and he feels that the world around him is full of complexity and confusion.Suddenly, his words became firm, "Your heart, from where do you now seek your articles, so you do not ask?" His tone revealed a sense of desire and determination for the future.He continued, "Sick, mom's asleep, come back soon.Why did you leave home? Suddenly, I've hated it all my life.So I wanted to do a new adventure."There was a glint of hope in his eyes, as if he had made up his mind.The scene gradually switches and the man's background brightens as he stands in a warm environment wearing a green hat.He smiled and said, "To the South Pole or the North Pole?" His tone was full of yearning and curiosity for the unknown.Then he seemed to be having a conversation with someone, "I walked out to grab the sub.Does Yaya have a vacation? No.Don't blank out like a <unk> sub and keep researching the slide."There was a hint of concern and encouragement in his tone.The video shows an intimate scene in a bathroom.A man dressed in gray and black gently shuffles his face as the camera's angle moves slowly as if capturing his inner peace and tranquility.He asked softly, "Dear brother, do you have any used money? There isn't."There was a hint of sincerity and candor in his tone.The scene changes again to show a man in a gray jacket who appears to be engaged in some sort of cleaning activity.He repeated, "Cleaning, cleaning, cleaning."His movements seemed mechanical and repetitive, as if he was trying to purify his mind through such simple actions.Then he pulled an object out of his pocket and seemed to be thinking about something.A vague set of dialog appears in the video, "Is it true? The friend is beautiful.Me? Not really.There really aren't two of them under the sky."These meaningful words seem to express his inner loneliness and his quest for his true self.The scene switches again to a man dressed in blue, standing in a background that seems to be thinking about something.Then he was talking to a man in a black jacket.The man looked a little disturbed and was comforted by a woman in a brown coat, while another man stood a short distance away, silently observing.The camera of the video pans to a bustling marketplace, illuminated by red and hanging lanterns.People walk through the marketplace, browsing the merchandise and interacting with vendors.Vendors display a variety of goods and process transactions, and the market is filled with a wide range of items, from food to clothing to household goods.Next, the video shows a night scene with red and yellow lights intertwined.A man wearing a brown hat made his way through the crowd, which was filled with many people preparing food, and the market was filled with the aroma of various delicacies.The camera of the video pans to a kitchen with various cooking tools and ingredients lining the countertops.A man removing food from a plate with flames looming in the background, apparently in a restaurant or similar facility.Finally, the video shows two people sitting at a table, enjoying dinner.The man on the left is dressed in red, the man on the right in a black hat, and the two are focused on their meal, with a sense of intimacy with each other.The closing part of the video shows men and women sitting in the forest, wearing green and gray hats.The man said softly, "Yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes, yes.Go anytime, anywhere.No."There is a firmness and determination in his words.The video ends with the man and the woman continuing their conversation in the forest, with the man saying, "I don't like whales.Won't be back.Before that, I tried putting my head in the <unk> sub when it made a sound in the variable."The woman responded, "Whale, don't be like that <unk> son.Do you realize that this place is an ocean of deceit? Mom, to your favorite wife, isn't it?" The man nodded and said, "Yes, men are so honest.Why is that right? She's beautiful.Smarter than me, better learner.I'm a fool compared to her.That's really sick."

The video ends with sunlight spilling over multi-story buildings and several people walking along a blurred path.The man said softly, "Eat up, ambition, chaos, Bjørn."There's an air of anticipation and unease about the future in his tone.Every image and conversation in the video shows the man's deepest struggles and his vision for the future.[00:20:00->00:30:00] The video gradually shifts from the previous complex scene to a group of people involved in a dance.The dancers were casually dressed, some in shaggy shirts, and the walls were decorated with pink and white shapes.In a green room, they were engaged in an impromptu dance with easy and natural movements.The camera switches to a man wearing a chance dress and engaging in various activities such as walking and lingering in front of a painted wall.The video's caption reveals an intense interaction: 'Woman treats her intense man and gets caught on her knees.'"The phrase suggests a tense relationship, but the expressions of the figures in the picture appear calm and focused.Next, the video shows a man dressed in gray, standing in a room as if engaged in some sort of self-talk.I don't have the courage," he repeated.Hit me.I think you're the woman that hit me.Okay? Good.Too big? Heavier.Standing? Waste.There's no Annie."There was a sense of helplessness and self-questioning in his tone, as if he was exploring deep inner conflicts and struggles.The scene switches again, and two people dressed in different colors are engaged in some sort of physical interaction.The first guy was wearing a gray shirt while the second guy was wearing a white shirt.Their movements seem both intimate and tense, and the faint sound of "my baby" in the background seems to express a complex emotion.The camera in the video pans to a dark room with muffled voices in the background.The screen then shows a close-up of a man's face, dressed in gray, standing next to a woman in a smooth dress.The man seems to be speaking to the woman, who listens intently.As time passes, the men become more agitated and the women seem concerned.The scene appears to be in an indoor space, possibly an office or conference room.Next, the video shows a man in a blue shirt looking for a green space.The picture gradually becomes blurry, and everyone's moods seem to become complex and elusive.From the video comes "Oh.Oh.Oh." as if expressing a sense of helplessness and confusion.The shot of the video switches again, and a man in a blue jacket appears in a busy room, surrounded by others.His facial expression and body language showed obvious uneasiness and anxiety.As the camera progresses, he rushes through the crowd, causing others to react and move.This passage shows the inner turmoil and turmoil of the protagonist through tense shots and quick edits.The last part of the video shows a man and a woman sitting at a dark water's edge, where the light appears to be very faint.The man whispered, "What now? I can catch whales.Stay and look.I can catch whales.Find a real whale.Good for yourself."The woman responded, "Good for yourself.All right, go ahead.Mom, the West is coming."This statement seems to express an uncertainty about the future and a struggle against reality.The video ends with sunlight spilling over multi-story buildings and several people walking along a blurred path.The man said softly, "Eat up, ambition, chaos, Bjørn."There's an air of anticipation and unease about the future in his tone.Every image and conversation in the video shows the man's deepest struggles and his vision for the future.[00:30:00->00:40:00] In the current video clip, the scene gradually shifts from the complexity of the previous scene to a more serene environment.The video begins with a green and black space appearing on the screen, giving it a relaxing feel.However, the subtitle of the video "can be stupid" seems to suggest an inner conflict and helplessness.Next, the scene switches to a white room with two people whose expressions appear calm and infinite.The caption "Don't cry" seems to be consoling someone, but the character in the picture does not show any obvious sadness, but rather looks a bit lost and confused.A man dressed in white lay on the floor, as if thinking about something, while another stood by in silent companionship.The scene then shifted to two people wearing different colored clothes.The man on the right looks a little uneasy in his gray clothes, and the man on the left looks very uncomfortable.The man on the right put his hand on the shoulder of the man on the left, as if trying to comfort him.Subtitles "Have not been sick before? I understand. It's the first time I've ever been like this.But why did she come like this? Crying."These words reveal a sense of confusion and helplessness about the status quo, as if the person on the left is suddenly in some kind of psychological predicament.The scene switches again, the background becoming darker and the expressions of the two men appearing more pronounced.They seem to be engaged in some kind of conversation, but the details in the image are blurred, and only their facial expressions reveal a sense of tension and unease.A man and a woman in a fuzzy room, wearing white shirts, keeping the atmosphere warm.However, as the video progresses, their expressions gradually become more complex and they seem to be discussing something important.Next, the video shows a calm street as the sky fades from pink to night.The city's skateboards add a sense of mystery as they reflect the last rays of the weak sunlight.There's no obvious movement, and the whole scene seems very calm, as if it's hinting at some unknown transformation.The scene switches again, and in a blurry position, a man's head is partially obscured and his face looks tense.The subtitle "Yes Yes Yes Tricked" seems to convey a sense of being tricked, but the exact context is unclear.A dark-haired man then sits in a blurred background with a downcast expression, and the viewer's attention is drawn to these subtle details.The video shows a man whose facial expression gradually becomes anxious, wearing a white shirt and black hair.As the video progresses, his movements become more tense and unpredictable, his arms constantly flashing and his body twisting in various ways.The low lighting adds to the sense of urgency and confusion, as if he's going through some sort of internal struggle.The scene continues to change to a similar room with two people dressed in black and white.Subtitles "What's your name? Yeah, your name is stupid."It seems to reveal some sort of deep inner conflict and self-questioning.A man stood in the doorway and the image became clearer as two men dressed in red and black seemed to be having some sort of conversation.Finally, the video shows a man and a woman with a white background.Subtitles "Do you want to go home? Where is home?" recurs, seeming to explore a longing for home and uncertainty about the future.The man and woman's expressions appeared complex, as if they were discussing some important topic, but the exact content of the conversation was unclear.As the video ended and sunlight poured over the multi-story building, a few people walked along the blurred path as the man whispered, "Eat up, Ambition, Chaos, Bjørn."There was an air of anticipation and unease about the future in his tone, as if he were hinting at the direction of the future and the struggle within.[00:40:00->00:50:00] In the current video clip, the scene gradually shifts from the complexity of the previous scene to a more serene environment.The video begins with two men walking down a narrow road, both dressed in black, and their steps seem a little heavy.As you can see from the subtitle, they are discussing a woman and the subtitle reads, "I'd like to find that woman's words.How can you save that wife? Well, how could you find that girlfriend? You only give out one breath in one night.Do you think the lady is yours? Everything is clean.Don't worry, Mom! Mom! I've given up everything.I'm not a student or anything.I'm the same as my brother.Have you seen the glasses?" These conversations reveal a deep sense of confusion and helplessness, as if they are going through some kind of internal struggle and conflict.The scene then switches to a building decorated with curves and traditional elements, where two men wearing black hats seem to be engaged in some sort of conversation.Subtitles "Have you seen the glasses? Help me.I want to take her home.Will that stupid wife, when you come, turn into a whale?" These words reveal an uncertainty about the future and a struggle against reality.Next, a man in green stands on a cold-looking floor in a somewhat chilly scene, and the subtitle repeats "I want to bring her home," as if to express a firm resolve.The image then shows a man dressed in white standing in front of a traditional Chinese building decorated with an intricate ceiling.The person performs a series of maneuvers, including spinning, raising his arms, and crossing his arms in front of them as the caption repeats "I want to take her home.I'll take you as my burden from now on.Call me Prince."These actions and words reveal a sense of longing and unease about the future.The scene continues to change with a man dressed in black on an irregular path pointing in a certain direction with the caption "Call me Prince Prince!" further emphasizes his inner determination and resolve.Next, a man in a black shirt stands in a darkened room in a blur, his mouth open and his eyes appearing loose, captioning "I want to talk to you, will you listen to me?" It seems to express an inner call and longing.The scene then switches to a more blurry scene of two people walking into a room with the caption, "Mom, you go in.The prince goes first.Mom, Prince, you won't stop.Hurry up and go.Em."These words reveal a call to motherhood and a hope for the future.Next, a man lies on a bed, looking uncomfortable, and the caption "Yes, go here, go here" seems to comfort him.The scene changes again and a man in a black hat sits outside with the caption "Yes, to here, to here.Oh, folk."These words reveal a sense of helplessness about reality and uncertainty about the future.Next, a man dressed in white looking very distressed, captioned "Oh, folk.People, people.People, people."This pain and anguish is further emphasized.The video features a blurry set of images of a child relaxing in a room with the caption, "Again, again.Put it down and put it down again."It seems to express an inner release and relaxation.Then, in front of a darkened window, the caption "Put it down, put it down again."This inner change is further emphasized.The scene switches again and a man in a black jacket and glasses enters the frame from the right side of the door, his hands covering his face and mouth, looking very anxious, with the caption, "Again, again, again, again.It's a thief."These words reveal a sense of tension and unease.Next, the video features an interesting scene where a man in a bright shirt appears in the frame, with the background kept in a kind of blur with the caption "Yes, yes."It seems to express an inner ease and cheerfulness.The video goes on to show a white room with three people standing in it, two of them dressed in white and the other in black, with the subtitle "Bur Yen Virgin Where North Anywhere Return" revealing a sense of uncertainty about the future and a struggle against reality.Next, the scene shows a man and a woman, the man is dressed in a bergie and lying on a bed, the woman looks very disturbed, captioning "Mom, go inside.The prince goes first.Mom, Prince, you won't stop.Hurry up and go.Em."These words further emphasize the call to motherhood and the hope for the future.The last part of the video shows sunlight spilling over a multi-story building and several people walking along a blurred path as the man whispers, "Eat up, ambition, chaos, Bjørn."There was an air of anticipation and unease about the future in his tone, as if he were hinting at the direction of the future and the struggle within.Every image and conversation in the video shows the man's deepest struggles and his vision for the future.[00:50:00->01:00:00] In the current video clip, the scene gradually shifts from the previous complex scene to a more serene snowy landscape.The video begins with a group of people gathered in the snow, each wearing an assortment of hats and scarves, seemingly enjoying the winter cold.As the camera advances, the focus shifts to a man in a green hat and scarf, who is closely followed by a woman in a white hat, and the two run towards the camera together.The scene then switches to a close-up of a man's face, dressed in brown clothes and a hat, standing in the snow.His hand was stretched out in front of him, as if he were seeking help or expressing some sort of confusion.In the background, a group of people gather in the distance, including a woman in a white dress and a man in a green jacket, who appear to be reacting to the man's plight.As the video progresses, the man in brown becomes more nervous, making exaggerated movements with his arms as if trying to express inner turmoil and anxiety.The video is subtitled "Fingers only, fingers only" and "Looks like a million each.The internal conflict and struggle is further emphasized by the statement "If you die, you won't be tired".The scene then shifts to a more expansive snowy landscape with a man dressed in black walking on the snow with a traditional Korean house in the background, the sky is clear and the sun shines on the snow with a warm glow.A group of people in winter coats walk towards the house, the snow on the ground is seamless and only their footprints leave a trail.The subtitles of the video, "If 100 million people died, they wouldn't be tired" and "Since this spring, I've been in the Lord," reveal a sense of uncertainty about the future and a struggle against reality.Next, the scene switches to a table filled with food with meat and green hands on it, then the camera pans to a table where a man dressed in black is serving food from the table.The subtitles of the video, "If 100 million people died, they wouldn't be tired" and "Since this spring, I've been in the Lord" re-emphasize this inner conflict and longing for the future.The video goes on to show an approaching shot of a man in a green hat and black jacket who appears to be talking or explaining something.The background is blurry, but his facial expressions and hand movements suggest he's engaged in some sort of conversation.The next shot shows a man in a white shirt and glasses listening intently, the body language and facial expressions of the two men revealing an atmosphere of tension and concentration.The video's subtitles "Arm Guster" and "Even Eating Feels" further add to this tension.The scene then shifts to two people dressed in black standing in a dark setting with a beautiful person in the background.The video's subtitle "mixes giant just scrambled look yes yes" suggests a complex emotion and inner struggle.Then two men sitting at a table began to talk, the man on the left was dressed in black and they seemed to be discussing a child.The video's caption "Do you want that baby? Not to have, but to love.Yeah? Good love? Ha ha. I'll put you down for a spot.How long have you loved?" It reveals the conflict between them and their understanding of love.The video goes on to show a snow-covered attraction where riders dressed in red and black encounter a green structure approaching a snow-covered area.The video's captioned "Here's which woman.Can't you see the man in the glasses?" Further adding to the mystery and tension of the image.Finally, the scene shifts to a blurry floor where a man wearing a white top and black jacket appears to be in the middle of a conversation.As the video ended and sunlight poured over the multi-story building, a few people walked along the blurred path as the man whispered, "Eat up, Ambition, Chaos, Bjørn."There was an air of anticipation and unease about the future in his tone, as if he were hinting at the direction of the future and the struggle within.[01:00:00->01:10:00] In the current video clip, the scene gradually shifts from the previous complex scene to a more serene snowy landscape.The video begins with a group of people gathered in the snow, each wearing an assortment of hats and scarves, seemingly enjoying the winter cold.As the camera advances, the focus shifts to a man in a green hat and scarf, who is closely followed by a woman in a white hat, and the two run towards the camera together.The scene then switches to a close-up of a man's face, dressed in brown clothes and a hat, standing in the snow.His hand was stretched out in front of him, as if he were seeking help or expressing some sort of confusion.In the background, a group of people gather in the distance, including a woman in a white dress and a man in a green jacket, who seem to be reacting to the man's plight.As the video progresses, the man in brown becomes more nervous, making exaggerated movements with his arms as if trying to express inner turmoil and anxiety.The video is subtitled "Fingers only, fingers only" and "Looks like a million each.The internal conflict and struggle is further emphasized by the statement "If you die, you won't be tired".The scene then shifts to a more expansive snowy landscape with a man dressed in black walking on the snow with a traditional Korean house in the background, the sky is clear and the sun shines on the snow with a warm glow.A group of people in winter coats walk towards the house, the snow on the ground is seamless and only their footprints leave a trail.The subtitles of the video, "If 100 million people died, they wouldn't be tired" and "Since this spring, I've been in the Lord," reveal a sense of uncertainty about the future and a struggle against reality.Next, the scene switches to a table filled with food with meat and green hands on it, then the camera pans to a table where a man dressed in black is serving food from the table.The subtitles of the video, "If 100 million people died, they wouldn't be tired" and "Since this spring, I've been in the Lord" re-emphasize this inner conflict and longing for the future.The video goes on to show an approaching shot of a man in a green hat and black jacket who appears to be talking or explaining something.The background is blurry, but his facial expressions and hand movements suggest he's engaged in some sort of conversation.The next shot shows a man in a white shirt and glasses listening intently, the body language and facial expressions of the two men revealing an atmosphere of tension and concentration.The video's subtitles "Arm Guster" and "Even Eating Feels" further add to this tension.The scene then shifts to two people dressed in black standing in a dark setting with a beautiful person in the background.The video's subtitle "mixes giant just scrambled look yes yes" suggests a complex emotion and inner struggle.Then two men sitting at a table began to talk, the man on the left was dressed in black and they seemed to be discussing a child.The video's caption "Do you want that baby? Not to have, but to love.Yeah? Good love? Ha ha. I'll put you down for a spot.How long have you loved?" It reveals the conflict between them and their understanding of love.The video goes on to show a snow-covered attraction where riders dressed in red and black encounter a green structure approaching a snow-covered area.The video's captioned "Here's which woman.Can't you see the man in the glasses?" Further adding to the mystery and tension of the image.Finally, the scene shifts to a blurry floor where a man wearing a white top and black jacket appears to be in the middle of a conversation.As the video ended and sunlight poured over the multi-story building, a few people walked along the blurred path as the man whispered, "Eat up, Ambition, Chaos, Bjørn."There was an air of anticipation and unease about the future in his tone, as if he were hinting at the direction of the future and the struggle within.[01:10:00->01:20:00] In the current video clip, the scene gradually shifts from the previous complex scene to a more serene snowy landscape.The video begins with a group of people gathered in the snow, each wearing an assortment of hats and scarves, seemingly enjoying the winter cold.As the camera advances, the focus shifts to a man in a green hat and scarf, who is closely followed by a woman in a white hat, and the two run towards the camera together.The scene then switches to a close-up of a man's face, dressed in brown clothes and a hat, standing in the snow.His hand was stretched out in front of him, as if he were seeking help or expressing some sort of confusion.In the background, a group of people gather in the distance, including a woman in a white dress and a man in a green jacket, who seem to be reacting to the man's plight.As the video progresses, the man in brown becomes more nervous, making exaggerated movements with his arms as if trying to express inner turmoil and anxiety.The video is subtitled "Fingers only, fingers only" and "Looks like a million each.The internal conflict and struggle is further emphasized by the statement "If you die, you won't be tired".The scene then shifts to a more expansive snowy landscape with a man dressed in black walking on the snow with a traditional Korean house in the background, the sky is clear and the sun shines on the snow with a warm glow.A group of people in winter coats walk towards the house, the snow on the ground is seamless and only their footprints leave a trail.The subtitles of the video, "If 100 million people died, they wouldn't be tired" and "Since this spring, I've been in the Lord," reveal a sense of uncertainty about the future and a struggle against reality.Next, the scene switches to a table filled with food with meat and green hands on it, then the camera pans to a table where a man dressed in black is serving food from the table.The subtitles of the video, "If 100 million people died, they wouldn't be tired" and "Since this spring, I've been in the Lord" re-emphasize this inner conflict and longing for the future.The video goes on to show an approaching shot of a man in a green hat and black jacket who appears to be talking or explaining something.The background is blurry, but his facial expressions and hand movements suggest he's engaged in some sort of conversation.The next shot shows a man in a white shirt and glasses listening intently, the body language and facial expressions of the two men revealing an atmosphere of tension and concentration.The video's subtitles "Arm Guster" and "Even Eating Feels" further add to this tension.The scene then shifts to two people dressed in black standing in a dark setting with a beautiful person in the background.The video's subtitle "mixes giant just scrambled look yes yes" suggests a complex emotion and inner struggle.Then two men sitting at a table began to talk, the man on the left was dressed in black and they seemed to be discussing a child.The video's caption "Do you want that baby? Not to have, but to love.Yeah? Good love? Ha ha. I'll put you down for a spot.How long have you loved?" It reveals the conflict between them and their understanding of love.The video goes on to show a snow-covered attraction where riders dressed in red and black encounter a green structure approaching a snow-covered area.The video's captioned "Here's which woman.Can't you see the man in the glasses?" Further adding to the mystery and tension of the image.Finally, the scene shifts to a blurry floor where a man wearing a white top and black jacket appears to be in the middle of a conversation.As the video ended and sunlight poured over the multi-story building, a few people walked along the blurred path as the man whispered, "Eat up, Ambition, Chaos, Bjørn."There was an air of anticipation and unease about the future in his tone, as if he were hinting at the direction of the future and the struggle within.Every image and conversation in the video shows the man's deepest struggles and his vision for the future.As the sunlight poured down on the multi-story building and a few people walked along the blurred path, the man whispered, "Eat up, Ambition, Chaos, Bjørn."There was an air of anticipation and unease about the future in his tone, as if he were hinting at the direction of the future and the struggle within.[01:20:00->01:30:00] In the current video clip, the scene gradually shifts from the previous complex scene to a serene and cold snowy landscape.The video begins with a group of people gathered in the snow, each wearing an assortment of hats and scarves, seemingly enjoying the winter cold.As the camera advances, the focus shifts to a man in a green hat and scarf, who is closely followed by a woman in a white hat, and the two run toward the camera together as if chasing each other's shadows.The scene then switches to a close-up of a man's face, dressed in brown clothes and a hat, standing in the snow.His hand was stretched out in front of him, as if he were seeking help or expressing some sort of confusion.In the background, a group of people gather in the distance, including a woman in a white dress and a man in a green jacket, who seem to be reacting to the man's plight.As the video progresses, the man in brown becomes more nervous, making exaggerated movements with his arms as if trying to express inner turmoil and anxiety.The video is subtitled "Fingers only, fingers only" and "Looks like a million each.The internal conflict and struggle is further emphasized by the statement "If you die, you won't be tired".The scene then shifts to a more expansive snowy landscape with a man dressed in black walking on the snow with a traditional Korean house in the background, the sky is clear and the sun shines on the snow with a warm glow.A group of people in winter coats walk towards the house, the snow on the ground is seamless and only their footprints leave a trail.The subtitles of the video, "If 100 million people died, they wouldn't be tired" and "Since this spring, I've been in the Lord," reveal a sense of uncertainty about the future and a struggle against reality.Next, the scene switches to a table filled with food with meat and green hands on it, then the camera pans to a table where a man dressed in black is serving food from the table.The subtitles of the video, "If 100 million people died, they wouldn't be tired" and "Since this spring, I've been in the Lord" re-emphasize this inner conflict and longing for the future.The video goes on to show an approaching shot of a man in a green hat and black jacket who appears to be talking or explaining something.The background is blurry, but his facial expressions and hand movements suggest he's engaged in some sort of conversation.The next shot shows a man in a white shirt and glasses listening intently, the body language and facial expressions of the two men revealing an atmosphere of tension and concentration.The video's subtitles "Arm Guster" and "Even Eating Feels" further add to this tension.The scene then shifts to two people dressed in black standing in a dark setting with a beautiful person in the background.The video's subtitle "mixes giant just scrambled look yes yes" suggests a complex emotion and inner struggle.Then two men sitting at a table began to talk, the man on the left was dressed in black and they seemed to be discussing a child.The video's caption "Do you want that baby? Not to have, but to love.Yeah? Good love? Ha ha. I'll put you down for a spot.How long have you loved?" It reveals the conflict between them and their understanding of love.The video goes on to show a snow-covered attraction where riders dressed in red and black encounter a green structure approaching a snow-covered area.The video's captioned "Here's which woman.Can't you see the man in the glasses?" Further adding to the mystery and tension of the image.Finally, the scene shifts to a blurry floor where a man wearing a white top and black jacket appears to be in the middle of a conversation.As the video ended and sunlight poured over the multi-story building, a few people walked along the blurred path as the man whispered, "Eat up, Ambition, Chaos, Bjørn."There was an air of anticipation and unease about the future in his tone, as if he were hinting at the direction of the future and the struggle within.In the current video clip, the scene gradually shifts from a serene snowy landscape to a more complex scene, with each image and conversation showing the protagonist's deepest struggles and visions for the future.With a series of symbolic images and dialogues, the video conveys the protagonist's deep thoughts about life and uncertainty about the future, making the viewer feel as if they were there, feeling the complex emotions within the protagonist's heart.[01:30:00->01:40:00] In the current video clip, the scene gradually shifts from a serene snowy landscape to a warmer and more tranquil beach scene.The video begins with three people standing on a rocky outcrop under a clear sky as the afterglow of the sunset colors the sky a warm orange and pink.The waves gently lapped at the beach, reflecting the colors of the sky, and the whole scene seemed very harmonious and calm.One of them wore a red jacket and the other a white garment, and their expressions appeared relaxed and pleasant.As the camera advances, the scene shifts to a more expansive beach.With the sun partially hidden by the horizon, the sky took on a warm orange and yellow hue, and the waves left white foam on the beach.A child wearing a bright top and dark shorts stands on the beach, facing the camera as if enjoying the moment.Next, the camera pans to two men wearing red clothing who appear to be watching some red object.The waves are still white, contrasting with the black rocks, giving a sense of serenity and mystery.The subtitle "that" of the video seems to direct the viewer's attention, suggesting some kind of discovery or reflection.The scene then switches to a woman in a black jacket, standing in the sunlight with a calm and neutral expression.In the background, a calm ocean and warm sunlight create a peaceful atmosphere.A few people were walking along the water's edge, their movements seemed relaxed and natural, as if they were enjoying the good times.The camera continues to advance and the scene shows three people walking on the beach, the sun shining and the waves lapping gently around them.The caption on the video reads, "When walking along the route for 50 miles, I'll come here.Next, the scene shifts to a cyclist riding on a dry road with a calm ocean in the background and the weather looking a little chilly.The video's subtitled "Prince, do you know how to ride a bike? Do you? Can I borrow it for a while?" reveals a relaxed conversational atmosphere, as if it were a casual conversation between friends.The footage then shows two men riding bicycles on two roads, the man on the left wearing a black jacket and pants and the man on the right wearing a lighter colored jacket and black pants, both wearing safety helmets.The video's subtitles, "Oh, come on," seem to encourage them to keep going.The scene continues to change with three men on bicycles, the first and third men both wearing black jackets and black pants.The scenery in the background looks very serene and everything looks very harmonious with the sun shining on it.The video's captioned "Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh" further enhances this feeling of serenity and harmony.Then a man in a green hat appears in the picture with a white background.The camera gradually pulls away to show an expansive scene of a man dressed in green, standing in the background.The video's captioned "Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh" further emphasizes this atmosphere of serenity and harmony.As the video progresses, the picture gradually becomes more tense.A man dressed in black slides on a rock with white water in the background.The video's captioned "Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh" seems to express an emotion of nervousness and unease.Finally, the scene shifts to a man dressed in black lying on a rock, his feet in an unnatural position and his hand movements suggesting a fierce struggle.The video's captioned "Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh" further enhances this tension.The closing portion of the video shows sunlight spilling over a multi-story building as several people walk along a blurred path, and the man whispers, "Eat up, ambition, chaos, Bjørn."There was an air of anticipation and unease about the future in his tone, as if he were hinting at the direction of the future and the struggle within.Through a series of symbolic images and dialogues, the whole video conveys the protagonist's deep thoughts about life and uncertainty about the future, making the viewer feel as if they were there, feeling the complex emotions within the protagonist's heart.[01:40:00->01:50:00] In the current video clip, the scene gradually shifts from a serene snowy landscape to a more complex scenario, with each image and conversation showing the protagonist's deepest struggles and visions for the future.The video begins with three people standing on a rocky outcrop under a clear sky as the afterglow of the sunset colors the sky a warm orange and pink.The waves gently lapped at the beach, reflecting the colors of the sky, and the whole scene seemed very harmonious and calm.One of them wore a red jacket and the other a white garment, and their expressions appeared relaxed and pleasant.As the camera advances, the scene shifts to a more expansive beach, with the sun partially hidden by the horizon, the sky taking on warm orange and yellow colors, and the waves leaving white foam on the sand.The video shows a child wearing a bright top and dark shorts, standing on the beach and facing the camera as if enjoying the moment.The camera then pans to two men, wearing red clothing, who appear to be watching some red object.The waves are still white, contrasting with the black rocks, giving a sense of serenity and mystery.The subtitle "that" of the video seems to direct the viewer's attention, suggesting some kind of discovery or reflection.The scene then switches to a woman in a black jacket, standing in the sunlight with a calm and neutral expression.In the background, a calm ocean and warm sunlight create a peaceful atmosphere.A few people were walking along the water's edge, their movements seemed relaxed and natural, as if they were enjoying the good times.The camera continues to advance and the scene shows three people walking on the beach, the sun shining and the waves lapping gently around them.The caption on the video reads, "When walking along the route for 50 miles, I'll come here.Next, the scene shifts to a cyclist riding on a dry road with a calm ocean in the background and the weather looking a little chilly.The video's subtitled "Prince, do you know how to ride a bike? Do you? Can I borrow it for a while?" reveals a relaxed conversational atmosphere, as if it were a casual conversation between friends.The footage then shows two men riding bicycles on two roads, the man on the left wearing a black jacket and pants and the man on the right wearing a lighter colored jacket and black pants, both wearing safety helmets.The video's subtitles, "Oh, come on," seem to encourage them to keep going.The scene continues to change with three men on bicycles, the first and third men both wearing black jackets and black pants.The scenery in the background looks very serene and everything looks very harmonious with the sun shining on it.The video's captioned "Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh" further enhances this feeling of serenity and harmony.Then a man in a green hat appears in the picture with a white background.The camera gradually pulls away to show an expansive scene of a man dressed in green, standing in the background.The video's captioned "Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh" further emphasizes this atmosphere of serenity and harmony.As the video progresses, the picture gradually becomes more tense.A man dressed in black slides on a rock with white water in the background.The video's captioned "Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh" seems to express an emotion of nervousness and unease.Finally, the scene shifts to a man dressed in black lying on a rock, his feet in an unnatural position and his hand movements suggesting a fierce struggle.The video's captioned "Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh.Oh" further enhances this tension.The closing portion of the video shows sunlight spilling over a multi-story building as several people walk along a blurred path, and the man whispers, "Eat up, ambition, chaos, Bjørn."There was an air of anticipation and unease about the future in his tone, as if he were hinting at the direction of the future and the struggle within.Through a series of symbolic images and dialogues, the whole video conveys the protagonist's deep thoughts about life and uncertainty about the future, making the viewer feel as if they were there, feeling the complex emotions within the protagonist's heart.

Question: Why is the young man in the video inside the prison?

Choices:
A. Because he was caught stealing from a local convenience store.
B. Because he was involved in a high-speed car chase with law enforcement.
C. Because he was found trespassing on private property late at night.
D. Because a woman called the police and said he was bullying women.

Answer: D

Because a woman called the police and said he was bullying women.

The main character, a college student, enters a bodybuilding competition and is ridiculed [00:00:14->00:01:23]

Envisioning what he would have experienced at school, walking down the street in a depressed mood [00:01:24->00:04:08]

Encountered a drunken lady, helped the lady, but got dragged to jail [00:04:09->00:04:26]

The officer learns the story and finally signs off and leaves the station [00:04:27->00:09:04]

Question: What happens if the young man doesn't help the lady?

Choices:
A. If the young man hadn't helped the lady, the life behind him wouldn't have been so exciting.
B. If the young man hadn't helped the lady, the subsequent days would have passed without incident.
C. If the young man hadn't helped the lady, the events following would have remained uneventful.
D. If the young man hadn't helped the lady, the future ahead would have been predictable and dull.

Answer: A

If the young man hadn't helped the lady, the life behind him wouldn't have been so exciting.

The young man didn't help Ms. [00:04:09->00:04:26]

If I hadn't gone to jail, I wouldn't have met the hatchet man.

If you don't know the hatchet man, you won't drift together.

Question: What did the two of them go through together after the hatchet man was released from prison?

Choices:
A. They've been through a lot of happy, sad, and dangerous things together.
B. They experienced a series of peaceful and uneventful days without any conflicts.
C. They focused solely on rebuilding their careers and ignored personal challenges.
D. They faced numerous legal battles but avoided any emotional or physical risks.

Answer: A

They've been through a lot of happy, sad, and dangerous things together.

Question: Why were the three so excited to see the ocean?

Choices:
A. Because they wanted to collect seashells for decoration.
B. Because they planned to swim and cool off in the water.
C. Because they can wash the soot off their faces.
D. Because they needed to refill their water containers.

Answer: C

Because they can wash the soot off their faces.

The three are chased by the bad guys [01:20:01->01:25:02]

Climbed on top of a coal train to escape [01:25:03->01:27:40]

After the train ride, all three have black dust on their faces [01:27:41->01:29:37]

I was very happy to see the sea after getting off the train [01:29:38->01:31:36].

Question: Why didn't the three bad guys take the woman?

Choices:
A. Because they were touched by the truth of the young man and the woman.
B. Because they feared the consequences of their actions from the authorities.
C. Because they were distracted by an unexpected external event.
D. Because they realized the woman was protected by a powerful guardian.

Answer: A

Because they were touched by the truth of the young man and the woman.

They're being chased by bad guys and hiding [01:20:01->01:35:50]

The bad guys are ready to take the woman to cover their debt, and the man loses his resistance [01:35:51->01:39:40].

The bad guys see the men being so genuine, are moved, and finally let them go [01:39:41->01:40:x10]

Question: How does the young man's resistance to the bad guy in the video affect the woman's reaction to her?

Choices:
A. Women tend to feel indifferent towards the young man's resistance to bad guys in such scenarios.
B. The woman's reaction is primarily influenced by the young man's physical appearance, not his resistance.
C. Young men can cause women to feel self-conscious because of their resistance to bad guys.
D. Young men's resistance to bad guys often leads women to feel more confident and secure.

Answer: C

Young men can cause women to feel self-conscious because of their resistance to bad guys.

Video of young man fighting desperately against bad guys [01:36:47->01:38:49]

Such behavior is heartbreaking to the woman, causing her to blame herself [01:38:50->01:39:42]

The woman's sense of remorse drives the plot of the bad guys letting her go [01:39:43->01:41:00]

Question: Where do the three return to at the end of the video?

Choices:
A. After drifting, the trio return to the woman's hometown to meet her mom.
B. After their expedition, the trio returns to the city where they first met to reminisce about their beginnings.
C. Upon completing their adventure, the three travel to a coastal town to reunite with old friends.
D. Following their journey, the group heads back to the man's childhood village to visit his family.

Answer: A

After drifting, the trio return to the woman's hometown to meet her mom.

Question: What is the main point of this video?

Choices:
A. This video documents the training routines of professional surfers.
B. This video focuses on the adventurous rafting career of young men.
C. This video explores the technical aspects of kayaking competitions.
D. This video highlights the challenges of mountain climbing expeditions.

Answer: B

This video focuses on the adventurous rafting career of young men.